The Blasting Room
The Blasting Room logo | |
Exterior of The Blasting Room | |
Address | 1760 Laporte Avenue, Suite 2, Fort Collins, Colorado, 80521 |
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Coordinates | 40°35′22.7″N 105°6′28.9″W / 40.589639°N 105.108028°W |
Owner | Bill Stevenson, Jason Livermore |
Operator | Stevenson, Livermore |
Type | Recording studio |
Construction | |
Built | July–November 1994 |
Opened | November 1994 |
Website | |
blastingroomstudios |
The Blasting Room is a recording studio in Fort Collins, Colorado. Founded by members of the punk rock band All in 1994, it is owned and operated by musician Bill Stevenson (Descendents, Black Flag, All, Only Crime) and Jason Livermore. The studio is known for hosting many punk rock bands, with Stevenson and Livermore serving as in-house audio engineers and record producers.
In July 1994 the members of All relocated from Brookfield, Missouri to Fort Collins.[1] Using money from their recent recording contract with Interscope Records, they designed and began construction of The Blasting Room with the help of guitarist Stephen Egerton's father, Dan O' Reilly.[1] The studio opened four months later, featuring a two-inch analog 24-track tape machine, a mixing console manufactured by Solid State Logic, and a variety of outboard gear.[1] The 4,000 square foot facility includes three recording studios: Studio A, the largest, features three isolation booths; The smaller Studio B has a separate control room; Studio C is a mixing and editing suite.[2] The Blasting Room also features a lounge, kitchen, and two bedrooms available to visiting artists.[2] In addition to production, engineering, and mixing, the studio also offers audio mastering services done by Livermore.[2]
Albums recorded, mixed, and/or mastered at The Blasting Room
Recorded | Released | Artist | Album | Recorded | Mixed | Mastered | Studio personnel and roles |
---|---|---|---|---|---|---|---|
1994-10 | 1995-04-11 | All | Pummel | Produced and engineered by Bill Stevenson and Stephen Egerton, assistant engineer: Jason Livermore | |||
1994-11 | 1995-06-27 | Hagfish | Rocks Your Lame Ass | Produced, engineered, and mixed by Stevenson and Egerton | |||
1996-06 | 1996-09-24 | Descendents | Everything Sucks | Produced and engineered by Stevenson and Egerton, additional engineering by Livermore | |||
1997-09 | 1998-03-24 | Hagfish | Hagfish | Produced and mixed by Stevenson and Egerton, engineered by Stevenson, Egerton, and Livermore | |||
1997-03-04 | Shades Apart | Seeing Things | Produced, engineered, and mixed by Stevenson, Egerton, and Livermore | ||||
1997-03-18 | Mustard Plug | Evildoers Beware! | Produced by Stevenson and Egerton, engineered by Stevenson, Egerton, and Livermore | ||||
1997-12 | 1998-05-05 | All | Mass Nerder | Produced, engineered, and mixed by Stevenson, Egerton, and Livermore | |||
1998-09-23 | Kemuri | 77 Days | Produced and engineered by Stevenson and Egerton | ||||
1998-09 | 1998-11-10 | The Ataris | Look Forward to Failure | Produced and engineered by Sevenson and Egerton, mixed by Livermore | |||
1998-11-24 | Lagwagon | Let's Talk About Feelings | Mixed by Stevenson and Egerton, assisted by Livermore | ||||
1998-03 | 1999-02-23 | All | All | Mixed by Stevenson, Egerton, and Livermore, mastered by Livermore | |||
1998-06 | 1999-04-13 | The Ataris | Blue Skies, Broken Hearts...Next 12 Exits | Mixed by Livermore | |||
1999-01 | 1999-03-16 | Mustard Plug | Pray for Mojo | Produced, engineered, and mixed by Stevenson, Egerton, and Livermore | |||
