Incunable

Page from Valerius Maximus, Facta et dicta memorabilia, printed in red and black by Peter Schöffer (Mainz, 1471). The page exhibits a rubricated initial letter "U" and decorations, marginalia, and ownership stamps of the "Bibliotheca Gymnasii Altonani" (Hamburg).

Illumination with doodles and drawings (marginalia), including an open-mouthed human profile, with multiple tongues sticking out. Copulata, "De Anima", f. 2a. HMD Collection, WZ 230 M772c 1485.

Image of two facing pages from "Phisicorum", fols. 57b and 58a, with doodles and drawings. HMD Collection, WZ 230 M772c 1485.

An incunable, or sometimes incunabulum (plural incunables or incunabula, respectively), is a book, pamphlet, or broadside (such as the Almanach cracoviense ad annum 1474) that was printed—not handwritten—before the year 1501 in Europe. "Incunable" is the anglicised singular form of "incunabula", Latin for "swaddling clothes" or "cradle",^[1] which can refer to "the earliest stages or first traces in the development of anything."^[2] A former term for "incunable" is "fifteener", referring to the 15th century.

The first recorded use of incunabula as a printing term is in the Latin pamphlet De ortu et progressu artis typographicae ("Of the rise and progress of the typographic art", Cologne, 1639) by Bernhard von Mallinckrodt, which includes the phrase prima typographicae incunabula, "the first infancy of printing", a term to which he arbitrarily set an end of 1500 which still stands as a convention.^[3] The term came to denote the printed books themselves in the late 17th century. John Evelyn, in moving the Arundel Manuscripts to the Royal Society in August 1678, remarked of the printed books among the manuscripts: "The printed books, being of the oldest impressions, are not the less valuable; I esteem them almost equal to MSS."^[4]

The convenient but arbitrarily chosen end date for identifying a printed book as an incunable does not reflect any notable developments in the printing process, and many books printed for a number of years after 1500 continued to be visually indistinguishable from incunables. "Post-incunable" typically refers to books printed after 1500 up to another arbitrary end date such as 1520 or 1540.

As of 2014, there are about 30,000 distinct incunable editions known to be extant, while the number of surviving copies in Germany alone is estimated at around 125,000.^[5][6]

Types

There are two types of incunabula in printing: the Block book printed from a single carved or sculpted wooden block for each page, by the same process as the woodcut in art (these may be called xylographic), and the typographic book, made with individual pieces of cast metal movable type on a printing press. Many authors reserve the term incunabula for the typographic ones only.^[7]

The spread of printing to cities both in the north and in Italy ensured that there was great variety in the texts chosen for printing and the styles in which they appeared. Many early typefaces were modelled on local forms of writing or derived from the various European forms of Gothic script, but there were also some derived from documentary scripts (such as most of Caxton's types), and, particularly in Italy, types modelled on handwritten scripts and calligraphy employed by humanists.

Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles and professionals who formed their major customer base. Standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various local vernaculars (or translations of standard works) began to appear.

Famous examples

First incunable with illustrations, Ulrich Boner's Der Edelstein, printed by Albrecht Pfister, Bamberg, 1461.

Incunabula include the Gutenberg Bible of 1455, the Peregrinatio in terram sanctam of 1486—printed and illustrated by Erhard Reuwich—both from Mainz, the Nuremberg Chronicle written by Hartmann Schedel and printed by Anton Koberger in 1493, and the Hypnerotomachia Poliphili printed by Aldus Manutius with important illustrations by an unknown artist. Other printers of incunabula were Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges and London. The first incunable to have woodcut illustrations was Ulrich Boner's Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461.^[8]

Statistical data

Printing towns

Distribution by region

Distribution by language

The data in this section were derived from the Incunabula Short-Title Catalogue (ISTC).^[9]

