FEMM (duo)

For other uses, see, see FEMM (disambiguation).
FEMM

FEMM at J-Pop Summit 2015 in San Francisco. From left to right; RiRi and LuLa.
Background information
Origin Tokyo, Japan
Genres
Years active 2013-present
Labels
Associated acts FAKY
Website Femms.jp
Members
  • RiRi
  • LuLa

FEMM (sometimes recognized and an abbreviation for Far East Mention Mannequins) are a Japanese electronic dance music duo based in Japan, composed of RiRi and LuLa. The group signed with the Avex Group Holdings Inc. sub-record label Maximum10 and their distributing label Avex Music Creative Inc.; they signed a deal with London label JPU Records for European distributions. After a series of buzz singles between 2013 and 2014, FEMM released their debut studio album Femm-Isation in October 2014 as a digital release. FEMM's major debut and first physical release, Pow!/L.C.S., was released in February 2016.

FEMM are a music project that portrays "real-life mannequins", whilst Emily Kaiho and Hiro Todo are recognized as the leaders of the FEMM Agency Syndicate, a fictional agency that supports the independence and rights of mannequins (hypothetically their fan base). Kaiho and Todo portray as two characters each through the project; Kaiho as mannequin RiRi and mannequin management agent Honey-B, and Todo as mannequin LuLa and mannequin management agent W-Trouble.

Despite the groups lack of charting success, FEMM have received prospects from several Western social media websites and journalists alike. The group have been widely commended for their fashion style and their commercial appeal, alongside the accompanying songs they have recorded. FEMM have been cited as the world's "first mannequin duo", and have been highlighted by publications including The Huffington Post and Perez Hilton online as future prospects for mainstream music.[1][2]

Career

2013–early 2014: Formation and early work

FEMM consists of Japanese–American actress and singer Emily Kaiho, and Japanese idol Hiro Todo.[3] Little is known about FEMM's formation or meeting prior to being signed; in an interview on February 24, 2016, Todo (portraying her mannequin management agent character W-Trouble) stated that her and Kaiho "met at FEMM's Agency Syndicate. Details are top secret."[4] In October 2013, the group launched a YouTube channel and uploaded a teaser video; The video shows Kaiho as mannequin character RiRi, and Todo as mannequin character LuLa walking around the streets of Japan, talking about their quest of rescuing mannequins. This teaser was used to launch FEMM's website, which uses interactive elements to communicate with their fanbase.[5] FEMM signed with the Avex Group Holdings Inc. sub-record label Maximum10 and their distributing label Avex Music Creative Inc.[6][7]

In February 2014, FEMM premiered two music videos; "UFO" and "Astroboy" on their YouTube channel; the former track is a cover song originally recorded in 1977 by Japanese pop duo Pink Lady, whilst the latter track featured guest vocals from FEMM's agents, Honey-B and W-Trouble.[8][9][10] Despite the initial lack of popularity, FEMM included both songs in the group's debut extended play (EP) Astroboy on April 2, 2014.[11] "Astroboy" was recognized by Western critics as FEMM's first original song by the group.[12] The videos were directed by creative unit IKIOI, who had previously worked with other Japanese artists at the time.[12]

Mid-2014–2015: Femm-Isation, international recognition, and further promotion

On April 12, 2014, FEMM released their debut single, "Wannabe", from their then-upcoming studio album.[13] This marked their first single handled by Western producers and composers; "Wannabe" was produced by Australian production team Dreamlab, and Avex Music Creative Inc. hired several more Western producers for the album.[14] The second, third, and fourth singles from the album; "Kiss the Rain", "White Noise", and "We Flood the Night" were released on April 30, May 7 and 14 that same year. Avex Music Creative Inc. had hired European producers, such as Swedish producer Andreas Carlsson and Danish production team GL Music.[14][15][16][17] At the end of May, FEMM released their fifth single "Kill the DJ" alongside an accompanying music video on their YouTube channel.[18][19] The music video, alongside the recording, was the beginning of FEMM's international recognition and received a large amount of favourable feedback, praising the concept, its convenient use of cosplay and otaku culture, and choreography.[20] Riri recognized "Kill the DJ" as one of her favourite music videos to portray her and Todo's character's RiRi and Lula.[21]

