The Book of Souls

The Book of Souls
Studio album by Iron Maiden
Released 4 September 2015
Recorded September–December 2014
Studio Guillaume Tell Studios, Paris
Genre Heavy metal
Length 92:11[1][2]
Label Parlophone,
Sanctuary Copyrights/BMG (US)
Producer Kevin Shirley, Steve Harris
Iron Maiden studio albums chronology
The Final Frontier
(2010)		 The Book of Souls
(2015)
Singles from The Book of Souls
  1. "Speed of Light"
    Released: 14 August 2015
  2. "Empire of the Clouds"
    Released: 16 April 2016

The Book of Souls is the sixteenth studio album by English heavy metal band Iron Maiden, released on 4 September 2015. It is the band's first studio double album, and therefore also their longest to date, with a total length of 92 minutes. Its launch and supporting tour were delayed to allow vocalist Bruce Dickinson time to recover from the removal of a cancerous tumour in early 2015.

Produced by long-time Iron Maiden collaborator Kevin Shirley, The Book of Souls was recorded at Guillaume Tell Studios, Paris from September to December 2014, which they had previously used for 2000's Brave New World. The band wrote and immediately recorded many tracks in the studio, resulting in a spontaneous live feel. The album's first release, "Speed of Light", was issued as a music video on 14 August, and simultaneously as a digital download and CD single exclusive to Best Buy. In addition to being their longest studio record, it also contains the band's longest song, "Empire of the Clouds", at 18 minutes in length, which was also issued as a single for Record Store Day on 16 April 2016. While not a concept album, references to the soul and mortality are prominent, realised in the Maya-themed cover artwork, created by Mark Wilkinson.

A critical and commercial success, The Book of Souls received positive reviews and topped the album charts in 24 countries. It earned the band their fifth (first consecutive) UK No. 1, following 1982's The Number of the Beast, 1988's Seventh Son of a Seventh Son, 1992's Fear of the Dark and 2010's The Final Frontier. In the US, it matched The Final Frontier's success on the Billboard 200, repeating the group's highest placement at no. 4. It also marks the longest gap between studio releases in the group's entire career; at five years, following The Final Frontier.

Background

The band's intention to record a sixteenth studio album was first revealed by vocalist Bruce Dickinson in September 2013, who expected a possible release in 2015.[3] The album was recorded at Guillaume Tell Studios, Paris with producer Kevin Shirley from September to December 2014,[4] with the finishing touches added in early 2015.[5] They had previously used the studios for 2000's Brave New World, with Dickinson stating "the studio holds special memories for all of us. We were delighted to discover the same magical vibe is still alive and very much kicking there!"[1] The band originally intended to release the record earlier in 2015, but it was pushed back to 4 September while Dickinson received treatment for a cancerous tumour.[2]

The album's title, artwork and track listing were revealed on 18 June 2015.[2] Released by Parlophone, this is the band's first original studio album not to be issued by EMI, after both companies were acquired by Warner Music Group in 2013.[6] In the US, the album was issued by Sanctuary Copyrights/BMG,[7] following BMG's purchase of Sanctuary Records in 2013.[8] On 14 August, the band issued a music video for the song "Speed of Light",[9] directed by Llexi Leon.[10] In addition, the song was simultaneously made available as a digital download[11] and was issued as a single-track CD via Best Buy in the US.[12]

The album cover features the original version of the Iron Maiden logo, not used on a studio album since 1995's The X Factor.[13] The artwork was created by Mark Wilkinson,[5] whose previous works for Iron Maiden include Live at Donington (1998 remastered version) and Best of the 'B' Sides (2002 compilation), as well as "The Wicker Man" and "Out of the Silent Planet" singles covers.[14] According to bassist Steve Harris, the cover art ties in with the title track, as the depiction of the band's mascot, Eddie, is based on the Maya civilization, who "believe that souls live on [after death]".[15] To check the accuracy of the artwork, the band hired Mayanist scholar Simon Martin, who also translated the song titles into hieroglyphs.[16] According to Martin, although the civilisation had no Book of Souls, "the Mayans are very big on souls ... So as a title, it's appropriate to Mayan culture, but it's very much Iron Maiden's own thing."[16] Although not a concept album, references to the soul appear throughout,[15] as do ruminations on mortality in general, with Harris explaining "as you get older, you start thinking about your own mortality and these things more".[17]

A supporting tour based on the album was delayed until early 2016 so that Dickinson could fully recuperate from his cancer treatment.[18] The Book of Souls World Tour began in February with the band performing in 35 countries across North and South America, Asia, Australasia, Africa and Europe.[19]

Writing and recording

The album features two songs solely written by vocalist Bruce Dickinson.

