Laurence Harvey
Laurence Harvey | |
---|---|
Laurence Harvey in 1973, photograph by Allan Warren | |
Born |
Laruschka Mischa Skikne 1 October 1928 Joniškis, Lithuania |
Died |
25 November 1973 45) Hampstead, London, England | (aged
Cause of death | Stomach cancer |
Resting place | Santa Barbara Cemetery, Santa Barbara, California, United States |
Other names | Zvi Mosheh Skikne |
Occupation | Actor |
Years active | 1948–1973 |
Spouse(s) |
Margaret Leighton (1957–1961; divorced) Joan Perry (1968–1972; divorced) Paulene Stone (1972–1973; his death) |
Children | Domino Harvey (1969–2005) |
Laurence Harvey (born Laruschka Mischa Skikne;[1] 1 October 1928[2] – 25 November 1973) was a Lithuanian-born South African actor. In a career that spanned a quarter of a century, Harvey appeared in stage, film and television productions primarily in the United Kingdom and the United States. His performance in Room at the Top (1959)[3] resulted in an Academy Award nomination.[4] That success was followed by the role of the ill-fated Texan commander William Barret Travis in The Alamo (1960), produced by John Wayne, and as the brainwashed Raymond Shaw in The Manchurian Candidate (1962).
Early life
Harvey's civil birth name was Laruschka Mischa Skikne. His Hebrew names were Zvi Mosheh. He was born in Joniškis, Lithuania, the youngest of three sons of Ella (née Zotnickaita) and Ber Skikne, Lithuanian Jewish parents.[5][6] When he was five years old, his family travelled with their family, Riva Segal and her two sons, Louis and Charles Segal on the ship, the SS Adolph Woermann to South Africa, where he was known as Harry Skikne. Harvey grew up in Johannesburg, and was in his teens when he served with the entertainment unit of the South African Army during the Second World War.
Career
Early years
After moving to London, he enrolled in the Royal Academy of Dramatic Art,[7] but left RADA after three months,[8] and began to perform on stage and film.
Harvey made his cinema debut in the British film House of Darkness (1948), but its distributor British Lion thought someone named Larry Skikne (as he was then known) was not commercially viable. Accounts vary as to how the actor acquired his stage name of Laurence Harvey. One version has it that it was the idea of talent agent Gordon Harbord who decided Laurence would be an appropriate first name. In choosing a British-sounding last name, Harbord thought of two British retail institutions, Harvey Nichols and Harrods.[9] Another is that Skikne was travelling on a London bus with Sid James who exclaimed during their journey: "It's either Laurence Nichols or Laurence Harvey." Harvey's own account differed over time.[10]
Associated British Picture Corporation quickly offered him a two-year contract, which Harvey accepted, and he appeared in several of their lower-budget films such as Cairo Road (1950).[8] His career gained a boost when he appeared in Women of Twilight (1952); this was made by Romulus Films, which signed Harvey to a long-term contract. He secured a supporting role in a Hollywood film, Knights of the Round Table (1953), which led to being cast with Rex Harrison and George Sanders in King Richard and the Crusaders (1954). That year he also played Romeo in Renato Castellani's adaptation of Shakespeare's Romeo and Juliet, narrated by John Gielgud. He was now established as an emerging British star. According to a contemporary interview, he turned down an offer to appear in Helen of Troy (1955) to act at Stratford-upon-Avon.[11]
Harvey was cast as the writer Christopher Isherwood in I Am A Camera (1955), with Julie Harris as Sally Bowles (Cabaret is a musical from the same source texts). He also appeared on American TV and on Broadway, making his Broadway debut in 1955 in the play Island of Goats, a flop that closed after one week, though his performance won him a 1956 Theatre World Award.[12] Harvey appeared twice more on Broadway, in 1957 with Julie Harris, Pamela Brown and Colleen Dewhurst in William Wycherley's The Country Wife, and as Shakespeare's Henry V in 1959, as part of the Old Vic company, which featured a young Judi Dench as Katherine, the daughter of the King of France.[13]
International stardom
Harvey's breakthrough to international stardom came after he was cast by director Jack Clayton as the social climber Joe Lampton in Room at the Top (1959), produced by British film producer brothers John and James Woolf of Romulus Films. For his performance, Harvey received a BAFTA Award[14] nomination and a nomination for the Academy Award for Best Actor.[7] Simone Signoret and Heather Sears co-starred as Lampton's married lover and eventual wife respectively. Harvey was cast in the film version of The Long and the Short and the Tall (1961), in a role originally performed by Peter O'Toole during the play's West End run.
