Sabina Shikhlinskaya

Sabina Shikhlinskaya

Sabina Shikhlinskaya
Born Sabina Shikhlinskaya
(1962-04-26) April 26, 1962
Baku, Azerbaijan
Known for visual art
Movement Conceptual art

Sabina Shikhlinskaya (Azerbaijani: Səbinə Şixlinskaya); born April 26, 1962, Baku is an Azerbaijani artist and independent curator. She works in painting, video and photography. Being well known with her early modernistic paintings, in the 90s she transitioned to contemporary art. She is one of the pioneers of conceptual art in Azerbaijan. Shikhlinskaya's work explores actual problems of relationship between individual and society. In the art projects curated by Sabina Shikhlinskaya, the social subject is also of high priority.

Life and career

Sabina Shikhlinskaya was born April 26, 1962 in Baku, Azerbaijan, where she lives and works. She is a member of Azerbaijan Artists Union since 1988, has a title of Honored Artist of Azerbaijan Republic, a member of CIMAM[1] / International Committee for Museums and Collections of Modern Art from 2009. Educated in Vera Mukhina Institute of Arts, St. Petersburg, Russia (1981-1983), in Azerbaijan State University of Culture and Arts (1983-1988). In 1983 she started to participate in art exhibitions in Azerbaijan and abroad. In 1996 under the leadership of Shikhlinskaya the independent Art Group “Labyrinth” was founded. In the period 1999–2005 with participation of “Labyrinth” group she started a number of land art projects in Azerbaijan.

Since 1993 Sabina Shikhlinskaya has curated more than 50 exhibitions and projects in both Azerbaijani and international venues. Beginning from 2006, she began to participate in art residences and forums all over the world, being intensively involved in the development of "art mobility" international movement.

Art work

Sabina Shikhlinskaya, from 1977 to 1981 studied painting at the Azimzadeh State College of Fine Arts in Baku. After graduating, she enrolled in the Mukhina Institute of Fine Arts in St. Petersburg where she continued her studies of monumental (large format) painting. However, Shikhlinskaya abandoned her diploma work in 1983 due to her disagreement with the normative and propagandistic Soviet style, returning to Baku to study easel painting at the Azerbaijan State University of Arts. In 1988, Sabina's diploma work on the theme of the pagan holiday "Novruz Bayram" (holiday of spring) - with nude symbolic figures - was never shown as it blatantly challenged Soviet ideology. However, Sabina continued to paint on the theme of Novruz and subsequently two of these were purchased by the Tretyakov Gallery in Moscow as part of their modern art collection from Azerbaijan.

Video "Dangerous Red" by Sabina Shikhlinskaya, 30th Council of Europe Art Exhibition The Desire for Freedom. Art in Europe since 1945 An exhibition of the German Historical Museum, 2012

In the early 1990s, with the parting of the iron curtain, Shikhlinskaya was exhibited at the Galerie L'Orangeraie (Saint-Paul-de-Vence, France), which purchased her work on the theme of Nicolae Ceaușescu's death. Later in the 1990s, Sabina switched from painting to drawing, where she wove literary texts into graphic forms and images. In parallel, she began to experiment with land art, installation and video. After her first attempt in 1996, where Sabina Shikhlinskaya and a group of Azerbaijani artists installed a labyrinth in the gallery space, she fully transitioned from traditional painting to contemporary art.

In 1999 Sabina curated and participated in a project on the theme of "Paradise Lost", in which participating artists collected found objects on the Absheron peninsula and created installations focused on the Baku's environmental decay. In 2000, as part of another land art project about fire worship, Sabina made seven doors from fire, emulating an ancient Zoroastrian temple. In Sabina's last land art project, "Oil", she used petrol as her painting medium.

Video "Dangerous Red" by Sabina Shikhlinskaya, Tou Scene art center, Stavanger, Norway, 2010

From 2006 Sabina has extensively explored video art. Her first video installation "Hamam", illustrating an old traditional Sufi ritual of bathing and cleansing, was exhibited worldwide. In 2007, Shikhlinskaya made her second video project " Ship Bolshevik Narimam Narimanov"[2] - filming an abandoned Soviet shipwreck and combining the visual image with interviews of artists on the subject of post-Soviet change and stagnation. "Dangerous Red", one from her latest works, is a commentary on violence and its presence in everyday life. As installation it was exhibited in Georgia, Azerbaijan, Poland, Norway, Korea, France and Netherland in 2009 -2012.