The music videos to "Kill the DJ" (above) and "Fxxk Boyz Get Money" (below) was positively reviewed, where many critics praised the concept, its convenient use of cosplay and otaku culture, and choreography.[22][23]

In June 2014, FEMM premiered their sixth single "Fxxk Boyz Get Money" onto YouTube, and released it a month later on July 30 through iTunes Store.[24] The song was critically acclaimed from many music critics, many whom praised the song's commercial nature and lyrical message.[22][23] An accompanying music video was shot for the single; its features FEMM singing and twerking in an overlapped lyric video. The video received a large amount of favourable feedback, and attracted large attention from several online figures including American blogger and journalist Perez Hilton, American Youtube star Miles Jai, among others.[23][25][26] Due to its increasing popularity, the song was featured on the Twerk' em All compilation in July that same year, and gained more international fans from all over the world.[27] In November 2015, "Fxxk Boyz Get Money" surpassed one million views on YouTube; this marks FEMM's highest viewed and first video to reach the one million mark.[28] In mid-July 2014, the duo performed at Tokyo in Tulsa, an anime convention in Oklahoma, which was their first performance in North America.[1][29][30]

After the success and increasing popularity of "Kill the DJ" and "Fxxk Boyz Get Money", Avex Music Creative Inc. continued to hire several producers and composers from different European, Oceanic and North American regions.[21] FEMM collaborated with American producer's and songwriter's Dan Book and Alexei Misoul on "Party All Night", the seventh single from their then-upcoming studio album.[31] FEMM released their eighth single "Dead Wrong" on August 27 through iTunes Store.[32] The single was produced by New Zealand-born Australian musician Leah Haywood, and accompanying producers Daniel James and Kevin Ross.[14] "Unbreakable" served as FEMM's ninth single from the then-upcoming studio album, and was singled out as the only ballad by Honey-B and W-Trouble; the latter agent highlighted it as LuLa's favourite single.[33] FEMM released their final single from the album, entitled "Whiplash".[34] FEMM announced the release of their debut studio album, Femm-Isation, and was released on October 3 that same year.[14][35] Despite the lack of success in their native Japan, Femm-Isation reached the top ten on the US Billboard World Albums chart; this marks FEMM's first charting release to date.[36] The instrumental version of the album was released on December 24 through iTunes Store.[37]

FEMM promoted the album and its accompanying singles with performances at small clubs or other public events in Japan. FEMM were part of a one-night only show for the Japanese leg tour of Dutch recording artist and songwriter Eva Simons, and FEMM performed all the album tracks on their Femm-Isation Vol.3 concert the following day; this gig was hosted at Hatsudai Tamai Hospital.[38][39] FEMM performed alongside electronic musicians Afrojack, Alesso, Fedde Le Grand, Kaskade, and Martin Garrix amongst others at the annual Ultra Music Festival in Tokyo; this was FEMM's first musical performance at a live festival tour.[40] FEMM performed at the Versace after party in Tokyo, and performed on several other concert gigs until December 2014.[41][42][43] In August 2015, FEMM returned to the U.S. to perform at Rage, a gay bar and dance club in West Hollywood, California.[44] In the same weekend, they were headline acts at the J-Pop Summit in San Francisco along with other Japanese music acts such as Eir Aoi, JAM Project, and Gacharic Spin, amongst others.[45]

The group's final performance promoting material from Femm-Isation was for the 2015 YouTube FanFest Japan, where YouTube personalities and artists gathered together for a live streaming event.[46][47] The duo introduced their new song, "PoW!", which was a returning track from their live performances.[48] FEMM also released a collaboration music video with Japanese girl group FAKY with a Japanese cover of Sak Noel's "No Boyfriend" on the producer's YouTube channel on November 27, 2015.[49]

