Salim Halali
| Salim Halali | |
|---|---|
 | |
| Background information | |
| Birth name | Simon Halali |
| Born |
30 July 1920 Annaba, (Bône), Algeria |
| Died |
25 June 2005 (aged 84) Antibes, Alpes-Maritimes, France |
| Genres | Middle of the road (music), Algerian music, Flamenco, Chanson |
| Occupation(s) | Singer |
| Instruments | Darbouka |
Salim Halali or Salim Hilali (birth name Simon Halali,[1] 30 July 1920 – 25 June 2005) was an Algerian singer who performed Arabic Andalusian classical music and Algerian music. He was a pop singer rather than a professional performer of traditional Arab-Andalusian music, in which he had no formal training. Many of his songs remain popular in North Africa and among Jewish and Arab North African communities in France, where he is "an iconic figure of French-Arab cabaret music."[2]
Biography
Salim Halali was born in Annaba, Algeria. His father was of Turkish origin and his mother of Judeo-Berber origin.[3] Hallali's grandfather Jacob married Baia (Berthe) Brami and had four sons and two daughters. The eldest son Mushi (1850-1918) and his wife Zeira Taieb moved to Ain Beida, a town in eastern Algeria. They had several children, one of whom, Fraji, married Chalbia Bakis and moved to Annaba and then to Souk Ahras, Algeria. Salim Hallali was one of their seven sons and three daughters.
Salim Hallali stowed away on a ship bound for Marseille in 1934 and reached Paris in 1937 where he became successful as a singer in Parisian flamenco clubs, and met the Algierian music hall artist Mohamed el Kamel, who wrote Halali's first songs, including Andaloussia (I love a girl named Andalusia), Sevillane, Taali, Ardjaâ lebladek, Bine el barah el youm wa (Between yesterday and today), Mounira (the name of one of his sisters), Nadira, ouchq El Saheb, and El qelb chahik. In later years, Mohand Iguerbouchène composed fifty songs for him. In 1938, Halali toured Europe and his flamenco records in Arabic became successful in North Africa. Among his other successes are Al ain Zarga (The Blue Eyes), Mahenni zine (The beauty disturbed me), Habibti samra (My beloved brown) and Allala illali.
During the German occupation of France, Si Kaddour Benghabrit, the founder and first rector of the Great Mosque of Paris, managed to hide Salim's Jewish roots by providing him with a false Muslim certificate and etching the name of his late father on a tombstne at an unmarked grave in a Muslim cemetery Bobigny (Seine-Saint-Denis).[4] Halali to perform at the Mosque's Moorish café alongside such artists as Ali Sriti and Ibrahim Salah. After the war, he renewed his successful performing career and earned the admiration of the Egyptian diva Umm Kulthum.
In 1947, Halali created a Middle Eastern cabaret Folies Ismailia in a Paris hotel that belonged to Ferdinand de Lesseps located on the Avenue Montaigne in one of the city's best neighborhoods. In 1948, he created a second cabaret club, The Serail, on the Rue du Colisée. In 1949, he moved to Morocco, bought an old cafe in Maârif, the cosmopolitan quarter of Casablanca, and transformed it into a prestigious cabaret, Le Coq d'Or. It was frequented by wealthy Moroccans and visiting dignitaries, including King Farouk of Egypt. After the Coq d'Or was destroyed in a fire, Salim returned to France and lived in Cannes in the early 1960s. In the late 1960s, he recorded a version of "My Yiddishe Momme", a 1925 American vaudeville hit, in Arabic.[2] He expressed affection for the Muslim youth of the Parisian banlieues.[2] When he performed in Jerusalem in the 1960s and said in Arabic from the stage "Long live the Arab nation", the audience threw things at him. He left the stage and never visited Israel again.[4] He made no secret of the fact that he was gay and lived openly with his partner Pierre at least as early as 1949.[2]
His career reached a turning point in when he released a long-playing record in French and performed at the Salle Pleyel in Paris early in 1970. He later gave additional concerts in Paris, Montreal, and Casablanca. Though still successful, Halali decided to retire to Cannes, where he was known for hosting lavish parties at his villa, which had Arabian nights decor like his cabarets, and a garden with two pet tigers.[2] Halali was known for hosting lavish parties at his villa, which had Arabian nights decor like his cabarets, and a garden with two pet tigers.[2] He continued to perform for proivate parties as late as 1992.[2] In 1993, having sold his Villa St Charles on St Charles Street in Cannes, he lived in complete anonymity in a retirement home in Vallauris, where his days followed the simple routine of a typical resident.
Throughout his career, he was also recognized as a virtuoso darbuka player.[4]
He died in the hospital in Antibes, (Alpes-Maritimes on 25 June 2005. In accordance with his last wishes, his ashes were scattered in the garden of remembrance at the crematorium in Nice.
His recordings have enjoyed renewed success with the revival of interest in the Judeo-Arabic musical repertoire since the last years of the 20th century. As one student of Muslim youth culture has written, Halali's voice represents a form of Muslim-Jewish coexistence: "For young French Muslims trying to make sense of their status as Europe's new 'other', the Arab Jew's songs of exile resonate."[2] One musician summed up his influence:[4]
The man was an enigma. A homosexual surrounded by women, an outright anti-Zionist who came to appear in Israel.... Musically he was diverse as well, and was blessed with lots of color and richness. On the one hand, his singing was essentially Arab. On the other hand, he corresponds with styles that also spoke to Western ears. At heart he was a pop singer, the sort who performed in coffee shops and at weddings.
Cinema
Salim Halali is one of the principal characters in the film Free Men, directed by Ismaël Ferroukhi, released in 2011.[2] He is played by Mahmoud Shalaby, an Israeli Arab who learned French in order to play the role.[4]
References
- ↑ Emile Zrihan rend hommage à Salim Halali in L'Arche, Numéros 573-576, F.S.J.U., 2006, p. 134
- 1 2 3 4 5 6 7 8 9 Aidi, Hisham D. (2014). Rebel Music: Race, Empire, and the New Muslim Youth Culture. New York: Pantheon Books. ISBN 978-0-375-42490-8. Retrieved 28 January 2016.
- ↑ VH magazine (2010). "Salim Halali: Le roi des nuits Csablancaises" (PDF). p. 66. Retrieved 27 March 2013.
- 1 2 3 4 5 Aderet, Ofer (23 March 2012). "The Great Mosque of Paris that Saved Jews during the Holocaust". Haaretz. Retrieved 28 January 2016.
Sources
- Emile Zrihan rend hommage à Salim Halali in L'Arche, Numéros 573-576, F.S.J.U., 2006, p. 134
- Biographie de Salim Halali
- "Salim Halali : le chantre de la modernité", 21 April 2015, Harissa (in French)