Kate Craig
Kate Craig | |
---|---|
Born |
Victoria, British Columbia | September 15, 1947
Died | July 23, 2002 54) | (aged
Nationality | Canadian |
Education | Dalhousie University, (1963-1966) |
Known for | Performance art, video art, mail art |
Kate Craig (September 15, 1947 – July 23, 2002) was a pioneering Canadian video and performance artist. She was a founding member of the artist-run centre the Western Front, where she supported the video and performance works of many artists while producing her own body of work. She is known for her performances as 'Lady Brute' and her video productions.
Biography
Catherine Shand Craig was born on September 15, 1947, in Victoria, British Columbia. She was the third child of Sidney Osborne Craig (née Scott) and Charles Edward Craig. Her parents divorced in 1956. In 1960, her mother married Douglas Shadbolt, an architect and brother of the painter Jack Shadbolt. The family moved to Montreal and then to Halifax, Nova Scotia, where Kate attended Dalhousie University (1961) and had a summer job in the costume shop at the Neptune Theatre. She left Dalhousie University in her third year and moved to Montreal to work in the costume shop at Le Theatre du Nouveau Monde. Craig met artist Eric Metcalfe while in Victoria and they married in 1969. Craig and Metcalfe moved to Vancouver where, along with friends and fellow artists, Michael Morris, Vincent Trasov and Glenn Lewis, they bought the space that became the Western Front in the Mount Pleasant area of Vancouver.[1] Craig and Metcalfe separated in 1973 but continued to work together on collaborative projects. That year, Craig met artist Hank Bull and they moved in together at the Western Front. The couple worked on projects with Metcalfe, Glenn Lewis, Patrick Ready, Margaret Dragu and many others. Craig established and curated the Western Front’s Artist-in Residence video program from 1977 to 1993. In 1980/81 Craig and Bull traveled through Indonesia, India, Africa and Europe performing Around The World in Over 365 Days. Craig married Hank Bull in 1990. After retiring from her position as curator of Media Arts at Western Front in 1993, Craig continued to work on media productions and she helped Glenn Lewis at his Fragrant Flora Nursery in Roberts Creek. She spent the late 1990s preparing for a major retrospective of her work at the Vancouver Art Gallery, entitled Skin.[2] Kate's “ idea of performance was always informed by community and based on thinking life is an art project” even at end of her life.[3] She died from pancreatic cancer in 2002, surrounded by family and friends.
Performance art
Lady Brute
Eric Metcalfe was a fine arts student at the University of Victoria and Kate was drawn to his circle of artists and performers. In 1969, he created a mail art persona called "Dr. Brute". Kate became "Lady Brute". This collaborative project created the fictional world of "Brutopia." Their collection of leopard material filled this world and the characters examined the foibles of western society. In 1972, Lady Brute appears as the ‘Picture of the Week’ in an issue of FILE magazine and marched in the Victoria Day parade in Victoria, B.C. Her performances were usually informal, happening in the real world rather than on stage. She would attend an opening or a dinner in her leopard regalia and that was the performance. In 1974 she performed ‘Flying Leopard’ in Vancouver at Cates Park and again on Hornby Island. In 1975 she produced her first video "Skins: Lady Brute presents her Leopardskin Wardrobe".[4] In that same year she and Metcalfe curated the exhibition "Spots Before your Eyes" at the Western Front and A Space. Lady Brute continued to make appearances and participate in exhibitions through the 1970s.
As Lady Brute
- 1974 – Dr. and Lady Brute attend Hollywood Decadence and Art’s Birthday, Elk’s Lodge, Los Angeles, performing with the Brute Saxes.
- 1975 – A guest appearance with the Hummer Sisters in Toronto
- 1975 – Ace Space Show at the Western Front.
- 1976 – Dr. and Lady Brute, an evening of film video, slides and performance at the Art Gallery of Greater Victoria.
Performance groups
In 1974, Kate was a founding member of the ‘ettes’ a women's ‘post feminist’ performance group. They performed as the "Peanettes’ during Mr. Peanut’s campaign for mayor of Vancouver. They also performed as the Coconettes and the Vignettes in 1975. She was also a founder of the Lux Radio Players in 1974, that group performed through 1977. The Canadian Shadow Players, founded in 1976, performed nationally and internationally until 1986.
Lux Radio Players
- 1974 – A Clear Cut Case at Western Front
- 1975 – A Bite Tonight, Planet of the Whales (for the sendoff party, first Green Peace Anti-Whaling expedition); and The Raw and the Plucked by Mary Beth Knechtel
- 1976 – Habitart, or How to Live with Your Just Desserts, commissioned by the Vancouver Art Gallery for the Habitat Festival.
- 1976 – The Thief of Gladbag, commissioned and performed for the Judy Lamarsh Show on CBC Radio, at the Hotel Vancouver.
- 1977 – Weather or Naught at the Western Front
Peanettes
- 1974 – perform with the Mr. Peanut ‘s Mayoral campaign
Vignettes
- 1975 – Amy Vanderbilt Valentine Debutante’s Ball at the Western Front
Coconettes
- 1975 – Ace Space Show with Lady Brute at the Western Front
Canadian Shadow Players
- 1976 – The Exploits and Opinions of Dr. Faustroll, a commission by the City of Vancouver for the Habitat Festival, the production tours
- 1977 – The Exploits and Opinions of Dr. Faustroll at the Art Gallery of Greater Victoria
- 1978 – Vis-à-vis, a commission by The Music Gallery, Toronto, touring to Montreal, Ottawa, Hamilton, Vancouver and Victoria.