1999-02 | 1999-05-04 | Good Riddance | Operation Phoenix | Produced, engineered, and mixed by Stevenson, Egerton, and Livermore | |||
1998-08 | 1999-07-27 | MxPx | At the Show | Produced, engineered, and mixed by Stevenson and Egerton, mastered by Livermore | |||
1993–96 | 1999 | Zeke | True Crime | ||||
1999-12 | 1999-11-02 | Lagwagon | A Feedbag of Truckstop Poetry | Produced and engineered by Stevenson and Egerton, mixed by Livermore | |||
2000-01 | 2000-06-06 | All | Problematic | Produced, engineered, mixed, and mastered by Stevenson, Egerton, and Livermore | |||
2000 | Less Than Jake | Borders & Boundaries | |||||
2000 | Slick Shoes | Wake Up Screaming | |||||
2001 | The Ataris | End Is Forever | |||||
2001 | Good Riddance | Symptoms of a Leveling Spirit | |||||
2002 | MxPx | Ten Years and Running | |||||
2001 | Hangnail | Facing Changes | |||||
2001 | Season to Risk | The Shattering | |||||
2001 | Zeke | Death Alley | |||||
2002 | Drag the River | Closed | |||||
2002 | The O.C. Supertones | Live! Volume One | |||||
2003 | Anti-Flag | The Terror State | |||||
2003 | Good Riddance | Bound by Ties of Blood and Affection | |||||
2003 | Hangnail | Transparent | |||||
2003 | Rise Against | Revolutions per Minute | |||||
2003 | The Suicide Machines | A Match and Some Gasoline | |||||
2004 | Alkaline Trio/One Man Army | BYO Split Series Volume V | |||||
2004 | Audio Karate | Lady Melody | |||||
2004 | The Casualties | On the Front Line | |||||
2004 | Descendents | 'Merican | |||||
2004 | Descendents | Cool to Be You | |||||
2004 | Drag the River | Chicken Demos | |||||
2005 | 7 Seconds | Take It Back, Take It On, Take It Over! | |||||
2005 | Comeback Kid | Wake the Dead | |||||
2005 | Kemuri | Principle | |||||
2005 | Propagandhi | Potemkin City Limits | |||||
2005 | Useless ID | Redemption | |||||
2005 | A Wilhelm Scream | Ruiner | |||||
2006 | The Casualties | Under Attack | |||||
2006 | Good Riddance | My Republic | |||||
2006 | The Lemonheads | The Lemonheads | |||||
2006 | NOFX | Wolves in Wolves' Clothing | |||||
2006 | Rise Against | The Sufferer & the Witness | |||||
2007 | Buck-O-Nine | Sustain | |||||
2007 | Comeback Kid | Broadcasting... | |||||
2007 | Kemuri | Blastin' | |||||
2007 | Kemuri | Our PMA | |||||
2007 | Mustard Plug | In Black and White | |||||
2007 | No Use for a Name | All the Best Songs | |||||
2007 | A Wilhelm Scream | Career Suicide | |||||
2008 | Drive By | A Delicate Situation | |||||
2008 | The Northern Way | The Northern Way EP | |||||
2008 | No Use for a Name | The Feel Good Record of the Year | |||||
2008 | Rise Against | Appeal to Reason | |||||
2008 | Tickle Me Pink | Madeline | |||||
2008 | Useless ID | The Lost Broken Bones | |||||
2009 | The Decline | I'm Not Gonna Lie to You | |||||
2009 | NOFX | Coaster | |||||
2009 | Propagandhi | Supporting Caste | |||||
2009 | Red Lights Flash | For Your Safety | |||||
2009 | Suburban Hostage | Unified Theory of Critical Thinking | |||||
2010 | Air Dubai | Wonder Age | |||||
2010 | Reacción Direkta | ¿Cuál Democracia? | |||||
2011 | Jordan | Hablando con el Universo | |||||
2011 | Rise Against | Endgame | |||||
2011 | The Swellers | Good for Me | |||||
2012 | The Bouncing Souls | Comet | |||||
2012 | Hot Water Music | Exister | |||||
2012 | NOFX | Self Entitled | |||||
2012 | Off with Their Heads | Home | |||||
2012 | Teenage Bottlerocket | Freak Out! | |||||
2012 | Useless ID | Symptoms | |||||
2013 | Alkaline Trio | My Shame Is True | |||||
2013 | Sinclear | From Low to Loud | |||||
2013 | Wiredogs | The Resistance EP | |||||
2014 | Rise Against | The Black Market | |||||
2015 | Wiredogs | Kill the Artist Hype the Trash |