Charlie Rich

For other people named Charles Rich, see Charles Rich (disambiguation).
Charlie Rich

Rich in 1973.
Background information
Birth name Charles Allan Rich
Born (1932-12-14)December 14, 1932
Colt, Arkansas, United States
Died July 25, 1995(1995-07-25) (aged 62)
Hammond, Louisiana, United States
Genres Country, countrypolitan, rockabilly, jazz, blues, Gospel, blue-eyed soul
Occupation(s) Singer-songwriter
Instruments Vocals, Piano, Guitar
Years active 1958–1995
Labels Sun, Phillips, Groove / RCA, Smash Records, Hi Records, Epic, UA, Elektra, Sire
Associated acts Roger Miller, Janie Fricke
Website CharlieRich.com

Charles Allan "Charlie" Rich (December 14, 1932 – July 25, 1995) was an American country music singer, songwriter and musician. His eclectic style of music was often difficult to classify in a single genre, encompassing the rockabilly, jazz, blues, country, soul and gospel genres.[1]

In the later part of his life, Rich acquired the nickname the Silver Fox. He is perhaps best remembered for a pair of 1973 hits, "Behind Closed Doors" and "The Most Beautiful Girl". "The Most Beautiful Girl" topped the U.S. country singles charts, as well as the Billboard Hot 100 pop singles charts and earned him two Grammy Awards. Rich was inducted into the Memphis Music Hall of Fame in 2015.

Early life

Rich was born in Colt, Arkansas, to rural cotton farmers. He graduated from Consolidated High School in Forrest City, where he played saxophone in the band. He was strongly influenced by his parents, members of the Landmark Missionary Baptist Church in Forrest City, as his mother, Helen Rich, played piano and his father sang in gospel quartets. A black sharecropper on the family land called C. J. Allen taught Rich blues piano. He enrolled at Arkansas State College on a football scholarship and then transferred to the University of Arkansas as a music major after a football injury. He left after one semester to join the United States Air Force in 1953.

While stationed in Enid Oklahoma, he formed "the Velvetones", playing jazz and blues and featuring his wife, Margaret Ann, on vocals.[1] He and Margaret Ann Greene had married in 1952. Upon leaving the military in 1956, they returned to the West Memphis area to farm 500 acres. He also began performing in clubs around the Memphis area, playing both jazz and R&B. It was during these times that he began writing his own material.

Career

After recording some demos for Sam Phillips at Sun Records that Phillips did not find commercial enough and considered to be "too jazzy," he was given a stack of Jerry Lee Lewis records and told: "Come back when you get that bad." In a September 6, 2010 NPR airing of a 1992 interview with Fresh Air host Terry Gross, Charlie Rich tells the story, himself, of Bill Justis telling Rich's wife those words.[2] In 1958, Rich became a regular session musician for Sun Records, playing on a variety of records by Lewis, Johnny Cash, Bill Justis, Warren Smith, Billy Lee Riley, Carl Mann, and Ray Smith. He also wrote several songs for Lewis, Cash, and others.

His third single for the Sun subsidiary, Phillips International Records, was the 1960 Top 30 hit, "Lonely Weekends," which was notable for its Presley-like vocals. It sold more than one million copies and was awarded a gold disc by the RIAA.[1] None of his seven follow-up singles was a success, however, though several of the songs became staples in his live set, including "Who Will the Next Fool Be," "Sittin' and Thinkin'," and "No Headstone on My Grave." These songs were often recorded by others to varying degrees of success, such as the Bobby Bland version of "Who Will the Next Fool Be."

Rich's career then stalled and he left the struggling Sun label in 1963, signing with a subsidiary of RCA Victor, Groove. His first single for Groove, "Big Boss Man," was a minor hit, but again, his Chet Atkins-produced follow-ups all stiffed. Rich moved to Smash Records early in 1965. Rich's new producer, Jerry Kennedy, encouraged the pianist to emphasize his country and rock n' roll leanings, although Rich considered himself a jazz pianist and had not paid much attention to country music since his childhood. The first single for Smash was "Mohair Sam," an R&B-inflected novelty-rock number written by Dallas Frazier, and it became a Top 30 pop hit. Unfortunately again for Rich, none of his follow-up singles was successful. Rich was forced to change labels, moving over to Hi Records, where he recorded blue-eyed soul music and straight country, but none of his singles made a dent on the country or pop charts. One Hi Records track, Love Is After Me, from 1966 belatedly became a white soul favorite in the early 1970s.

Career peak in the 1970s

Despite his lack of consistent commercial success, Epic Records signed Rich in 1967, mainly on the recommendation of producer Billy Sherrill. Sherrill helped Rich refashion himself as a Nashville Sound balladeer during an era when old rock n' roll artists like Jerry Lee Lewis and Conway Twitty were finding a new musical home in the country and western format. This new "Countrypolitan" Rich sound paid off in the summer of 1972, when "I Take It on Home" went to No. 6 on the country charts. The title track from his 1973 album Behind Closed Doors became a No. 1 country hit early in that year, then crossing over into the Top 20 on the pop charts. This time, his follow-up single did not disappoint, as "The Most Beautiful Girl" spent three weeks at the top of the country charts and two weeks at the top of the pop charts. Now that he was established as a country music star, Behind Closed Doors won three awards from the Country Music Association that year: Best Male Vocalist, Album of the Year, and Single of the Year. The album was also certified gold. Rich won a Grammy Award for Best Male Country Vocal Performance, and he took home four ACM awards. One of RCA's several resident songwriters, Marvin Walters, co-wrote for three years with Charlie producing four recordings including a very popular "Set Me Free".