2016: Pow!/L.C.S. and other ventures

In early December 2015, FEMM confirmed in a press release through Avex Group Inc. that they would release their debut physical album, which was revealed to be entitled Pow!/L.C.S..[50] FEMM confirmed the EP would include two new tracks; the studio version of "Pow!", and "L.C.S.", alongside old remixes of their previous singles; they commented that they would add new re-edited versions of different tracks that didn't appear on their debut studio.[50] In late January 2016, FEMM announced through a press release with Avex Group Inc. that they would release a double album in late February 2016 that included a physical copy of Femm-Isation.[51] Regarding the material, FEMM agent Honey-B stated "The original order of the songs was already carefully mapped out, but this time round we got to put in segues in between songs which made a big difference. The songs flow so smoothly, it will seem like it all happens in a split second and like you have travelled in time."[52] On February 3, Pow!/L.C.S. was released digitally through iTunes Stores and served a physical released on February 23.[53][54] The music videos to "Pow!" and "L.C.S." premiered on FEMM's YouTube channel in January and February 2016.[55][56] On April 27, 2016, they re-release YouTube videos of "White Noise" and "Whiplash" with minor changes to lyrics and new camera angles. On the same day, FEMM, FAKY and Yup’in were confirmed to be in a new Avex project group called "FAMM’IN" and released their first digital EP, FAMM’IN and music video of their title song, "Circle" on YouTube.[57]

Artistry

Musical style and themes
"Kill the DJ" (2014)
A 30-seconds sample of "Kill the DJ". An electronic dance music song, it also contains elements of house in its compositions.[21]
"Fxxk Boyz Get Money" (2014)
A 30-seconds sample of "Fxxk Boyz Get Money". FEMM's most well-known single, it contains elements of trap music and hip-hop.[21][58][59]
Problems playing these files? See media help.

FEMM's music has been described by several music critics and scholars as electronic dance music (EDM), with a variety of sub-elements including hip-hop, electronica, eurodance, and house music.[60][61][62][58] According to Mike Kanert from Metropolis Magazine, he felt FEMM's music moved towards Americanized music, including hip-hop and club culture.[61] A staff member from Arcadey.net commented that "FEMM's music mostly consists of regurgitated American EDM, dance-pop, and hip-hop, all of which is just as enjoyable as it is generic. I'm guessing it's supposed to be some kind of meta commentary on mainstream music and manufactured pop stars or something...".[62] FEMM's debut studio album Femm-Isation shows several elements of electronic dance music; Greg Hignight from Nekopop.com reviewed the album and noted they album's ability in sending J-Pop music and English language to convey messages to the Western audience; "Each song is its own little pop universe. The album’s English lyrics also allow for an instant emotional connection with listeners, circumventing the language barrier that’s often been a challenge for J-Pop."[63] For FEMM's 2014 pop ballad "Unbreakable", the entire production relied on live orchestral instruments and was considered a "versatile" move by both fans and critics; According to W-Trouble, the song "relies on human feelings rather than of a mannequin."[64] W-Trouble commented "Unbreakable' is probably the song that expresses those feelings the most. The other songs are pretty rigid so I think they're closer to the image of mannequins."[64]

The song writing to FEMM's music material explore themes of girl power, feminism, and freedom of speech; two examples are the tracks "Fxxk Boyz Get Money" and "Girls Night Out", which lyrically discusses female empowerment and not relying on male labor or assistance.[65] Honey-B commented to an interviewer at Arama! Japan by stating, "We leave it to the listeners to decide about the message or feel of this track, but as for FEMM, they’re singing about “girl power”. Itʼs okay to be sexy, just donʼt let them take advantage of you. "Fxxk Boyz Get Money" has very aggressive lyrics, but lots of women seem to relate to it. They call it their life anthem."[65] For their first extended play Astroboy, both members did not yet have any professional experience in singing. The duo stated that the first time recording and appearing in a music video as their agents was challenging.[65] FEMM expressed that they would be honored to collaborate with any producers and songwriters who understand their message.[65] Molly Osberg from Vice noted that FEMM combined Japanese fashion and music together. She commented "At least, that's how I imagine we get acts like FEMM, the mesmerizing J-pop electro duo with a backstory more inventive than anything on the SyFy channel right now."[58] Osberg praised the producers and songwriters for being hidden pioneers in order to popularize the group, as she felt producers now were more "the frontmen".[58] Corynn Smith from MTV Iggy was impressed by their English language skills and commented "The pair’s overwhelmingly English discography has something for everyone with electronic taste, whether you’re feeling like a romantic trance trip a la "We Flood the Night", craving a techno remix of '70s J-pop hit "UFO", or in a twerk-tastic, rubber-maid-outfit-clad "Fxxk Boyz Get Money" kinda mood."[59]