Meanwhile, Harvey's career in America had begun to take off. He starred in John Wayne's epic The Alamo (1960). Harvey was John Wayne's personal choice to play Alamo commandant William Barret Travis. He had been impressed by Harvey's talent and ability to project the aristocratic demeanor Wayne believed Travis possessed. Harvey and Wayne would later express their mutual admiration and satisfaction at having worked together.[15] Harvey also starred in two films with Elizabeth Taylor, BUtterfield 8 (1960) and, later, the suspense film Night Watch (1973).[16] He co-starred with Geraldine Page in the film adaptation of Tennessee Williams's Summer and Smoke (1961).[7]
Harvey appeared as the brainwashed Raymond Shaw in the Cold War thriller The Manchurian Candidate (1962).[7] Film critic David Shipman wrote: "Harvey's role required him to act like a zombie and several critics cited it as his first convincing performance".[8] In Walk on the Wild Side (also 1962), he was cast along with Barbara Stanwyck, Jane Fonda and Capucine. Fonda was not positive about the experience of working with him: "There are actors and actors – and then there are the Laurence Harveys. With them, it's like acting by yourself."[17] The same year, he recorded an album of spoken excerpts from the book This Is My Beloved by Walter Benton, accompanied by original music by Herbie Mann. It was released on the Atlantic label. Harvey's portrayal of Wilhelm Grimm in the film The Wonderful World of the Brothers Grimm (1962) earned him a nomination for Golden Globe Award for Best Actor – Motion Picture Drama.[18]
Harvey played King Arthur in the 1964 London production of the Alan Jay Lerner and Frederick Loewe musical Camelot, at Drury Lane.[19]
Later years
Harvey and Kim Novak took an almost instant dislike to each other when they first met to work on a remake of W. Somerset Maugham's Of Human Bondage (1964). Their acting styles were found to be incompatible, which caused problems for director Henry Hathaway.[20] During filming, kidnap threats were made against both Harvey and Novak.[21][22] The Outrage (1964) was director Martin Ritt's remake of Akira Kurosawa's Japanese film Rashomon (1950). Besides Harvey, the film starred Paul Newman and Claire Bloom, but was unsuccessful.[23] Harvey reprised his role as Joe Lampton in Life at the Top (1965).
Harvey starred in Darling (1965) and co-starred with Julie Christie and Dirk Bogarde.[24] While his role in the film is short, his involvement enabled director John Schlesinger to gain financial backing for the project.[8] Harvey co-starred with Israeli actress Daliah Lavi in the comedy The Spy with a Cold Nose (1966), a parody of the James Bond films.[25]
Harvey owned the rights to the book on which John Osborne's early script for the film The Charge of the Light Brigade (1968) was partially based, Cecil Woodham-Smith's book The Reason Why (1953). He intended to make his own version.[26] A lawsuit was filed against director Tony Richardson's company Woodfall Film Productions on behalf of the book's author. There was a monetary settlement, and Harvey insisted on being cast in a cameo role (being cast as Prince Radziwell) as part of the agreement for which he was paid £60,000.[27] Charles Wood was brought in to re-write the script. Harvey's scenes were cut from the movie at Richardson's insistence, except for a brief glimpse as an anonymous member of a theatre audience which, technically, still met the requirements of the legal settlement.[28] John Osborne asserted in his autobiography that Richardson shot the scenes with Harvey "French", which is film jargon for a director going-through-the-motions because of some obligation, but with no film in the camera.[29]
Harvey completed direction of the spy thriller A Dandy in Aspic (1968) after director Anthony Mann died during production. The film co-stars Mia Farrow.[30] Harvey provided the narration for the Soviet film Tchaikovsky (1969), directed by Igor Talankin.[31] Harvey had a cameo role in The Magic Christian (also 1969), a film based on the Terry Southern novel of the same name. His character gives a rendition of Hamlet's soliloquy that develops unexpectedly into a striptease routine. He was also guest murderer of the week on Columbo: The Most Dangerous Match in 1973, as a chess champion who murders his opponent.