After "The Most Beautiful Girl," No. 1 hits came quickly, as five songs topped the country charts in 1974 and crossed over to the pop charts. The songs were "There Won't Be Anymore" (Pop No. 18), "A Very Special Love Song" (Pop No. 11), "I Don't See Me In Your Eyes Anymore" (Pop No. 47), "I Love My Friend" (Pop No. 24), and "She Called Me Baby" (Pop No. 47). Both RCA and Mercury (Smash was a subsidiary of Mercury which was absorbed into the main company in 1970) re-released his previously recorded material from the mid-1960s, as well. All of this success led the CMA to name him Entertainer of the Year in 1974. In the same year he performed the Academy Award nominated theme song I feel love (Benji's Theme) from the film Benji. Rich had three more top five hits in 1975, but even though he was at the peak of his popularity, Rich began to drink heavily, causing considerable problems off-stage.

Rich's destructive personal behavior famously culminated at the CMA awards ceremony for 1975, when he presented the award for Entertainer of the Year, while visibly intoxicated.[3] After stumbling through the names of the nominees, Rich clumsily tore open the envelope, took out a cigarette lighter, and lit the paper on fire with the winner's name. While the paper burned, he announced that the winner of the award was "My friend Mr. John Denver."[4] Some considered it an act of rebellion against the Music Row-controlled Nashville Sound. But many speculated that Rich's behavior was a protest against the award going to Denver, whose music Rich had considered too "pop," and not enough "country."[3] Others, including industry insiders, were outraged, and Rich had trouble having hits throughout 1976, and only had one top ten with "Since I Fell For You". In a 2016 interview, former CMA Executive Director Jo Walker-Meador speculated that Rich's drunkenness may have been in part due to resentment over his being shut out of the nominations that year, after his success at the 1974 awards.

The slump in his career was exacerbated by the fact that his records began to sound increasingly similar: pop-inflected country ballads with overdubbed strings and little of the jazz or blues Rich had performed his entire life. He did not have a Top 10 hit again until "Rollin' With the Flow" went to No. 1 in 1977. Early the following year, in 1978, he signed with United Artists Records, and throughout that year, he had hits on both Epic and UA. His hits in 1978 included the top ten hits "Beautiful Woman," "Puttin' In Overtime At Home," and his last number one with "On My Knees," a duet with Janie Fricke. In the 1978 Clint Eastwood hit movie "Every Which Way But Loose", two of Rich's hits were featured in the movie. He also made a cameo appearance in the movie singing one of them on stage at the Palatine club.

Decline in activity and semi-retirement

Rich struggled throughout 1979 having hits with United Artists and Epic. His singles were moderate hits that year, the biggest of them on either UA or Epic was a version of "Spanish Eyes," which became a Top 20 country hit. Rich appeared as himself in the 1978 Clint Eastwood movie, Every Which Way but Loose, in which he performed the song "I'll Wake You Up When I Get Home." This song hit No. 3 on the charts in 1979 and was the last Top 10 single of his career. In 1980, he switched labels again to Elektra Records, and released a No. 12 single, "A Man Just Don't Know What a Woman Goes Through" in the fall of that year. One more Top 40 hit followed, the Gary Stewart song "Are We Dreamin' the Same Dream" early in 1981, but Rich decided to remove himself from the spotlight. For over a decade, Rich was silent, living off his investments in semi-retirement and only playing occasional concerts. He also played a bit part in the 1981 movie Take This Job and Shove It which yielded his last charted single, "You Made It Beautiful".

In 1992, Rich released Pictures and Paintings, a jazzy album that was produced by journalist Peter Guralnick. This album was released via Sire Records. Pictures and Paintings received positive critical reviews and restored Rich's reputation as a musician, but it would be his last album. Tom Waits, who was an opening act for Rich in the 1970s, mentions him in the song "Putnam County" from his album Nighthawks at the Diner with the lyric: "The radio's spitting out Charlie Rich... He sure can sing, that son of a bitch."

Death

Rich was traveling to Florida with his wife from Natchez, Mississippi, where he watched his son perform with Freddy Fender at a local casino, when he experienced a bout of severe coughing. After visiting a doctor in St. Francisville, Louisiana and receiving antibiotics, he continued traveling until he stopped to rest for the night. Rich died in his sleep on July 25, 1995, in a Hammond, Louisiana motel; he was 62 years old. The cause of death was a pulmonary embolism. He was buried in the Memorial Park Cemetery in Memphis, Tennessee.

At the time of his death, Rich was survived by his wife of 43 years, Margaret; two sons, Allan and Jack; two daughters, Renee and Laurie; and grandchildren Maggie Karber Yelverton, Wesley Karber, and Christian Cole Lee. Margaret Rich died in Germantown, Tennessee on July 22, 2010, and was buried alongside her husband.

Discography

Awards

Academy of Country Music

American Music Awards

Country Music Association

Grammy Awards

Bibliography

References

  1. 1 2 3 Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 128. ISBN 0-214-20512-6.
  2. ↑ "Charlie Rich: The Silver Fox With A Big Country Sound". Npr.org. September 6, 2010. Retrieved August 18, 2015.
  3. 1 2 "The Envelope Burning". Charlie Rich Jr. Retrieved August 18, 2015.
  4. ↑ Prachi Gupta (June 13, 2014). "Today in '70s nostalgia: Watch Charlie Rich burn John Denver at the 1975 CMAs". Salon.com. Retrieved August 18, 2015.
  5. ↑ "Charlie Rich Bio | Charlie Rich Career". CMT. Retrieved August 18, 2015.

External links

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