In 2011 Sabina Shikhlinskaya created a new series of paintings titled "no comment" in the stencil technique. This work has the strongly pronounced social maintenance directed on the criticism of problems of a modern society.

Shikhlinskaya's works are presented in the collections : Tretyakovskaya State Gallery, Russia; Ministry of Culture of Russia; Ministry of Culture of Azerbaijan; Baku Museum of Modern Art, Azerbaijan; Giz Galasi Gallery,[3] Baku, Azerbaijan; Yeni Gallery, Baku, Azerbaijan; BP headquarters in Baku, Azerbaijan; Istanbul, Turkey; London, UK; International Bank of Azerbaijan; The Central and East European Art Foundation / Meda Mladek / Nahit Kabakci collection,[4] Turkey.

Private collections: Azerbaijan, Turkey, Israel, UK, Austria, Germany, Denmark, Norway, France, Italy, USA, Canada, Japan, Australia.

Selected exhibitions and projects


Curatorial activity

Since 1993 artist, educator and curator Sabina Shikhlinskaya has organized more than 50 exhibitions and projects in both Azerbaijani and international venues. In 1996, Shikhliskaya launched the “Labyrinth” project in Baku. This was the first contemporary art exhibition in Azerbaijan resulting from a month-long workshop followed by a group installation by Azerbaijani artists. Following the success of this project, the twelve participating artists, under the leadership of Shikhlinskaya, formed the Labyrinth Art Group. In 1999, Sabina Shikhlinskaya curated the first land art project in Azerbaijan with the artists from the Labyrinth Art Group. This land art workshop, symposium and exhibition was dedicated to the theme of “Paradise Lost” – the artists’ interpretation of the state of environment in Baku city and its surrounding. “Paradise Lost” was followed by the second symposium - “Paradise Found” in 2000, where the same participants created installations in the nature of the mountain areas of Azerbaijan. In 2001, Shikhlinskaya organized the third consecutive land art project on the theme of “Fire” – interpreting the ancient tradition of Zoroastrianism. For the next land art project in 2004 – “Nargin Island”,[16] Sabina Shikhlinskaya curated an international group of artists together with the Labyrinth members that inhabited an abandoned military island. Through painting, sculpting and installation, the artists transformed the environment of the military debris into objects of their personal artistic interpretation.

Press-conference at the opening of "Steps of Time" exhibition in Dresden Museum of Art, 2008

In 2005 within the framework of “Aluminum” - Azerbaijan’s second International Biennial of Contemporary Art, Sabina Shiklinskaya curated a public performance of the Labyrinth Art Group members, who painted and sculpted in the abandoned oil fields of Baku, thus transforming the nature of oil from its utilitarian purpose to the art medium.

"USSR-remix" project presentation, Norway, Stavanger, 2010

In 2007, Sabina Shikhlinskaya was the curator of the Azerbaijan’s 1st pavilion[17] at the 52nd Art Biennale in Venice. In 2008, Shikhlinskaya curated a group exhibition “USSR – Remix” the artists’ discussion on the topic of post-communist traces in the mentality of peoples and nations once living under the Soviet regime. Later that year, USSR – Remix was exhibited in Dresden Museum of Art along with another group show curated by Shikhlinskaya - “Steps of Time”[18] – a selection of art works by Azerbaijani artists of different generations, from Soviet (both social realists and non-conformist) to young contemporary artists. In 2009 Sabina Shikhlinskaya organized “Maiden Tower”, the international forum of contemporary art on the theme of gender that took place in Baku, Azerbaijan. In 2010 she continued gender subject and curated international video art exhibition "Openly"[19] shown in Istanbul, Antrepo, Sanat Limani in the frames of ”Istanbul – Capital of Culture of Europe”. In 2010 Shikhlinskaya presented new version of "USSR-remix" international group exhibition project in Center for Contemporary Art in Baku, Azerbaijan and later in Tou Scene Art Centre, Stavanger, Norway. In 2011 she presented the project ”USSR-remix" in the TRANSKAUKAZJA International Festival, Italian Passage, Warsaw, Poland.