Joanna Pettet and her husband Alex Cord had been friends of Harvey since the 1960s. They were both fond of him and enjoyed his sense of humour, but Cord also acknowledged Harvey could be cruel with anyone he didn't like. Pettet appeared with Harvey in an episode of Rod Serling's Night Gallery ("The Caterpillar", 1972), in which Harvey's character attempts to assassinate a romantic rival by having a burrowing insect dropped in the man's ear.[32] Harvey directed and starred in his final film Welcome to Arrow Beach, which co-starred his friend Pettet, John Ireland and Stuart Whitman. The film deals with a type of war-related oost-traumatic stress disorder that turns a military veteran to cannibalism.[22]
Just before Harvey died he was planning to star and direct two films, one on Kitty Genovese, the other a Wolf Mankowitz comedy called Cockatrice.[33] Harvey's death in 1973 ultimately put an end to any hope that Orson Welles's The Deep would ever be completed. With Harvey and Jeanne Moreau in the leading roles, Welles worked on the film in between his other projects, although the production was also hampered by financial problems.[34]
Personal life
Early in his career, Harvey reportedly had a live-in relationship with actress Hermione Baddeley (who appeared in a supporting role in Room at the Top, for which she was nominated for an Academy Award for Best Supporting Actress).[35]
He left Baddeley in 1951 for actress Margaret Leighton, six years his senior and at the time married to publisher Max Reinhardt. Leighton and Reinhardt divorced in 1955, and she married Harvey in 1957 off the Rock of Gibraltar. The couple divorced in 1961.[36]
In 1968 he married Joan Perry, seventeen years his senior, the widow of film mogul Harry Cohn.[37] Her marriage to Harvey lasted until 1972.
His third marriage was to British fashion model Paulene Stone. She gave birth to his only child Domino in 1969 while he was still married to Perry. Harvey and Stone married in 1972 at the home of Harold Robbins.[7][38]
In his account of being Frank Sinatra's valet, Mr. S: My Life with Frank Sinatra (2003), George Jacobs writes that Harvey often made passes at him while visiting Sinatra. According to Jacobs, Sinatra was aware of Harvey's sexuality. In his autobiography Close Up (2004), British actor John Fraser claimed Harvey was gay and that his long-term lover was Harvey's manager James Woolf, who had cast Harvey in several of the films he produced in the 1950s.[39]
After working in two films with her, Harvey remained friends with Elizabeth Taylor for the rest of his life. She visited him three weeks before he died. Upon his death, Taylor issued the statement, "He was one of the people I really loved in this world. He was part of the sun. For everyone who loved him, the sun is a bit dimmer." She and Peter Lawford held a memorial service for Harvey in California.[40]
Harvey once responded to an assertion about himself: "Someone once asked me, 'Why is it so many people hate you?' and I said, 'Do they? How super! I'm really quite pleased about it.'"[17]
Death
A heavy smoker and drinker, Harvey died from stomach cancer in Hampstead, London on 25 November 1973 at the age of 45.[41] His daughter Domino, who later became a bounty hunter, was only four years old at the time; she also died young at the age of 35 in 2005 after overdosing on painkillers. They are buried together in Santa Barbara Cemetery in Santa Barbara, California.[42][43]
Appraisal
According to his obituary in the New York Times:
With his clipped speech, cool smile and a cigarette dangling impudently from his lips, Laurence Harvey established himself as the screen's perfect pin-striped cad. He could project such utter boredom that willowy debutantes would shrivel in his presence. He could also exude such charm that the same young ladies would gladly lend him their hearts, which were usually returned utterly broken... The image Mr Harvey carefully fostered for himself off screen was not far removed from some of the roles he played. "I'm a flamboyant character, an extrovert who doesn't want to reveal his feelings", he once said. "To bare your soul to the world, I find unutterably boring. I think part of our profession is to have a quixotic personality."[17]
