Anthony Bannon

Anthony Bannon
Dr. Anthony Bannon
Born	December 6, 1943 Hanover, New Hampshire
Residence	U.S.
Nationality	American
Fields	Arts
Institutions	George Eastman House International Museum of Photography and Film
Alma mater	St. Bonaventure University State University of New York at Buffalo

Anthony Bannon (born December 6, 1943) was the seventh director of George Eastman House, International Museum of Photography & Film, located in Rochester, N.Y.^[1][2] He officially retired in May 2012 after 16 years at George Eastman House, the longest tenure in Eastman House history. During his tenure, Bannon launched programs in photo and film preservation, acquired the Technicolor and Merchant Ivory Productions archives, and established an online presence for the museum’s classic images. Bannon is now the executive director of the Burchfield Penney Art Center on the campus of State University College at Buffalo, where he had already served as director prior to joining George Eastman House in 1996.^[3]

George Eastman House is the world’s oldest museum of photography and largest museum of photography and film.^[4] During Bannon’s tenure the museum launched three internationally renowned graduate and post-graduate schools of film and photograph preservation and conservation.^[5]

Dr. Bannon has lectured at museums, colleges, and festivals worldwide. He currently serves as chairman of the Lucie Awards/International Photography Awards^[6] and was awarded the Golden Career Award in 2007 by the FOTOfusion Festival of Photography & Digital Imaging for his “far-reaching leadership and scholarship in the cultural community.”

Biography

Education

Dr. Bannon studied biology at St. Bonaventure University, earning a bachelor's degree in 1964. He earned a master's degree in English, with a concentration in criticism and film in the Center for Media Study, from the State University of New York at Buffalo in 1976. Bannon earned his Ph.D. in 1994 from the State University of New York at Buffalo from the English Department, with a concentration in Culture Studies. His thesis was titled Robert Longo: A Practice of Art.^[7]

Director of George Eastman House

George Eastman House International Museum of Photography & Film combines the world’s leading collections of photography and film with the stately pleasures of the Colonial Revival mansion and gardens that Kodak founder George Eastman called home from 1905 to 1932. Eastman is heralded as the father of popular photography and motion picture film.^[2]

George Eastman House, which opened to the public as a museum in 1949, has unparalleled collections — 400,000 photographs by 9,000 photographers, from the earliest daguerreotypes to the most recent digital images; 20,000 items of camera technology; 30,000 motion picture titles and 3.5 million publicity stills and posters; and one of the world’s most comprehensive libraries of photographic books, manuscripts, and journals.^[2] While preserving one of the richest historical collections, Eastman House also has as an aggressive acquisition program of contemporary works.

In modern archives and galleries adjacent to the National Historic Landmark home and gardens, the museum offers world-leading programs in photograph and film preservation. These include the L. Jeffrey Selznick School of Film Preservation, which offers a one-year certificate program as well as master's degree in conjunction with the University of Rochester;^[8] a master's degree in Photograph Preservation and Collections Management with Toronto’s Ryerson University;^[9] and a fellowship through the Advanced Residency Program in Photograph Conservation in collaboration with Image Permanence Institute of Rochester Institute of Technology.^[10]

In 2009 the Eastman House will launch the Center for the Legacy of Photography as well as a photograph conservation wiki.^[11]

Due to its leading preservation efforts, filmmakers who deposit their films at Eastman House include Martin Scorsese (a personal collection of 8,000 titles), Spike Lee, and Ken Burns.^[12]

Comments about George Eastman House during Bannon’s tenure:

“The nation’s leading photography museum.” —William Bulkeley, The Wall Street Journal

“George Eastman House is at the forefront of what I consider to be one of the most important tasks of our time — the preservation of film as part of our national heritage.” — Martin Scorsese, filmmaker

“If you have never seen a classic photograph in the raw, you are missing a wonderful experience . . . the jaw-dropping, pulse-racing, imagination-capturing capital of it all is the George Eastman House in Rochester, New York.” — John Owens, editor in chief, Popular Photography

“A national treasure . . . a first-rate modern museum that no lover of photography will want to miss.” — Susan Adams, senior editor, Forbes

“George Eastman House is among the holy places of cinema, where films are loved and preserved.” — Roger Ebert, film critic

Early career

Bannon began his career as a journalist, working from 1969 to 1985 for The Buffalo News, a metropolitan daily with a peak circulation of more than 400,000. He initially served as a theater and dance critic, and was a critic fellow at the Eugene O'Neill Memorial Theater Foundation and the American Dance Congress in 1969. Bannon later served as the newspaper’s film, video, and architecture critic, finally concentrating on the fine and camera arts from 1977 through 1985. When a Sunday edition was initiated in 1977, he was appointed its art section editor. Reflecting Buffalo’s long-standing tradition of civic commitment to culture, the News encouraged Bannon to teach, to make films, to serve as a dramaturg for theater productions, and to organize exhibitions in the visual arts.

