Grant-Lee Phillips
Grant-Lee Phillips | |
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Grant-Lee Phillips at Jammin' Java in Vienna, VA, November 20, 2009 | |
Background information | |
Birth name | Bryan G. Phillips |
Born |
1963 Stockton, California, United States |
Genres | Rock, alternative rock, folk, Americana, indie |
Instruments | vocals, Acoustic guitar, Electric guitar, Bass, Banjo, Mandolin, Harmonica, drums, Piano, Synthesizer |
Years active | 1987–present |
Labels | Rounder Records |
Associated acts | Shiva Burlesque, Grant Lee Buffalo, Robyn Hitchcock, R.E.M. |
Website |
grantleephillips |
Grant-Lee Phillips (born Bryan G. Phillips, 1963) is an American singer-songwriter and multi-instrumentalist.
Background
Born in Stockton, California, Phillips began playing the guitar in his early teens. At age 19, he moved to Los Angeles where he worked tarring roofs to fund evening classes at UCLA and forming bands. He eventually dropped out of college and linked up with an old friend from Stockton named Jeffery Clark. In the late 1980s, Phillips lived on campus at CalArts with future wife Denise Siegel, whom he met at a party through a fellow student and first Shiva Burlesque bassist, James Brenner. Phillips informally took art classes, went to public lectures and film screenings, and immersed himself in the school's World Music program until 1990. Shiva Burlesque released two LPs, Shiva Burlesque (Nate Starkman & Son; 1987) and Mercury Blues (Fundamental; 1990). Brenner was replaced by Paul Kimble, thus completing what would be the basis of Grant-Lee Buffalo. But Shiva Burlesque made no commercial impact, and Phillips and Clark disbanded in 1990. Phillips began playing solo around Los Angeles under the stage name Grant-Lee Buffalo.
Grant Lee Buffalo
Following those handful of solo shows at clubs around Hollywood, Phillips recruited ex-Shiva members Joey Peters (drums) and Paul Kimble (bass) for rehearsals as Grant Lee Buffalo in mid-1991. Phillips was now writing lyrics as well as music, and the trio quickly built up a local following, selling out clubs on the strength of Phillips's intense performance. His political storytelling was delivered in a recently discovered voice: both a soaring falsetto and a drawl that matched his aggressive acoustic guitar stomp and pouting physicality. One song, "Fuzzy", was released on Bob Mould's Singles Only label in 1992 to critical praise and led to Grant Lee Buffalo being signed to Slash Records. The debut LP, also called Fuzzy, was released a year later, upon which Michael Stipe of R.E.M. declared it "the best album of the year hands down". In 1995 Grant-Lee Phillips was named the critics choice for Best Male Vocalist of 1995.[1][2]
A further three Grant Lee Buffalo albums followed: Mighty Joe Moon (1994), Copperopolis (1996), and Jubilee (1998). A live performance of Mighty Joe Moon's title track is available online from the South by Southwest festival.[3] Though all were heavily promoted through concert touring, they never escaped cult status. Phillips disbanded the band in early 1999.
Solo career
Phillips signed to the Boston-based indie label Rounder Records and launched a solo career, issuing Ladies' Love Oracle online in 2000. The recording was later more widely released. His first full-length LP, Mobilize, was released in 2001. Being praised as much for its gentleness as Buffalo were for their rock, it featured Phillips on many instruments.
During a short tour with Robyn Hitchcock, Phillips co-produced and co-starred in a concert film of the tour shot in Seattle titled Elixirs & Remedies, directed by Kris Kristensen. Kristensen would later direct the video for "The Sun Shines on Jupiter", from Phillips' solo release "Little Moon".
In 2004 Virginia Creeper arrived and with it a more folky, almost country record noted for its complete absence of electric guitar. In 2006 Phillips released another acoustic album, Nineteeneighties. A set of cover versions, it featured songs from The Smiths, Pixies, New Order, Robyn Hitchcock, R.E.M., The Church, and Echo & the Bunnymen. A new record of his own material, Strangelet, was released on March 27, 2007. On October 13, 2009, Grant released "Little Moon" on Yep Roc records. In October 2012, "Walking in the Green Corn" was released, partially funded by fans through a PledgeMusic campaign. Phillips toured with Glen Phillips to support the album.
- Grant-Lee Phillips is a registered member of the Creek Native American tribe (on his mother's side) and a direct descendant of those who walked the Trail of Tears.
- Phillips is related to Chief John Ross on his father's side. Paternally he is both Blackfoot and Cherokee ancestry.
- Phillips has been married for more than 20 years. He became father to Violet Thea Phillips, January 11, 2008.
- Phillips has scored several films and TV shows as well as having a recurring role as the town troubadour on the 2000-2007 TV series Gilmore Girls and its follow-up miniseries in 2016.[4]
- Phillips has a comedic background, having been a cast member in high school of the only professional theater in Stockton, Pollardville.
- Phillips has co-written songs with numerous people, most recently with comedian Margaret Cho. He can be seen featured in her video "Asian Adjacent." The song being partially inspired by Phillips and Jemaine Clement (of Flight of the Conchords), who is part Maori.
In 2015, Phillips released The Narrows, which extends Phillips' exploration of roots and folk music.[5]
Discography
Year | Album | Additional information |
---|---|---|
2000 | Ladies' Love Oracle | |
2001 | Mobilize | |
2004 | Virginia Creeper | |
2006 | nineteeneighties | |
2007 | Strangelet | |
2009 | Little Moon | |
2012 | Walking in the Green Corn | |
2016 | The Narrows | |
References
- ↑ "PopEntertainment.com: Grant-Lee Phillips interview about 'nineteeneighties.'". line feed character in
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at position 58 (help) - ↑ Looseleaf, Victoria (19 October 2008). "Back to making worlds anew" – via LA Times.
- ↑ Grant-Lee Phillips: Might Joe Moon, Blender Online, retrieved on March 16, 2007.
- ↑ Zaleski, Annie. ""Gilmore Girls" town troubadour Grant-Lee Phillips will return to Stars Hollow: "It was such a subversive show"".
- ↑ from an interview on Americana Music Show #289, published March 8, 2016