Awards and nominations
- 1956 Theatre World Award.[12]
- 1959 Nomination BAFTA Award for Best British Actor[14]
- 1960 Nomination BAFTA Award for Best British Actor[14]
- 1959 Nomination Academy Award for Best Actor[4]
- 1960 Nominated Laurel Award Top Male New Personality
- 1963 Nomination for Golden Globe Award for Best Actor – Motion Picture Drama.[18]
Acting credits
Stage
Opening date | Closing date | Title | Role | Theatre | Notes | Refs |
---|---|---|---|---|---|---|
16 Nov 1947 | Uprooted | Nicky Horroway | Comedy Theatre | Billed as Larry Skikne | [44] | |
9 May 1951 | Hassan | Cambridge Theatre | [45] | |||
1954 | Romeo and Juliet | Romeo | Royal Shakespeare Theatre | [46] | ||
4 Oct 1955 | 8 Oct 1955 | Island of Goats | Angelo | Fulton Theatre | 1956 Theatre World Award | [47] |
27 Nov 1957 | 4 Jan 1958 | The Country Wife | Mr. Horner | Adelphi Theatre (11/27/1957 – 12/21/1957) Henry Miller's Theatre (12/23/1957 – 1/04/1958) |
[48] | |
25 Dec 1958 | 10 Jan 1959 | Henry V | Henry V | Broadway Theatre | [49] | |
19 Aug 1964 | Camelot | King Arthur | Theatre Royal, Drury Lane | [50] | ||
Film
Note: Where British Film Institute (BFI) and American Film Institute (AFI) differed on release year, or if the Wikipedia article title had a different release year, whichever source is the country of production is the year used.
Television
Year | Title | Role | Other cast members | Notes | Refs. |
---|---|---|---|---|---|
1950 | Othello | Cassio | André Morell | (BBC TV) | [130] |
1953 | As You Like It | Orlando | Margaret Leighton | (BBC TV) | [131] |
1955 | ITV Play of the Week | Beljajew | Margaret Leighton | A Month in the Country | [132] |
The Alcoa Hour | Dick Swiveller | The Small Servant | |||
1956 | The Bet | ||||
1957 | Holiday Night Reunion | ||||
1959 | Alfred Hitchcock Presents | Arthur Williams | Hazel Court, Patrick Macnee | Arthur | [133] |
ITV Play of the Week | Chris/Misha | Hildegard Knef | The Violent Years | [134] | |
1960 | Pontiac Star Parade | Self | Entire cast and crew of The Alamo | The Spirit of the Alamo, wrap party in Brackettville, Texas | [135] |
What's My Line? | Self | Guest panelist 6 March; mystery guest 1 May | |||
Here's Hollywood | Self | Episode 1.19 | |||
1962 | The Milton Berle Show | Self | 9 March episode | [136] | |
The Flood (Stravinsky) | Narrator | [137] | |||
1964 | Password | Self | Georgia Brown v. Laurence Harvey | ||
The Ed Sullivan Show | Self | Episode 18.5 | |||
The Eamonn Andrews Show | Self | Episode 1.2 | |||
1965 | The Eamonn Andrews Show | Self | Episode 2.15 | ||
The Danny Kaye Show | Self | Episode 3.14 | [138] | ||
1966 | Hollywood Talent Scouts | Self | 31 January episode | ||
Late Night Line-Up | Self | Michael Dean, Denis Tuohy, Joan Bakewell | 5 February episode, BBC | [139] | |
1967 | The Merv Griffin Show | Self | 27 April episode | ||
Dial M for Murder | Tony Wendice | Diane Cilento, Hugh O'Brian, Cyril Cusack, Nigel Davenport | TV movie | [140] | |
The Jerry Lewis Show | Self | Joey Heatherton | 17 October 1967 episode | [141] | |
1968 | The Joey Bishop Show | Self | Episodes 2.245 and 3.40 | ||
Marvelous Party! | Host | A 70th birthday tribute to Noël Coward | |||
1969 | Rowan and Martin's Laugh-In | Self | Episode 2.25 | ||
Joker's Wild | Self | American TV game show | |||
1970 | The David Frost Show | Self | Episode 2.184 | ||
1971 | ITV Saturday Night Theatre | Major Sergius Saranoff | John Standing | Arms and the Man | [142] |
The Dick Cavett Show | Self | 11 May episode | |||
The Tonight Show Starring Johnny Carson | Self | 19 November episode | |||
Celebrity Bowling | Self | Unknown episode | |||
1972 | Night Gallery | Steven Macy | Caterpillar | [143] | |
1973 | Columbo | Emmett Clayton | The Most Dangerous Match | ||
45th Academy Awards | Self | Co-Presenter: Best Art Direction – Set Decoration | |||
The Tonight Show Starring Johnny Carson | Self | 24 August episode | |||
Notes
Citations
- ↑ Joseph F. Clarke (1977). Pseudonyms. BCA. p. 80.