For the next decade, from 1985 to 1996, Bannon was with the State University of New York College at Buffalo. He served as director of the Burchfield-Penney Art Center, which is dedicated to the work and archives of Charles Burchfield (1893–1967), an American watercolorist. The center holds the largest collection of Burchfield works, journals and ephemera. It also serves as a regional museum, collecting art, craft and design by artists who have lived in Western New York State, including the largest collection of Roycroft objects from the Arts and Crafts Movement. The center is the repository of the Charles Rand Penney Collections. As a presenting organization, the Burchfield-Penney programs in all the visual arts, including architecture, design, film, video, craft and folk art, as well as literary arts and music.

Bannon additionally held the position of the college’s assistant vice president and director for cultural affairs from 1994 to 1996. The Office of Cultural Affairs developed and advanced faculty, student and staff talent by locating, encouraging, assisting and presenting examples of intellectual and creative excellence from the College community. The objective of the office, established by Bannon, was to develop and sponsor collaborations across disciplines, often with organizations and individuals off campus, and to develop associations for the Foreign Exchange Program (particularly with the Latvian Academy of Fine Art and the Fachhochschule in Dortmund, Germany). The office also organized the campus lecture series, the college Summer School in the Arts at ArtPark, the college’s 125th Anniversary Celebration and the collaborations of the college Centers of Excellence. Bannon’s teaching experience has included adjunct positions at Sierra Nevada College in Nevada; State University of New York College at Buffalo; Empire State College in Buffalo; and Rochester Institute of Technology.

Personal

Bannon is married to Elizabeth Stewart, an addiction specialist who works as a psychologist for the New York State Office of Mental Retardation and Developmental Disabilities. His son Nick is an administrator for the Texas School for the Deaf in Austin, and his son Brendan is a photographer working in Africa.

Bannon was born in Hanover, New Hampshire, where his father, Dr. Robert Bannon, was a professor of physiological optics and a member of the Dartmouth Eye Institute, and his mother, Frances, was a nurse at Hitchcock Memorial Hospital.

Awards and Grants

CEO of the Year, Public Relations Society of America, Rochester Chapter, 2008^[13]

Golden Career Award, FOTOfusion Festival of Photography & Digital Imaging, 2007^[14]

University Arts Award, St. Bonaventure University, 2002

Outstanding Art Administrator of the Year, The Buffalo Partnership (Chamber of Commerce) and the Arts Council of Buffalo & Erie County, 1995^[15]

Gallaudet College Award for Excellence in Writing About Deafness, 1985

Merit Award For The Photo-Pictorialists of Buffalo American Photographic Historical Society, 1982 Videospace Experiment Grant, With Ed Emshwiller and Bob O. Lehmann A New York State Arts Council grant, administered by Media Study/Buffalo and WNED-Public Television, to make “Positive/Negative Electronic Faces” (With Emshwiller) and “UB/More To Come” (With Lehmann), 1973–74

Bunis Award for Best Article in Western New York State Magazine, 1972

American Association of Commerce Publications Best Feature Story, 1970

Publications

Hiroshi Watanabe: Findings, 2007 Critical Mass/Photolucida^[16]

Warheads: Photographs by Diane Bush, 2006 KuDaEditions, USA ^[17]

Picturing Eden, Introduction, 2005 Steidl, Germany^[18] Steve McCurry (Phaidon 55s), 2005 Phaidon Press, London, United Kingdom ^[18]

Ansel Adams, 2003 Fundación Pedro Barrié de al Maza, A Coruña, Spain ^[19]

Arcadia Revisited: Photographs by John Pfahl, 1988, with Estelle Jussim University of New Mexico Press^[20]

Grace Woodworth: Photographer Outside the Common Lines, 1984, with Mary Stanley Schweinfurth Memorial Art Center, Auburn, New York^[21]

The Taking of Niagara: A History of the Falls in Photography, 1982 Media Study/Buffalo, New York^[22]

The Photo-Pictorialists of Buffalo, 1981 Media Study/Buffalo with the Albright-Knox Art Gallery, Buffalo, New York ^[23]

References