Renata Tarragó

Renata Tarragó

Renata Tarragó - Concierto de Aranjuez
Born Renata Tarragó Fábregas
1927
Barcelona, Spain
Died August 2, 2005
Occupation classical guitarist

Renata Tarragó Fábregas (1927 – 2 August 2005), a Catalan guitarist and vihuelist, was a teacher and performer, both as a solo artist and an accompanist. She was the first female guitarist to record Joaquín Rodrigo's Concierto de Aranjuez, and was the editor of the first published edition of the Concierto de Aranjuez score.

Life and career

Tarragó was born in Barcelona, Spain, in 1927, the second of two children of Graciano Tarragó Pons, who was a musician, composer and teacher, and his first wife, Renata Fábregas. She studied at the Barcelona Conservatory, where her first teacher was her father. Graciano Tarragó (1892–1973), who had previously taught the soprano Victoria de los Ángeles, had studied the guitar under Miguel Llobet, and also played the violin and viola.[1]

Renata Tarragó made her first public appearance at the age of 14, and was appointed an Assistant Professor at the Barcelona Conservatory upon the completion of her studies there in 1944.[2] In 1951, the Barcelona Conservatory awarded Tarragó the "Premio Extraordinario" for her artistic accomplishments.[3]

Tarragó played guitar accompaniment (with credits on the labels) on numerous HMV 78 and LP recordings with the soprano Victoria de los Ángeles, as well as a 1948 BBC recording in London of Manuel de Falla's La Vida Breve.[4] In 1958, Tarragó became the first female guitarist to record Joaquín Rodrigo's Concierto de Aranjuez, in a recording accompanied by the Orquesta de Conciertos de Madrid, conducted by Odón Alonso. She also was the first to edit the Aranjuez score for publication (1959), and Rodrigo's esteem for her was evidenced by the dedication of his Sonata Giocosa (1960) to her.[5] Her father, Graciano Tarragó, published the first edition of Rodrigo's Invocación y danca in 1962.[6]

Renata Tarragó's repertoire ranged from music written for the vihuela and Baroque guitar to that of the twentieth century. Among her solo recordings are the works of Federico Moreno Torroba, Francisco Tárrega, Fernando Sor, Gaspar Sanz, Johann Sebastian Bach, and Luigi Boccherini. In 1962, she made the first recording of Torroba's Concierto de Castilla, accompanied by the Orquesta de Conciertos de Madrid, conducted by Jesús Arámbarri. Unlike the majority of classical guitarists, who play notes with their fingernails, Tarragó used her fingertips.

Tarragó concertized widely in Europe and abroad (including South Africa and the Soviet Union), and made her U.S. debut in 1960. In 1962, she represented Spain at the International Congress of the Guitar in Tokyo, and received a Gold Medal for her performances.[3] During a 1962 concert at New York's Town Hall, she played both the vihuela and guitar, and the New York Times noted: "A musically sensitive performer, the beautiful Spanish artist explored the ranges of tonal subtlety and nuance."[7]

In the 1968 film Deadfall, she appeared onscreen playing John Barry's Romance for Guitar and Orchestra in a concert scene, as well as on the soundtrack recording. The adagio from her recording of the Concierto de Aranjuez was used by Rex Nettleford and the National Dance Theatre Company of Jamaica for their dance piece, "Dialogue for Three".[8]

Among the guitarists who studied with her are Jaume Abad (one of the founders of the Barcelona Guitar Quartet), Glorianne Collver-Jacobson, Ernesto Cordero, Darryl Denning, and Michael Johnson.

Tarragó was married to Dr. José Antonio Osorio Gullón.[9] She collapsed while swimming in Caldes d'Estrac, and died on 2 August 2005 in Mataró, Spain, at age 77.[3][10]

Reviews

Recordings

References

  1. ↑ Rafael Catalá (ed.). The Legacy of Manuel de Falla, Volume 1: Spanish Guitar Music from the Generation of 1927 (Chanterelle Verlag, 2007), 18.
  2. ↑ Francisco Herrera, Enciclopedia de la guitarra, Volume 1 (Piles, Editorial de Música, 2004); Gran enciclopedia catalana, Volume 14 (Enciclopèdia Catalana, S.A., 1981).
  3. 1 2 3 ""Renata Tarragó (1927-2005): Una de las mejores intérpretes de música española para guitarra," Royal Classics, no. 41 (2005): 11" (PDF)..
  4. ↑ Octavio Aceves. Cuando los ángeles cantan: biografía de Victoria de los Ángeles (Huerga y Fierro editores, 2008), 81.
  5. ↑ Graham Wade, Traditions of the Classical Guitar (Calder, 1980), 194; see also the first page of the Aranjuez score ("Digitado por Renata Tarragó"), and the inscription on the first page of the Sonata Giocosa score ("a Renata Tarragó").
  6. ↑ Joaquín Rodrigo, Invocation et danse: Hommage à Manuel de Falla, Doigté de Graciano Tarrago (Editions françaises de musique, 1962); see also the first page of the Invocation score.
  7. ↑ "Vihuela is Played by Renata Tarrago", in: New York Times, 9 April 1962, p. 34.
  8. ↑ "The Eternal Triangle in Dance: The Man, His Wife and That Other Woman...," Flair Magazine (supplement to the Kingston Daily Gleaner), 24 July 1989, p. 5.
  9. ↑ ""Renata Tarragó," ABC (Madrid), 12 October 2005, p. 46.".
  10. ↑ ""Renata Tarragó Fábregas: Concertista clásica española," La Vanguardia, 4 August 2005, p. 22;".

External links

This article is issued from Wikipedia - version of the 12/5/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.