- ↑ Harvey altered his birth year to 1927 to gain entry to the South African Navy when he was aged only 14, and 1927 now appears in many sources.
- ↑ Obituary Variety, 28 November 1973, p. 62.
- 1 2 "1959 Best Actor in a Leading Role nomination". Academy Awards. Retrieved 9 January 2012.
- ↑ Special to The New York Times (1973-11-27). "Laurence Harvey, Screen Actor, Is Dead at 45 – Attained Stardom With Role in 'Room at the Top' The Screen's Perfect Cad Enigmatic Flamboyance Was Also in 'Butterfield 8' and 'Manchurian Candidate' An Arrogant Manner – Article – NYTimes.com". Select.nytimes.com. Retrieved 2013-01-04.
- ↑ Who's who in the Theatre – John Parker – Google Books. Books.google.ca. Retrieved 2013-01-04.
- 1 2 3 4 5 Wise, James E; Baron, Scott (2002). International Stars at War. Naval Institute Press. pp. 79–82. ISBN 978-1-55750-965-9.
- 1 2 3 4 David Shipman The Great Movie Stars: 2. The International Years, London: Macdonald, 1989, pp. 246-28
- ↑ Room, Adrian (2010). Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins. McFarland. p. 222. ISBN 978-0-7864-4373-4.
- ↑ Anne Sinai Reach for the Top, p.97
- ↑ "AUSTRALIANS PLAY AT STRATFORD.". The Australian Women's Weekly. National Library of Australia. 8 September 1954. p. 16. Retrieved 12 July 2012.
- 1 2 Willis, John; Hodges, Ben (2009). Theatre World, 2006–2007, Volume 63; Volumes 2006–2007. Applause Books. p. 367. ISBN 978-1-55783-728-8.
- ↑ "Laurence Harvey". IBDB. Retrieved 6 January 2012.
- 1 2 3 "Best British Actor". BAFTA. Retrieved 23 September 2014.
- ↑ Munn, Michael (2005). John Wayne: The Man Behind The Myth. NAL Trade. pp. 205–212. ISBN 978-0-451-21414-0.
- ↑ "Openings and Current Attractions on the New York Screen". New York Magazine: 11. 1 October 1973.
- 1 2 3 "Laurence Harvey, Screen Actor, Is Dead at 45: Attained Stardom With Role in 'Room at the Top' The Screen's Perfect Cad Enigmatic Flamboyance Was Also in 'Butterfield 8' and 'Manchurian Candidate' An Arrogant Manner Special to The New York Times". New York Times, 27 Nov 1973: 47.
- 1 2 "1963 Laurence Harvey Golden Globe Nomination". HFPA. Retrieved 9 January 2012.
- ↑ Green, Stanley (1980). Encyclopedia of the musical theatre: an updated reference guide to over 2000 performers, writers, directors, productions, and songs of the musical stage, both in New York and London. Da Capo Press,. pp. 56–58. ISBN 978-0-306-80113-6.
- ↑ Anne Sinai Reach for the Top: The Turbulent Life of Laurence Harvey, Lanham, Maryland, USA & Plymouth, UK: Scarecrow Press, 2003 [2007], p.285
- ↑ Mann, William J (2012). Hello, Gorgeous: Becoming Barbra Streisand. Houghton Mifflin Harcourt. p. 325. ISBN 978-0-547-36892-4.