Image

FEMM's image are portrayal's of two plastic dolls, known as mannequins (pictured at the J-Pop Summit in 2015).[66]

There are two roles/alter-ego's that play out through the FEMM project; the mannequins and the agents.[22][58][59][67] Emily Kaiho portrays one mannequin named RiRi and one agent named Honey-B. According to Honey-B, she revealed that RiRi is a "combat" mannequin that wears "rather aggressive designs".[65] Hiro Todo portrays one mannequin named LuLa and one agent named W-Trouble. According to W-Trouble, she described LuLa as a "babyfaced... housekeeper" that wears more "reserved" and "softer" designs of clothing.[65] In a "fictional" description of the mannequins, Honey-B stated; "RiRi uses her combat skills to fight the anti-mannequins. She is really aggressive and takes on any challenge. She feels most comfortable in her military gear. LuLa’s responsibility is to heal wounded mannequins, including RiRi. They depend on one another."[21] Honey-B and W-Trouble are the "voices" of RiRi and LuLa, as the mannequins are portrayed with the inability to talk or vocally communicate. Honey-B stated, "For the musical nuances, it's listening that's important: the key is to match the sound and flow. If the nuance reveals a kind of attitude, it's partly due to the songwriting and partly due to [Honey-B].[61] According to FEMM, their tagline "Do Dolls Have Feelings? Do Their Songs Move People?" represents their virtual goal is to free all mannequins from human oppression.[66]

FEMM's fan base are also recognized as agents nd although they are categorized by their attributes, such as: military, pilot, medical, maid, spies, RiRi and LuLa are exclusive-attribute and exclusive-rank FEMM without any of the attributes and that is indicated in their serial numbers 000000.[65][66] Whilst performing and in public areas, FEMM tends to stay in character and move with robot-like actions; They are sometimes carried on and off stage by staff members to underline mannequin characteristics.[68] FEMM's live performances and music videos are choreographed by Japanese choreographing team Hidali, whilst many of the latex outfits are made by Shoichiro Matsuoka of GM Atelier.[12]

Recognition

Several critics have commended the group for their diverse imagery and fashion style. A couple music critics from Singles Jukebox noted that FEMM were more widely noticed by Western audiences than the audience from Japan or J-pop culture.[69] Kimi Li from What's a Greek blog compared the Japanese music towards Western culture, and stated "Japan’s music industry has been seen to largely play catchup with the rest of the world. Major labels are slow to embrace streaming services. Japan’s iTunes store is a wealth of anison, electro and pop but only a small fraction of that is available globally."[68] Li found that although Korean pop music "catapulted" into Western culture, Li stated that FEMM were one of very few Japanese acts to emphasize an Americanized appeal.[68]

The group have founded success through Western publications and have been listed in their top acts list; In October 2014, MTV Iggy listed FEMM as their "Artist to Watch" from a public vote.[70] Colin McQuistan from The Huffington Post listed FEMM as one of their top six acts of 2016; McQuistan stated "I'm talking about FEMM, a deceptively slick production from Japan featuring two very real humans Honey-B and W-Trouble (sigh) who claim to 'stand up for the rights of mannequins worldwide' (double sigh). But who cares what their shtick is; the music is super commercial, catchy and very cleverly written pop."[2]