Harris states that many of the songs were written and immediately recorded in the studio, adding to the record's "live feel".[1] Guitarist Janick Gers explains that this involved abandoning their previous approach of spending several weeks writing and rehearsing, which meant that they "went into the studio with only outlines and finished writing the songs in the studio - so we were actually learning them, rehearsing them, and putting them down all at once".[20] According to guitarist Adrian Smith, the pressure this created was positive "because it snaps you into action".[20] Gers states that each member brought in approximately an hour of original music to the sessions, even though they "might only want to use 15 minutes of it",[4] the result being "a really broad spectrum of musical ideas".[20] As with all of their studio collaborations with Shirley, most of the album was recorded live with lots of first takes used for added spontaneity.[20]

"Shadows of the Valley", "Death or Glory", "Speed of Light" and "If Eternity Should Fail" were the first songs written for the album, the last of which, according to Dickinson, was originally written for a potential solo album and features the band's first collective use of drop D tuning.[21][22] Smith states that "Speed of Light" and "Death or Glory" were two of a small minority of tracks completed prior to the recording sessions, and mark the first collaboration between Smith and Dickinson (without Harris) since both members rejoined Iron Maiden in 1999.[23] With both tracks, Smith and Dickinson deliberately wrote shorter songs in an attempt to hark back to previous singles "2 Minutes to Midnight" (1984) and "Can I Play with Madness" (1988).[23] According to Dickinson, "Death or Glory" is about First World War triplanes.[17]

Unlike the band's previous two albums, 2006's A Matter of Life and Death and 2010's The Final Frontier, Harris does not receive a writing credit for all of the record's songs.[17] This is because Harris suffered two bereavements during the writing stage ("an old schoolfriend and a member of the family") which affected his creative output.[17] The result was a more collaborative effort, with all members except drummer Nicko McBrain receiving a writing credit.[17] One of Harris' contributions, "Tears of a Clown", which he co-wrote with Smith, is praised by Dickinson as his favourite track from The Book of Souls and is based on comedian Robin Williams' depression and suicide in 2014.[24]

The release's final song, "Empire of the Clouds", replaces "Rime of the Ancient Mariner" (from 1984's Powerslave), as the band's longest song at 18 minutes in duration.[5] The track features Dickinson on piano for the first time and is based on the 1930 R101 airship crash.[21] According to Smith, Dickinson spent most of the album's recording sessions alone writing the song in a "soundproof glass box with his piano",[20] which he completed with assistance from McBrain.[21] Smith states that it was a challenge to record as Dickinson "laid down the piano on his own" and the band then "played along to that" while following Dickinson and Shirley's instructions.[20][23] For Record Store Day 2016, "Empire of the Clouds" was issued as a single on 16 April.[25] Along with opener "If Eternity Should Fail", it marks the first Iron Maiden album since Powerslave which features two tracks written solely by Dickinson.[26] For the first time since 1998's Virtual XI, the final track wasn't written or co-written by Steve Harris.

At 92 minutes in length, it is both the longest Iron Maiden studio album and their first double studio record.[2] Speaking about the running time, Dickinson comments "we all agreed that each track was such an integral part of the whole body of work that if it needed to be a double album, then double it's going to be!"[1]

Reception

Critical response

Professional ratings
Aggregate scores
SourceRating
Metacritic80/100[27]
Review scores
SourceRating
AllMusic[28]
Billboard[29]
Classic Rock9/10[30]
The Guardian[31]
Kerrang!5/5[32]
Metal Hammer10/10[33]
NME8/10[34]
Q[35]
Rolling Stone[36]
Uncut7/10[37]

The album received generally favourable reviews and currently holds a score of 80/100 from 20 ratings on the aggregate site Metacritic.[27] The album received a score of 9/10 from Classic Rock, who stated that "it’s hard to think of another band of this vintage that would be capable of sounding this vital and inspired."[30] Kerrang! and Metal Hammer gave it full marks, the former labelling it "an album of extraordinary vision",[32] while the latter described the release as "a gargantuan emotional journey through some career-best performances that more than makes up for a five-year wait."[33] Blabbermouth.net were also extremely positive, scoring it 9.5/10 and deeming it "Iron Maiden's most comprehensive and confident work since Brave New World and for certain one of their finest achievements overall."[38] PopMatters gave the album 9 stars out of 10, praising the band for returning to "the very top of their game in a way we haven’t seen since 1988."[39] AllMusic awarded it 4 stars out of five, stating "With repeated listening it earns shelf space with their finest records."[28] The Guardian also scored it 4 stars out of 5 and, although criticising the "lumbering 'Shadows of the Valley'", exclaimed that "The Book of Souls is marked by an impressive rawness that scratches against the album’s more grandiloquent moments."[31] Metal Shock Finland rated it as 9.5 out 10 and mentioned the album as "a piece of true metal which the other metal icons, Judas Priest and Black Sabbath, could not repeat with their latest albums."[40]