• Printing towns: The number of printing towns and cities stands at 282. These are situated in some 18 countries in terms of present-day boundaries. In descending order of the number of editions printed in each, these are: Italy, Germany, France, Netherlands, Switzerland, Spain, Belgium, England, Austria, the Czech Republic, Portugal, Poland, Sweden, Denmark, Turkey, Croatia, Montenegro, and Hungary (see diagram below). The following table shows the 20 main 15th century printing locations; as with all data in this section, exact figures are given, but should be treated as close estimates (the total editions recorded in ISTC at May 2013 is 28,395):

• Languages: The 18 languages that incunabula are printed in, in descending order, are: Latin, German, Italian, French, Dutch, Spanish, English, Hebrew, Catalan, Czech, Greek, Church Slavonic, Portuguese, Swedish, Breton, Danish, Frisian, Sardinian and Occitan(see diagram below).
• Illustrations: Only about one edition in ten (i.e. just over 3,000) has any illustrations, woodcuts or metalcuts.
• Survival: The 'commonest' incunable is Schedel's Nuremberg Chronicle ("Liber Chronicarum") of 1493, with c 1,250 surviving copies (which is also the most heavily illustrated). Very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a relatively common (though extremely valuable) edition.
• Total number of volumes: Counting extant incunabula is complicated by the fact that most libraries consider a single volume of a multi-volume work as a separate item, as well as fragments or copies lacking more than half the total leaves. A complete incunable may consist of a slip, or up to ten volumes.
• Formats: In terms of format, the 29,000-odd editions comprise: 2,000 broadsides, 9,000 folios, 15,000 quartos, 3,000 octavos, 18 12mos, 230 16mos, 20 32mos, and 3 64mos.
• Caxton: ISTC at present cites 528 extant copies of books printed by Caxton, which together with 128 fragments makes 656 in total, though many are broadsides or very imperfect (incomplete).
• Dispersal: Apart from migration to mainly North American and Japanese universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to possess less than 2,000 copies – i.e. about 97.75% remain north of the equator. However many incunabula are sold at auction or through the rare book trade every year.

Major collections

The British Library's Incunabula Short Title Catalogue now records over 29,000 titles, of which around 27,400 are incunabula editions (not all unique works). Studies of incunabula began in the 17th century. Michel Maittaire (1667–1747) and Georg Wolfgang Panzer (1729–1805) arranged printed material chronologically in annals format, and in the first half of the 19th century, Ludwig Hain published, Repertorium bibliographicum— a checklist of incunabula arranged alphabetically by author: "Hain numbers" are still a reference point. Hain was expanded in subsequent editions, by Walter A. Copinger and Dietrich Reichling, but it is being superseded by the authoritative modern listing, a German catalogue, the Gesamtkatalog der Wiegendrucke, which has been under way since 1925 and is still being compiled at the Staatsbibliothek zu Berlin. North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue.^[10]

Notable collections, with the approximate numbers of incunabula held, include:

Post-incunable

The end date for identifying a printed book as an incunable is convenient but was chosen arbitrarily; it does not reflect any notable developments in the printing process around the year 1500. Books printed for a number of years after 1500 continued to look much like incunables, with the notable exception of the small format books printed in italic type introduced by Aldus Manutius in 1501. The term post-incunable is sometimes used to refer to books printed "after 1500—how long after, the experts have not yet agreed."^[81] For books printed on the Continent, the term generally covers 1501–1540, and for books printed in the UK, 1501–1520.^[81]

See also

• Block book
• Typographic book
• Book collecting
• Global spread of the printing press

References

External links

Wikimedia Commons has media related to Incunabula.

• Centre for the History of the Book
• British Library worldwide Incunabula Short Title Catalogue
• Gesamtkatalog der Wiegendrucke (GW), partially English version
• History of Incunabula Studies
• UIUC Rare Book & Manuscript Library
• Grand Valley State University Incunabula & 16th Century Printing digital collections
• Incunable Collection at the Library of Congress
• Digital facsimiles of several incunabula from the website of the Linda Hall Library