Philanthropy

In 2015, FEMM uploaded videos to their YouTube channel of them and female back-up dancers performing "Fxxk Boyz Get Money" and "Anaconda" by Trinidian-American recording artist and rapper Nicki Minaj in a Tokyo bath house.[71][72] The short videos were in support of the "Dance is Not a Crime" campaign that were hosted by FEMM, which was in protest of Japan's legislation where night clubs would be closed at midnight and prohibited "no dancing" signs at several clubs and areas.[73] The Businesses Affecting Public Morals Regulation Act, which was introduced in 1948, prohibited people to dance within 66 metres from night clubs after a certain cut-off time, despite public retaliation; law and police department enforcements increased by 2011.[74] FEMM protested the law throughout 2015, using hashtags on several social media websites and through music videos; the video was advertised by Japanese record label Dimension Point, which is owned and foundered by Japanese recording artist Namie Amuro and included "Fxxk Boyz Get Money" on their compilation album.[75] Vice.com confirmed that the law will be lifted during 2016.[76]

Members

RiRi

Emily Kaiho (海保エミリー Kaiho Emirī, born August 19, 1986) is a Japanese American actress, recording artist and model.[3] Kaiho was born in the Honolulu County, Hawaii to a Scottish American mother and a Japanese father.[77] Kaiho moved to Japan at a young age where she grew up learning both fluent Japanese and English language.[77] During her schooling years, she studied jazz and modern dance, alongside theatre and acting.[78] During her teenage years, Kaiho modelled for several campaigns throughout Japan and worked as a fashion model.[78] In 2008, Kaiho moved to Los Angeles, California to pursue acting and made her film debut on the 2010 American martial arts film Bunraku after being spotted by talent scouts.[79] She played Momoko, the cousin of the film's character Yoshi that was portrayed by Japanese musician and producer Gackt.[79] Other actors that portrayed in the film were American actors Josh Hartnett and Woody Harrelson, and American actress Demi Moore.[79] The film received negative reviews and was not successful at the box office.[80][81] Kaiho featured in her second film, the 2011 physiological thriller Akuma, where she played the leading role.[77] Kaiho lived in Los Angeles up until 2012, where she moved back to Japan and formed a heavy metal band named SeeVa which disbanded that same year.[77] She now resides in Tokyo, and is an avid trainer of karate, taekwondo, wushu and boxing.[78]

LuLa

Hiro Todo (ヒロ藤堂 Tōdō Hiro, born January 21, 1990) is a Japanese idol singer and model.[3] Todo was born in Tokyo, Japan to a Japanese mother and father.[3] Todo was part of a modelling group named Faline Girl, but went on to become a solo singer in Japan.[82] Todo starred in two Japanese commercials prior to FEMM, and went on to release two independent singles through her official YouTube channel.[83]