- 1 2 Maltin, Leonard (2008). Leonard Maltin's 2009 Movie Guide. Plume. p. 1009. ISBN 978-0-452-28978-9.
- ↑ Jackson, Carlton (1994). Picking Up the Tab: The Life and Movies of Martin Ritt. Popular Press. p. 79. ISBN 978-0-87972-672-0.
- ↑ Garrett, George P; Hardison, OB; Gelfman, Jane R (1989). Film Scripts 4: Darling; A Hard Day's Night; The Best Man. Irvington Pub. pp. 297–299. ISBN 978-0-8290-2278-0.
- ↑ Lisanti, Tom; Paul, Louis (2002). Film Fatales: Women in Espionage Films and Television, 1962–1973. Mcfarland & Co Inc Pub. p. 175. ISBN 978-0-7864-1194-8.
- ↑ Connelly, Mark (2003). The Charge of the Light Brigade. I. B. Tauris. pp. 22–24. ISBN 978-1-86064-612-6.
- ↑ Sinai Reach for the Top, p.302
- ↑ Welsh, James M; Tibbetts, John C (1999). The Cinema of Tony Richardson: Essays and Interviews. State Univ of New York Press. p. 35. ISBN 978-0-7914-42494.
- ↑ John Osborne Almost a Gentleman, London: Faber & Faber 1991, p.146 ISBN 0-571-16635-0
- ↑ Kael, Pauline (2011). 5001 Nights at the Movies. Picador USA. p. 170. ISBN 978-0-312-55886-4.
- ↑ "Tchaikovsky award nominations". Academy Awards. Retrieved 8 January 2012.
- ↑ Skelton, Scott; Benson, Jim (1998). Rod Serling's Night Gallery: An After-Hours Tour. Syracuse University Press. pp. 292–296. ISBN 978-0-8156-0535-5.
- ↑ Laurence Harvey: Boy Scout figures are gone By Louise Sweeney Film critic of The Christian Science Monitor. The Christian Science Monitor (1908-Current file) [Boston, Mass] 15 Oct 1973: 9.
- ↑ Leaming, Barbara (2004). Orson Welles: A Biography. Limelight Editions. p. 471. ISBN 978-0-87910-199-2.
- ↑ Hunter, Tab; Muller, Ernie (2006). Tab Hunter Confidential: The Making of a Movie Star. Algonquin Books. p. 261. ISBN 978-1-56512-548-3.
- ↑ O'Connor, Garry (2000). Ralph Richardson: An Actor's Life. Applause Books. pp. 180, 181. ISBN 978-1-55783-300-6.
- ↑ Adler, Tim (2008). Hollywood and the Mob: Movies, Mafia, Sex and Death. Bloomsbury Publishing PLC. p. 134. ISBN 978-0-7475-7350-0.
- ↑ Wilson, Andrew (2008). Harold Robbins: The Man Who Invented Sex. Bloomsbury Paperbacks. p. 208. ISBN 978-0-7475-9379-9.
- ↑ John Ezard "Sexy self-image that revved up Dirk Bogarde", Guardian.co.uk, 2 October 2004; accessed 30 November 2012.
- ↑ Kelly, Kitty (1981). Elizabeth Taylor: The Last Star. Simon & Schuster. pp. 256, 257. ISBN 978-0-671-25543-5.
- ↑ "Index entry". FreeBMD. ONS. Retrieved 2 August 2016.
- ↑ Brooks, Patricia; Brooks, Jonathan (2006). Laid to Rest in California: A Guide to the Cemeteries and Grave Sites of the Rich and Famous. Globe Pequot. pp. 141, 142. ISBN 978-0-7627-4101-4.
- ↑ Laurence Harvey at Find a Grave
- ↑ Wearing (2014) p. 339
- ↑ Mullin & Gielgud (1996) p. 223
- ↑ Kennedy (2002) p. 139
- ↑ "Island of Goats". IBDB. The Broadway League. Retrieved 25 January 2015.
