Sonnet 137

The first two lines of Sonnet 137 in the 1609 Quarto

Q1 Q2 Q3 C	Thou blind fool, Love, what dost thou to mine eyes, That they behold, and see not what they see? They know what beauty is, see where it lies, Yet what the best is take the worst to be. If eyes, corrupt by over-partial looks, Be anchor’d in the bay where all men ride, Why of eyes’ falsehood hast thou forged hooks, Whereto the judgement of my heart is tied? Why should my heart think that a several plot Which my heart knows the wide world’s common place? Or mine eyes seeing this, say this is not, To put fair truth upon so foul a face? In things right true my heart and eyes have erred, And to this false plague are they now transferred.	4 8 12 14
	—William Shakespeare^[1]

Sonnet 137 is one of 154 sonnets written by the English playwright and poet William Shakespeare.

Structure

Sonnet 137 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 5th line exemplifies a regular iambic pentameter:

×  /      ×  /    × / ×   /   ×   / 
If eyes, corrupt by over-partial looks, (137.5)

/ = ictus, a metrically strong syllabic position. × = nonictus.

Line 11 begins with the rightward movement of the first ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic):

×   ×   /     / ×     /    ×    /  ×   / 
Or mine eyes seeing this, say this is not, (137.11)

A minor ionic potentially occurs in line 10. Several lines (3, 7, 8, 9, 14) potentially contain either initial or mid-line reversals. The mid-line reversal of line 14 is metrically more complex:

×    /   ×   /      /    ×     ×   /    ×   / 
And to this false plague are they now transferred. (137.14)

The first ictus may fall on any of the first three words, but the complex element is "false plague": Peter Groves calls this a "harsh mapping", and recommends that in performance "the best thing to do is to prolong the subordinated S-syllable [here, "false"] ... the effect of this is to throw a degree of emphasis on it".^[2]

The meter demands that line 7's "forgèd" be pronounced as two syllables.^[3]

Notes

↑ Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201.
↑ Groves, Peter (2013). Rhythm and Meaning in Shakespeare: A Guide for Readers and Actors. Melbourne: Monash University Publishing. pp. 42–43. ISBN 978-1-921867-81-1.
↑ Booth 2000, p. 119.

References

First edition and facsimile

Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC 458829162.

Variorum editions

Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Company. OCLC 234756.
Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC 6028485.

Modern critical editions

Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499.
Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN 0-300-01959-9. OCLC 2968040.
Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938.
Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. The Arden Shakespeare, Third Series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951.
Evans, G. Blakemore, ed. (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082.
Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446.
Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469.
Orgel, Stephen, ed. (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809.
Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets. Cambridge, MA: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589.

External links

www.shakespeare-online.com

William Shakespeare

Plays

Tragedies	Antony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Sir Thomas More* Timon of Athens Titus Andronicus Troilus and Cressida

Comedies	All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre* The Taming of the Shrew The Tempest Twelfth Night The Two Gentlemen of Verona The Two Noble Kinsmen* The Winter's Tale Cardenio* Love's Labour's Won

Histories	King John Edward III* Richard II 1 Henry IV 2 Henry IV Henry V 1 Henry VI* 2 Henry VI* 3 Henry VI* Richard III Henry VIII*

See also	Problem plays Late romances Characters A–K L–Z Chronology Performances Settings Quarto publications First Folio Second Folio

Poems

Life
and works

Legacy

* Shakespeare and other authors
Lost

Shakespeare's sonnets

"Fair Youth" sonnets

Procreation sonnets	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Rival Poet sonnets	78 79 80 81 82 83 84 85 86

"Envoy"	126

"Dark Lady" sonnets

"Anacreontics"	153 154

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