Li Rui (writer)
| Li Rui 李锐 | |
|---|---|
| Born |
1950 (age 65–66) Beijing, China |
| Occupation | Novelist, short story writer |
| Language | Chinese |
| Nationality | Chinese |
| Alma mater | Liaoning University |
| Period | 1974 - present |
| Genre | Novel, short story |
| Literary movement | Xungen movement |
| Notable works |
Silver City No-Wind Tree No Clouds for Ten Thousand Miles |
| Notable awards |
Ordre des Arts et des Lettres 2004 China Times Literary Prize 8th National Award |
Li Rui (Chinese: 李锐; pinyin: Li Ruì; born 1949 in Beijing) is a short-story writer and novelist from China. He is best known for his Houtu series of short stories, which won the China Times Literary Prize as well as the 8th National Award for best short stories.
He has published five novels, several novellas and several volumes of short stories. In 2004, Li won the French Ordre des Arts et des Lettres award for his contributions to arts and literature.[1]
Laifong Leung in the Encyclopedia of Contemporary Chinese Culture has the following to say about Li Rui:
"A writer of the Root-seeking school (Xungen pai), Li Rui began publishing fiction in 1974 when he was a 'sent-down youth' in the area of the Luliang mountains in Shanxi province. He did not make his name, however, until the publication of Deep Earth (Houtu, 1988), a collection of eighteen short stories. In a concise style, Li blends his sympathy with a careful depiction of the helplessness and stagnation of peasant life against an austere landscape. Li's first novel, Silver City (Old Site; Jiuzhi, 1993), is a gripping family saga based on his father's experience as an underground Communist, and the latter's tragic death in a cadre school. Li's preoccupation with peasant life continued in his second and third novels, No-Wind Tree (Wufeng zhishu, 1996) and No Clouds for Ten Thousand Miles (Wanli wuyun, 1998). In both novels, Li uses peasants as first-person narrators, letting them speak their minds and feelings, creating a polyphonic effect. The skillful use of dialect further adds an authentic flavour. Because Li sets his rural stories in the area of the Luliang mountains, some critics associate him with the Potato School (Shanyaodan pai), which began in the mid-1940s and flourished in the 1950s with writers such as Zhao Shulo (1906-70) and Ma Feng (1922-). Actually, Li's peasant tales are more concerned with the gloomy aspects of rural China than with the optimistic depiction of socialist construction characteristic of this school" (Leung, 2004).[2]
References
- ↑ "HKBU Writer-in-Residence Li Rui meets local writers and scholars". Hong Kong Baptist University. 22 March 2006. Retrieved 2010-09-30.
- ↑ Leung, L (2004). Li Rui. In Eduard L. Davis (Ed.) Encyclopedia of Contemporary Chinese Culture (p. 453). London,England. Routledge.
External links
- "Silver City by Li Rui-Review". LA Times. 21 December 1997. Retrieved 2010-09-30.
- "Man and Nature- Three stories with no definite messages". CityU News Center- City University of Hong Kong. 27 April 2010. Retrieved 2010-09-30.
- Li Rui. Routledge. 2004. Retrieved 2010-09-30.