- ↑ "The Country Wife". IBDB. The Broadway League. Retrieved 25 January 2015.
- ↑ "Henry V". IBDB. The Broadway League. Retrieved 25 January 2015.
- ↑ Wright (2012) p. 292
- ↑ "House of Darkness (1948)". BFI. Retrieved 23 January 2015.
- ↑ "Man on the Run". BFI. Retrieved 23 January 2015.
- ↑ "The Man From Yesterday". BFI. Retrieved 23 January 2015.
- ↑ "Landfall". BFI. Retrieved 23 January 2015.
- ↑ Manoush, Barry (2003). Encyclopedia of Hollywood Film Actors, Vol. 1: From the Silent Era to 1965. Applause. p. 315. ISBN 978-1557835512.
- ↑ "The Black Rose". BFI. Retrieved 23 January 2015.
- ↑ "The Black Rose". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Cairo Road". BFI. Retrieved 23 January 2015.
- ↑ "Scarlet Thread". BFI. Retrieved 23 January 2015.
- ↑ "There is Another Sun". BFI. Retrieved 23 January 2015.
- ↑ "I Believe in You". BFI. Retrieved 23 January 2015.
- ↑ "A Killer Walks". BFI. Retrieved 23 January 2015.
- ↑ "Women of Twilight". BFI. Retrieved 23 January 2015.
- ↑ "Innocents in Paris". BFI. Retrieved 23 January 2015.
- ↑ "The Good Die Young". BFI. Retrieved 23 January 2015.
- ↑ "King Richard and the Crusaders". BFI. Retrieved 23 January 2015.
- ↑ "King Richard and the Crusaders". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Romeo and Juliet". BFI. Retrieved 23 January 2015.
- ↑ "I Am a Camera". BFI. Retrieved 23 January 2015.
- ↑ "Storm Over the Hils". BFI. Retrieved 23 January 2015.
- ↑ "Three Men in a Boat". BFI. Retrieved 23 January 2015.
- ↑ "After the Ball". BFI. Retrieved 23 January 2015.
- ↑ "The Truth About Women". BFI. Retrieved 23 January 2015.
- ↑ "The Silent Enemy". BFI. Retrieved 23 January 2015.
- ↑ "Room at the Top". BFI. Retrieved 23 January 2015.
- ↑ "Power Amont Men". BFI. Retrieved 23 January 2015.
- ↑ "Power Among Men". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Expresso Bongo". BFI. Retrieved 23 January 2015.
- ↑ "The Alamo". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Alamo (1960)". BFI. Retrieved 23 January 2015.
- ↑ "BUtterfield 8". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "BUtterfield 8". BFI. Retrieved 23 January 2015.
- ↑ "The Long and the Short and the Tall". BFI. Retrieved 23 January 2015.
- ↑ "The Long and the Short and the Tall". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Two Loves". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Two Loves". BFI. Retrieved 23 January 2015.
- ↑ "Summer and Smoke". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Summer and Smoke". BFI. Retrieved 23 January 2015.
- ↑ "Walk on the Wild Side". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Walk on the Wild Side". BFI. Retrieved 23 January 2015.
- ↑ "The Wonderful World of the Brothers Grimm". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Wonderful World of the Brothers Grimm". BFI. Retrieved 23 January 2015.
- ↑ "The Manchurian Candidate". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Manchurian Candidate". BFI. Retrieved 23 January 2015.
- ↑ "A Girl Names Tamiko". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "A Girl Names Tamiko". BFI. Retrieved 23 January 2015.
- ↑ "The Running Man". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Running Man". BFI. Retrieved 23 January 2015.
- ↑ "The Ceremony". BFI. Retrieved 23 January 2015.
- ↑ "The Ceremony". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Of Human Bondage". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Of Human Bondage". BFI. Retrieved 23 January 2015.
- ↑ "The Outrage". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Outrage". BFI. Retrieved 23 January 2015.
- ↑ "Darling". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Darling". BFI. Retrieved 23 January 2015.
- ↑ "Life at the Top". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Life at the Top". BFI. Retrieved 23 January 2015.
