Knight of Cups (film)

Knight of Cups
Theatrical release poster
Directed by	Terrence Malick
Produced by	Nicolas Gonda Sarah Green Ken Kao
Written by	Terrence Malick
Starring	Christian Bale Cate Blanchett Natalie Portman
Narrated by	Ben Kingsley
Music by	Hanan Townshend
Cinematography	Emmanuel Lubezki
Edited by	Geoffrey Richman Keith Fraase A. J. Edwards
Production company	Dogwood Films FilmNation Entertainment Waypoint Entertainment
Distributed by	Broad Green Pictures
Release dates	February 8, 2015 (2015-02-08) (Berlinale) March 4, 2016 (2016-03-04) (United States)
Running time	118 minutes[1][2]
Country	United States
Language	English
Box office	$1.1 million[3]

Knight of Cups is a 2015 American experimental drama film^[4] written and directed by Terrence Malick and produced by Nicolas Gonda, Sarah Green and Ken Kao. The film features an ensemble cast, starring Christian Bale as the central character.

Loosely inspired by and at times quoting directly from the 1678 Christian allegory The Pilgrim's Progress, the Acts of Thomas passage The Hymn of the Pearl,^[5] and Suhrawardi's A Tale of the Western Exile,^[6] the film follows depressed Los Angeles screenwriter Rick (Christian Bale) on an odyssey through the playgrounds of Los Angeles and Las Vegas as he undertakes a search for love and self via adventures with colorful figures, identified by eight tarot cards.

After over two years in post-production, the film premiered in the main competition section at the 65th Berlin International Film Festival on February 8, 2015 to mixed reviews. The film was released in the United States on March 4, 2016 by Broad Green Pictures^[7] to further mixed reviews from critics and audiences alike.^[8][9]

The title of the film refers to the tarot card, the Knight of Cups.^[10][11]

Plot

Rick is a film screenwriter living in Los Angeles, California. While he's successful in his career, his life feels empty. Haunted by the death of one brother and the dire circumstances of the other, he finds temporary solace in the Hollywood excess that defines his existence. Women provide a distraction to the daily pain he must endure, and every encounter that comes his way brings him closer to finding his place in the world.

The film is divided into eight chapters (each named after a tarot card, except for the final chapter Freedom), plus a prologue, each loosely based around the central character's relationship with somebody in his life:

I. The Moon - Della (Imogen Poots), a rebellious young woman.

II. The Hanged Man - His brother Barry (Wes Bentley) and father Joseph (Brian Dennehy).

III. The Hermit - Tonio (Antonio Banderas), an amoral playboy.

IV. Judgement - His physician ex-wife Nancy (Cate Blanchett).

V. The Tower - Helen (Freida Pinto), a serene model.

VI. The High Priestess - Karen (Teresa Palmer), a spirited, playful stripper.

VII. Death - Elizabeth (Natalie Portman), a woman he wronged in the past.

VIII. Freedom - Isabel (Isabel Lucas), an innocent who helps him see a way forward.

Cast

The film is narrated by Ben Kingsley

Production

Pre-production

In November 2011, the film was announced with Cate Blanchett, Christian Bale and Isabel Lucas mentioned as cast.^[12] It was also announced the film would be shot back-to-back with Weightless, with production beginning in 2012.^[12] For preparation, Bale read Walker Percy's book The Moviegoer which was suggested to him by Malick. ^[13]

Filming

Production on the film began in June 2012, and lasted nine weeks.^[14][15] During production, a lot of the cast and crew were spotted filming throughout Los Angeles County and Las Vegas by paparazzi, as most of the filming took place on the streets and in public places of both cities.^[16][17]

Although a script was written, Bale received no pages from it, while all other cast members received only pages of internal and verbal monologue for each shooting day.^{[18][19][20][21]} As such, Bale would later admit that while filming, he was unclear about what the final film would actually be.^[22] During production, Malick would use a process he calls "torpedoing", where a character from the cast is thrown into a scene while the other actors have no idea that character would be in the scene, forcing the cast to improvise.^[23][24] In addition to a traditional studio, the cast also recorded their voice-over work in nontraditional places, such as in a van or by the side of the road.^[22]

Post-production

The film spent two years in post-production,^[25] which consisted of a small group of editors in the beginning and widened throughout.^[14]

Release

The film premiered in the main competition section at the 65th Berlin International Film Festival on February 8, 2015.^[26] Shortly after, Broad Green Pictures acquired distribution rights to the film.^[27] The film had its American premiere at the Santa Barbara Film Festival on February 7, 2016,^[28] and was released in the United States on March 4, 2016.^[29]

Reception

Knight of Cups has received mostly mixed reviews from critics.^[8] On review aggregator website Rotten Tomatoes, the film currently holds a 46% approval rating based on 138 reviews, with an average rating of 5.6 out of 10, with the consensus stating, "Knight of Cups finds Terrence Malick delving deeper into the painterly visual milieu he's explored in recent efforts, but even hardcore fans may struggle with the diminishing narrative returns."^[9] On Metacritic, the film currently has a weighted average score of 53 out of 100 based on 41 reviews, indicating "mixed or average reviews".^[8]

Justin Chang of Variety called the film "flawed but fascinating" and a "feverish plunge into the toxic cloud of decadence" as Malick offers a "corrosive critique of Hollywood hedonism".^[30] Todd McCarthy of The Hollywood Reporter said that the "resolutely poetic and impressionist" film "conveys most bracingly [the] fleeting nature of human exchange", but the end result "is a certain tedium and repetitiveness along with the rhythmic niceties and imaginative riffs... this one mostly operates on a more dramatically mundane, private and even narcissistic level [than The Tree of Life]".^[31]

Some critics, however, were very positive, with Matt Zoller Seitz of RogerEbert.com, who gave the film four out of four stars, stating, "Nobody else is making films like this. Not at this level...The sheer freedom of it is intoxicating." He did, however, acknowledge how it would be "impenetrable and intolerable" for most audiences, and that "Knight of Cups is not a young man's movie...[It's a] philosophically engaged, beatific, starchild-as-old-man's movie."^[32] In another highly positive review, Richard Brody of The New Yorker described the film as "an instant classic in several genres—the confessional, the inside-Hollywood story, the Dantesque midlife-crisis drama, the religious quest, the romantic struggle, the sexual reverie, the family melodrama" and considered it "one of the great recent bursts of cinematic artistry, a carnival of images and sounds that have a sensual beauty, of light and movement, of gesture and inflection, rarely matched in any movie that isn’t Malick’s own."^[33]

Cate Blanchett's performance in the film was listed by Indiewire as one of the 15 best performances in a Terrence Malick film.^[34]

References

External links

• Official website
• Knight of Cups at the Internet Movie Database
• Knight of Cups at AllMovie
• Knight of Cups at Rotten Tomatoes
• Knight of Cups at Box Office Mojo