Discography

Main article: FEMM discography
Studio albums
Extended plays

References

  1. 1 2 Arama! Japan Staff (2015). "Arama! Japan interviews mannequin duo FEMM". Arama! Japan. Retrieved February 28, 2016.
  2. 1 2 McQuinstan, Colin (February 24, 2016). "6 acts to watch in 2016". The Huffington Post. Retrieved February 28, 2016.
  3. 1 2 3 4 Midori (January 4, 2016). "Check Out: FEMM". Midori Kitty Kitty. Retrieved February 28, 2016.
  4. ↑ Kpop Kimi (February 24, 2016). "Exclusive Interview With Japanese Duo FEMM (Far East Mention Mannequins)". MCM Buzz. Retrieved February 28, 2016.
  5. ↑ "FEMM'S Agency Syndicate "Official Teaser"". Avex Trax; Published on FEMM's official Youtube account. October 27, 2013. Retrieved February 28, 2016.
  6. ↑ "Maximum10 releases and artists". Beatport. February 24, 2016. Retrieved February 28, 2016.
  7. ↑ "Maximum10 Discography". Discogs.com. 2016. Retrieved February 28, 2016.
  8. ↑ "FEMM - UFO feat. Fz from sfpr vs Invaderous (Original Mix / Music Video)". Avex Trax; Published on FEMM's official Youtube account. February 20, 2014. Retrieved February 28, 2016.
  9. ↑ "FEMM - Astroboy feat. Honey-B & W-Trouble (Music Video)". Avex Trax; Published on FEMM's official Youtube account. February 26, 2014. Retrieved February 28, 2016.
  10. ↑ PoW!/L.C.S. (CD Alone; Liner notes). FEMM. Japan: Avex Music Creative Inc.; JPU Records; Maximum10. 2016. AVCD-93369.
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  12. 1 2 3 Electric Bloom Staff (April 6, 2014). "Far East Mention Mannequins (FEMM): Plastic Duo make digital debut". Electric Bloom Webzine. Retrieved February 28, 2016.
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  14. 1 2 3 4 Femm-Isation (Liner notes). FEMM. Japan: Avex Music Creative Inc. 2014. AVCD-93370.
  15. ↑ "Kiss the Rain – Single – by Far East Mention Mannequins". iTunes Store (Japan). April 30, 2014. Retrieved February 28, 2016.
  16. ↑ "White Noise – Single – by Far East Mention Mannequins". iTunes Store (Japan). May 7, 2014. Retrieved February 28, 2016.
  17. ↑ "We Flood the Night – Single – by Far East Mention Mannequins". iTunes Store (Japan). May 14, 2014. Retrieved February 28, 2016.
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  26. ↑ Avex (July 30, 2014). "FEMM – Fxxk Boyz Get Money (Music Video)". FEMM's official website. Retrieved January 31, 2016.
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  29. ↑ "FEMM; Tokyo in Tulsa 2014". Tokyo in Tulsa. May 26, 2015. Archived from the original on May 26, 2014. Retrieved January 10, 2016.
  30. ↑ "Avex Artist Introduction - FEMM (Far East Mention Mannequins) | Avex Music Publishing inc". Avex Music Publishing. December 16, 2014. Retrieved January 10, 2016.
  31. ↑ Avex (April 30, 2014). "FEMM – Party All Night (Music Video)". FEMM's official website. Retrieved January 31, 2016.
  32. ↑ "Dead Wrong – Single – By FEMM". iTunes Store (Japan). August 27, 2014. Retrieved January 31, 2016.
  33. ↑ "Unbreakable – Single – By FEMM". iTunes Store JP. September 17, 2014. Retrieved January 31, 2016.
  34. ↑ Aramajapan Staff (September 25, 2014). "FEMM unveil Youtube version of new PV "Whiplash"". Aramajapan.com. Retrieved January 31, 2016.
  35. ↑ "Femm-Isation – Album – By FEMM". iTunes Store JP. October 1, 2014. Retrieved January 22, 2016.
  36. ↑ "FEMM Chart History – US Billboard Top World Albums Chart". Billboard. October 18, 2014. Retrieved January 31, 2016.
  37. ↑ "Femm-Isation (Instrulmetal) – Album – By FEMM". iTunes Store JP. December 24, 2014. Retrieved January 22, 2016.
  38. ↑ "FEMM – Gigs – Sound Check Tour with Eva Simons". FEMM's official website. September 5, 2014. Retrieved January 31, 2016.
  39. ↑ "FEMM – Gigs – Femm-Isation "廃病院パーティーVOL.3"". FEMM's official website. September 6, 2014. Retrieved January 31, 2016.
