Laiwan
| Laiwan | |
|---|---|
| Born | Harare, Zimbabwe |
| Nationality | Canadian |
| Known for | Artist, Writer, Educator |
| Website | http://www.laiwanette.net/ |
Laiwan (1961, Harare, Zimbabwe)is a visual artist, writer, and educator based in Vancouver, British Columbia.
Life
Laiwan was born in Harare, Zimbabwe in 1961 Her family emigrated to Canada in 1977 to leave the war in Rhodesia. She graduated from Emily Carr College of Art and Design in 1983. In 1999, she received an MFA from Simon Fraser University School for Contemporary Arts, also in Vancouver, British Columbia, where she currently lives. She is an interdisciplinary artist interested in poetics and philosophy. She was a founding member of the Or Gallery where her intent was to dispel the myths about the impossibility of starting and running a gallery, anyone can do it, including women, and the starting of the Or proves this.[1] She was Chair of the grunt gallery Board of Directors from 2010-2014. She currently teaches in the Interdisciplinary Arts Program at Goddard College in Washington State.
Artistic practice
Laiwan investigates embodiment through performativity, music and audio works, in a variety of media. Her work unravels and engages in idea of presence by way of bodily and emotional intelligence. Her work is held in Vancouver Art Gallery collection, Morris and Helen Belkin Art Gallery Collection, and other private collections, and her time-based work is available from Video Out (VIVO) in Vancouver, and V-Tape in Toronto.
Early Work
In Laiwan's slide sequence work, The Mesmerization of Language: The Language of Mesmerization she deals with language as a structure which has a life independent of its conveyed meaning.[2] The first part of the work, Laiwan translates the Lord's Prayer from sign language into words, deconstructing and breaking apart the text, phrase by phrase, word by word, letter by letter. The second part of the project reverses the dryness of the language into saturated colourful abstractions.
Stephen Hogbin describes in the exhibition catalogue Political Landscapes I held at at Tom Thomson Memorial Art Gallery.[3] that Laiwan's work examines the political relationship of geography and identity.
Exhibitions
Select Solo Exhibitions
- Fountain, The Wall at the CBC Plaza, commissioned by the Vancouver Heritage Foundation, 2015
- Loose Work, Or Gallery, Vancouver, 2008
- Duet: Étude For Solitudes, YYZ Artist’s Outlet / Images Festival, Toronto, 2006
- Quartet for the year 4698 or 5760: Improvisation for four projectors, with Lori Freedman, Open Space Gallery, Victoria, 2002
Select Group Exhibitions
- Through A Window: Visual Art and SFU 1965-2015; SFU Galleries, Vancouver and Burnaby, BC, 2015
- Da Bao: Take Out, PlugIn ICA, Winnipeg, Manitoba; Surrey Art Gallery, Surrey, BC, 2013
- Da Bao: Take Out, Curated by Shannon Anderson / Doug Lewis, Varley Art Gallery, Markham, ON, Mississauga Art Gallery. ON, 2012
- c.1983: Parts 1&2 Curated by Helga Pakasaar, Presentation House Gallery, North Vancouver, BC, 2012
- Everything Everyday, Vancouver Art Gallery, Vancouver, BC, 2010
- How Soon Is Now: Contemporary Art from Here Vancouver Art Gallery, 2009
- Limits of Tolerance: Re-framing Multicultural State Policy, Centre A Gallery, Vancouver, BC, 2007
- Group Search: Art in the Library, Vancouver Public Library, Vancouver, BC, 2007
Bibliography
Catalogues
- Kathleen Ritter, How soon is now, exhibition catalogue, Vancouver Art Gallery, 2009
- Liz Park, Limits of Tolerance: Re-framing Multicultural State Policy, exhibition catalogue, Centre A 2007
Reviews of Laiwan's Work
- Queer Art Speaks to love, hate around world by Robin Laurence, The Georgia Straight, July 31-August 7, 2014 Volume 48, number 2432
- QAF extending its reach, draws top talent by Dana Gee, the Province newspaper, July 22, 2014
- Digital Art Reflections & 10 Seconds in Time ask audiences to stop and consider by Robin Laurence, The Georgia Straight, August 21, 2012, pg.
33
Writing
- LUNG: Toward Embodying in DAMP, anthology on Vancouver’s media artists, Anvil Press, Vancouver, 2008
- Ed Pien: Drawing Hauntology feature article in Canadian Art, Summer 2007, Vol. 24 #2
References
- ↑ Williams, Carol (2011). Vancouver Anthology, Stan Douglas, ed. Vancouver: Talonbooks/Or Gallery. p. 209. ISBN 978-0-88922-614-2.
- ↑ Pakasaar, Helga (1986). Broken Muse. Vancouver: Vancouver Art Gallery. p. 5. ISBN 0-920095-59-3.
- ↑ Hogbin, Stephen (1989). Political Landscape Introduction. Owen Sound, Ontario: Tom Tomson Memorial Art Gallery. p. 15. ISBN 0-929021-04-5.