- 1982 – Aka Nada, a commission by The Music Gallery, Toronto, touring to Montreal, Ottawa,Berlin, Santa Barbara, Innsbruck, and Lienz, Austria
- 1985 – Corpus Collossum, funded by the Department of External Affairs and the Holland Festival
- 1986 – The Pataphysics of Umbrology at the Centre for Creative Music, Mills College, Oakland, California
Performances
- 1974 – Flying Leopard in Vancouver at Cates Park and on Hornby Island.
- 1975 – Appears as a Supreme Court judge in Errol’s Errors, Byron Black.
- 1976 - 1980 – Guest spots on the HP dinner show, CFRO-FM, Vancouver.
- 1976 – Presents solo evening of video, film and slides, Langton Street Gallery, San Francisco.
- 1977 – Plays drums for the Young Adults, a Vancouver-based punk band.
- 1979 – A video of Flying Leopard is on view at Video Inn during the Living Art Performance Festival, Vancouver.
- 1979 – Performs At the End of the World, in collaboration with Hank Bull at the Robson Media Center, Vancouver.
- 1980 – Appears as a frumpy desk clerk in Colin Campbell’s Peachland.
- 1981 – Performs La Chaise des Memes, a shadow play in collaboration with Hank Bull
- 1982 – Appears making a mandala in Ko Nakajima’s video Mandala 82.
- 1984 - Appears as herself in Marshalore’s video installation Album.
- 1984 – Appears as a flute player in Fraser Finlayson’s Come Fly with Sunny Day.
- 1985 – Appears as one of the respirating in Margaret Dragu’s video Breath.
The Western Front
In 1973 Kate Craig and seven other artists (Martin Bartlett, Mo van Nostrand, Henry Greenhow, Glenn Lewis, Eric Metcalfe, Michael Morris, and Vincent Trasov) purchased the former Knights of Pythias lodge hall and founded the Western Front Society.[5] An artist-run centre, The Western Front became a centre for artistic exploration in many disciplines.[6] She established and curated an Artist-in-Residence video program in 1977. In addition to creating her own work, she fostered and produced video works with an impressive array of Canadian and international artists, including Stan Douglas, Mona Hatoum, Tony Oursler and Robert Filliou. In 1993 she retired from her position as curator of media arts. The Western Front continues to support exhibitions, concerts, workshops, performances and maintains an extensive media archive.
Video production
- 1975 – "Skins: Lady Brute Presents her Leopardskin Wardrobe"[7]
- 1976 – "Still Life: A Moving Portrait[8]"
- 1978 – "Backup" in collaboration with Margaret Dragu[9]
- 1979 – "Delicate Issue"
- 1979 – "Clay Cove"
- 1980 – "Straight Jacket"
- 1983 – "Canada Shadow" in collaboration with Hank Bull
- 1986 – "Ma"
- 1989 – "Mary Lou"
References
- ↑ "The Kate Craig Online Archive". Western Front Archive. Western Front. Retrieved 2016-03-06.
- ↑ Arnold, Grant (1998). Kate Craig: Skin. Vancouver: Vancouver Art Gallery. pp. 1–16. ISBN 1895442257. Retrieved 2016-03-06.
- ↑ Henry, Karen (2004). Mars, Tanya; Householder, Johanna, eds. Caught in the Act: An Anthology of Women In Performance. Toronto: YYZ Books. ISBN 0920397840. Retrieved 2016-03-06.
- ↑ Bull, Hank and Sharla Sava. "Skin: A Conversation With Kate Craig," Boo Magazine (Vancouver) 11, 1998: 8-13.
- ↑ Personal Perspective by Kate Craig. Vancouver: Art and Artists 1931-1983. Ed. Luke Rombout. Vancouver: Vancouver Art Gallery, 1983. p. 261-262
- ↑ Western Front
- ↑ "Skins: Lady Brute Presents her Leopardskin Wardrobe"
- ↑ "Still Life: A Moving Portrait"
- ↑ "Backup"
Further reading
- Art & Correspondence from the Western Front (Vancouver: Western Front, 1979) ISBN 0920974007
- The F Word (Vancouver: Western Front, 2009) ISBN 9780920974452
- Golden Streams (Mississauga: Blackwood Gallery, 2003) ISBN 0772782075
- Kate Craig: Skin (Vancouver: Vancouver Art Gallery, 1998) ISBN 1895442257
- Luminous Sites: 10 Video Installations (Vancouver: Video Inn / Western Front, 1986)
- Rebel Girls: A Survey of Canadian Feminist Videotapes, 1974-1988 (Ottawa: National Gallery of Canada, 1989)
- Shifts and Transfers: On Some Tendencies in Canadian Video (Ottawa: Ottawa Art Gallery, 2003) ISBN 1895108977
- Under Scrutiny: Video at the Western Front (Vancouver: Western Front, 2003)
- Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983)