  40. ↑ "FEMM – Gigs – Ultra Japan (Twerk 'Em All Performances)". FEMM's official website. September 6, 2014. Retrieved January 31, 2016.
  41. ↑ "FEMM – Gigs – Disaronno wears Versace". FEMM's official website. October 29, 2014. Retrieved January 31, 2016.
  42. ↑ "FEMM – Gigs – Futuroplois "Metropolis' Halloween Glitterball". FEMM's official website. October 30, 2014. Retrieved January 31, 2016.
  43. ↑ "FEMM – Gigs – Le Baron de Paris 8th Anniversary Party". FEMM's official website. November 28, 2014. Retrieved January 31, 2016.
  44. ↑ DJ Greg Hignight (November 4, 2013). "GAMeBoi and Tune in Tokyo present J-Pop artists FEMM Live in West Hollywood". Nekopop.com. Retrieved January 10, 2016.
  45. ↑ Dave (November 4, 2013). "FEMM, Ken Ishii, and Yanakiku to perform concerts at J-Pop Summit". Nekopop.com. Retrieved January 10, 2016.
  46. ↑ 30 Oct 2015 (October 30, 2015). "FEMM on Twitter: "【YouTube FanFest Japan 2015】 11/18 on STREAM LIVE!! Don't miss FEMM's performance!! Gonna be a big show:) https://t.co/4KnVITDILv"". Twitter.com. Retrieved January 10, 2016.
  47. ↑ Youtube FanFest (November 24, 2015). "FEMM @ YouTube FanFest Japan 2015". Youtube FanFest official account. Retrieved January 31, 2016.
  48. ↑ 17 Nov 2015 (November 17, 2015). "FEMM on Twitter: "11/18 Today! #YTFF stream live! FEMM will sing their brand new track PoW! đ&#x;'Ľ https://t.co/FZL4Ci3mSC https://t.co/VWyX0oO4CR"". Twitter.com. Retrieved January 10, 2016. External link in |title= (help)
  49. ↑ "Sak Noel on Twitter: "No Boyfriend Japanese Version w @femm____ & @fakyjp coming this Friday on my YouTube"". Twitter. November 23, 2015. Retrieved January 10, 2016.
  50. 1 2 Electric Bloom Staff (December 11, 2015). "FEMM Announces New EP Pow!/L.C.S. Coming 2016". Electric Bloom Magazine. Retrieved February 26, 2016.
  51. ↑ Silverfaye (January 22, 2016). "FEMM to Release Double Album Through JPU Records". Jame World. Retrieved February 26, 2016.
  52. ↑ JPU Records Staff (January 20, 2016). "FEMM to Release PoW! / L.C.S. + Femm-Isation Double Album Through JPU Records". JPU Records. Retrieved February 26, 2016.
  53. ↑ "PoW!/L.C.S. – EP – By FEMM". iTunes Store Japan. February 2. Retrieved February 26, 2016. Check date values in: |date= (help)
  54. ↑ PoW!/L.C.S. + Femm-Isation (Double Album; Liner notes). FEMM. Japan: Avex Music Creative Inc.; JPU Records; Maximum10. 2016. AVCD-93369/AVCD-93370.
  55. ↑ "FEMM – PoW! (Music Video)". Avex Trax; published through FEMM's official YouTube channel. January 1, 2016. Retrieved January 31, 2016.
  56. ↑ "FEMM – L.C.S> (Music Video)". Avex Trax; published through FEMM's official YouTube channel. February 23, 2016. Retrieved February 28, 2016.
  57. ↑ http://aramajapan.com/news/music/femm-faky-and-yupin-combine-to-create-fammin-with-mindblowing-results/58103/
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  59. 1 2 3 Smith, Corynn. "New Music Videos, Reality TV Shows, Celebrity News, Pop Culture". Mtviggy.com. Retrieved January 22, 2016.
  60. ↑ MTV 81 Staff (October 9, 2014). "MTV 81 and Synthpop Sensation FEMM Team Up for World Femm-Isation". Mtv81.com. Retrieved January 22, 2016.
  61. 1 2 3 Kanert, Mike (September 16, 2014). "No Barbie Girls Allowed". Metropolis Magazine. Retrieved February 29, 2016.
  62. 1 2 Arcadey Staff. "Introducing FEMM And Your New Life Anthem 'Fxxk Boyz Get Money'". Arcadey.net. Retrieved January 10, 2016.
  63. ↑ Hignight, Greg (October 1, 2014). "FEMM – Femm-Isation (Review)". Nekopop.com. Retrieved January 22, 2016.
  64. 1 2 Ayaya (October 8, 2014). "[Article] Causing a Stir Online : Exclusive Interview with Mannequins Duo FEMM | Japanese kawaii idol music culture news". Tokyo Girls Update. Retrieved January 10, 2016.
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