Between 1996 – 2005, alongside her curatorial activities, Sabina Shikhlinskaya undertook a number of educational art projects in various institutions. She founded a school of painting for children, taught art in European Lyceum in Baku and TISA, the International School of Azerbaijan. She also conducted art therapy courses for vulnerable children: war refugees, orphans and children with disabilities.

In both her educational and curatorial projects, Sabina Shikhlinskaya partnered with such organizations as the Solomon Guggenheim Museum, UNDP, UNESCO, UNIFEM, Open Society Institute, Apollonia Art Exchanges, Azerbaijan Ministry of Culture and Tourism, Azerbaijan Ministry of Youth and Sports, Azerbaijan Center for Contemporary Arts, Azerbaijani Artists Union, Museum of Fine Art of Azerbaijan, as well as cultural representations of French, Italian, German, Norwegian, and Japanese embassy missions in Azerbaijan.

Selected curatorial projects

References

  1. ↑ "cimam.org". cimam.org. Retrieved 2013-03-23.
  2. ↑ "Exhibition in Dresden". Artradarjournal.com. 2009-01-09. Retrieved 2013-03-23.
  3. ↑ qgallery.net
  4. ↑ "humakabakcikoleksiyonu.com". humakabakcikoleksiyonu.com. 2009-12-06. Retrieved 2013-03-23.
  5. ↑ “The Desire for Freedom. Art in Europe since 1945" Catalog ISBN 978-39-424-2290-1
  6. ↑ globalvillage.ning.com Archived January 7, 2012, at the Wayback Machine.
  7. ↑ "mmoma.ru" (in Russian). mmoma.ru. Retrieved 2013-03-23.
  8. ↑ "portraitof19million.blogspot.com". portraitof19million.blogspot.com. 2011-06-19. Retrieved 2013-03-23.
  9. ↑ Армения Азербайджан Беларусь Грузия Молдова Украина (2011-08-17). "Exhibition "The Journey to the East" in Białystok, Kraków and Kiev | EaPCommunity". Easternpartnership.org. Retrieved 2013-03-23.
  10. ↑
  11. ↑ "landartmongolia.blogspot.com". landartmongolia.blogspot.com. Retrieved 2013-03-23.
  12. ↑ "transkaukazja.eu". transkaukazja.eu. Retrieved 2013-03-23.
  13. ↑ "artisterium.org". artisterium.org. Retrieved 2013-03-23.
  14. 1 2 "Steps of Time & Art is not only ugly. Nafas Art Magazine". Universes-in-universe.org. Retrieved 2013-03-23.
  15. 1 2 Universes in Universe - Gerhard Haupt & Pat Binder. "Azerbaijan, Venice Biennial 2007". Universes-in-universe.de. Retrieved 2013-03-23.
  16. ↑ Apollonia art exchanges. "La Toison d'or. Laboratoire artistique flottant catalog". Apollonia-art-exchanges.com. Retrieved 2013-03-23.
  17. ↑ 52ND INTERNATIONAL EXHIBITION OF VISUAL ARTS 2007: LA BIENNALE DI VENEZIA ISBN 978-88-317-9256-1
  18. ↑ "Steps of Time. Zeitgenössische Kunst aus Aserbaidschan, Staatliche Kunstsammlungen Dresden, 13. Juni bis 20. Juli 2008, Dresden, Residenzschloss ISBN 978-3-932264-37-5" (in German). D-nb.info. Retrieved 2013-03-23.
  19. ↑ "Promo video at ArtCore TV". Art-core.tv. Retrieved 2013-03-23.
  20. ↑ "transkaukazja.eu". transkaukazja.eu. Retrieved 2013-03-23.
  21. ↑ "ussr-remix.org". ussr-remix.org. 2011-11-17. Retrieved 2013-03-23.
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