- ↑ "The Spy With a Cold Nose". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Spy With a Cold Nose". BFI. Retrieved 23 January 2015.
- ↑ "A Dandy in Aspic". BFI. Retrieved 23 January 2015.
- ↑ "A Dandy in Aspic". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Winter's Tale". BFI. Retrieved 23 January 2015.
- ↑ Welsh, James Michael; Tibbets, John C. The Cinema of Tony Richardson: Essays and Interviews. Suny Series, Cultural Studies in Cinema/Video. p. 35. ISBN 978-0791442494.
- ↑ "Rebus". BFI. Retrieved 23 January 2015.
- ↑ "(The Last Roman) KAMPF UM ROM 2. TEIL: DER VERRAT (1969)". BFI. Retrieved 23 January 2015.
- ↑ "The Magic Christian". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "The Magic Christian". BFI. Retrieved 23 January 2015.
- ↑ "L' assoluto naturale". BFI. Retrieved 23 January 2015.
- ↑ "Tchaikovsky". BFI. Retrieved 23 January 2015.
- ↑ "The Deep". BFI. Retrieved 23 January 2015.
- ↑ "WUSA". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "WUSA". BFI. Retrieved 23 January 2015.
- ↑ "Habricha El Hashemesh". BFI. Retrieved 23 January 2015.
- ↑ "Night Watch". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Night Watch". BFI. Retrieved 23 January 2015.
- ↑ "F is for Fake". BFI. Retrieved 23 January 2015.
- ↑ "Welcome to Arrow Beach". AFI Catalog of Feature Films. AFI. Retrieved 23 January 2015.
- ↑ "Welcome to Arrow Beach". BFI. Retrieved 23 January 2015.
- ↑ "Othello". BFI. Retrieved 24 January 2015.
- ↑ "As You Like It". BFI. Retrieved 24 January 2015.
- ↑ "A Month in the Country". BFI. Retrieved 24 January 2015.
- ↑ "Arthur". BFI. Retrieved 24 January 2015.
- ↑ "The Violent Years". BFI. Retrieved 24 January 2015.
- ↑ "The Spirit of the Alamo". BFI. Retrieved 24 January 2015.
- ↑ "Lena Horne Gets Role in Milton Berle TV Show". Jet: 60. 8 March 1962.
- ↑ Joseph, Charles M. (2001). Stravinsky Inside Out. Yale University Press. pp. 132–135. ISBN 9780300075373.
- ↑ Inman (2005) p. 159
- ↑ "Late Nite Line-up". BFI. Retrieved 24 January 2015.
- ↑ "Dial M for Murder". BFI. Retrieved 24 January 2015.
- ↑ Inman (2005) p. 167
- ↑ "Arms and the Man". BFI. Retrieved 24 January 2015.
- ↑ Lofficier & Lofficier (2005) p. 113
References
- Kennedy, Dennis (2002). Looking at Shakespeare A Visual History of Twentieth-Century Performance. Cambridge University Press. ISBN 978-0-521-78548-8.
- Mullin, Michael; Gielgud, John (1996). Design by Motley. University of Delaware Press. ISBN 978-0-87413-569-5.
- Wearing, J. P. (2014). The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel. Rowman & Littlefield Publishers. ISBN 978-0-8108-9305-4.
- Wright, Adrian (2012). West End Broadway: The Golden Age of the American Musical in London. Boydell Press. ISBN 978-1-84383-791-6.
Further reading
- Hickey, Des and Smith, Gus. The Prince: The Public and Private Life of Laurence Harvey. Leslie Frewin. 1975.
- Stone, Paulene. One Tear is Enough: My Life with Laurence Harvey. 1975.
- Sinai, Anne. Reach for the Top: The Turbulent Life of Laurence Harvey. Scarecrow Press. 2003.
External links
Wikimedia Commons has media related to Laurence Harvey. |
- Laurence Harvey at the Internet Movie Database
- Laurence Harvey at AllMovie
- Laurence Harvey at the Internet Broadway Database
- Laurence Harvey at the TCM Movie Database
- Laurence Harvey at the British Film Institute's Screenonline
- Laurence Harvey Britmovie