Rolling Stone and Billboard were more critical, rating it 3.5 stars out of 5, the latter describing it as "outsized" but "surprisingly engaging overall".[29][36] Paste rated it 7.9/10, saying "it's an impressive piece of work, but it gets bogged down by the band’s own ambition", although still concluding that it is "the best Maiden record from Dickinson’s second act, and an impressive achievement",[41] while Uncut awarded it 7 out of 10, stating that "an epic, if somewhat ruminative tone dominates".[37] Both Q and Record Collector gave the album a mixed score of 3 stars out of 5, the former criticising its "lengthy longueurs" and concluding that it is "not one of their best",[35] while the latter asserted that "too much of the album is made up of endless midtempo guitar chug" and that it "sounds much like any other Maiden album from their career-twilight period."[42]

The 18-minute closing track "Empire of the Clouds" was the subject of particular praise, with PopMatters calling it a "masterpiece" and "every bit as spellbinding as 1984’s 'Rime of the Ancient Mariner' [from 1984's Powerslave]",[39] while AllMusic described it as "a heavy metal suite, unlike anything in their catalogue".[28] While Blabbermouth.net and NME did not agree that it matches "Rime of the Ancient Mariner", the former stated that it is "worth every single minute as a cinematic-sounding encapsulation of the band's career",[38] while the latter called it "the pièce-de-résistance".[34] It also received a positive response from Classic Rock, who deemed it "stunning piece of work",[30] while Billboard labelled it "a highlight".[29] Sputnikmusic rated it "a significant improvement" on the closing tracks from the band's two previous studio records ("The Legacy" from 2006's A Matter of Life and Death and "When the Wild Wind Blows" from 2010's The Final Frontier), calling it "cerebral and evocative".[43] The Guardian, however, argued that it is unlikely to appeal to enthusiasts of the band's older material, although they did say that "said [fans] might be mollified by Harris’s 'The Red and the Black'".[31] The 13 and a half minute "The Red and the Black" was complimented by The Guardian for its "genuine urgency and agility",[31] while PopMatters dubbed it "as predictable as [Harris's] songwriting gets, [but] this time around it’s a delight to hear".[39] In contrast, Paste were slightly critical of all three of the album's longer songs (also including the 10-minute title track), stating "in the end, the prog-jam logjam causes these songs to lose some of their impact, even after multiple listens", although they did commend "The Red and the Black" for having "the pace and feel of Powerslave’s "Rime of the Ancient Mariner'".[41]

Accolades

The Book of Souls received the Album of the Year award at the 2015 Classic Rock Roll of Honour Awards[44] and won in the Best International Album category at the 2016 Bandit Rock Awards.[45][46] In addition, it was also listed among the best albums of the year by some publications:

Publication Accolade Year Rank
Classic Rock 50 Best Albums of 2015 2015
The Guardian The Best Albums of 2015
Loudwire 20 Best Metal Albums of 2015
Loudwire 20 Best Metal Songs of 2015 (for "Empire of the Clouds")
Metal Hammer 2015: A Year In Metal - The Critics' Poll
Metal Hammer Germany Die Soundcheck-Tops 2015
Ultimate Classic Rock Top 20 Albums of 2015

Commercial performance

The album was a commercial success, reaching the no. 1 spot in 24 countries in addition to 19 other territories which no longer publish retail charts.[54][55] It was their fifth record to top the UK albums chart with sales of over 60,000 units,[56] out-selling their previous record, The Final Frontier, which sold 44,385 copies but reached the same chart position.[57] In the US, the record charted at no. 4, their joint highest position on the Billboard 200 along with The Final Frontier, although The Book of Souls was again the better seller with 74,000 sales compared to 63,000.[58][59] According to Billboard, this marks the band's best sales week in the US since the Nielsen SoundScan tracking system began operating in 1991.[60] As of January 2016, The Book of Souls has sold more than 148,000 copies in the US.[61]

Track listing

Disc one
No. TitleWriter(s) Length
1. "If Eternity Should Fail"  Bruce Dickinson 8:28
2. "Speed of Light"  Adrian Smith, Dickinson 5:01
3. "The Great Unknown"  Smith, Steve Harris 6:37
4. "The Red and the Black"  Harris 13:33
5. "When the River Runs Deep"  Smith, Harris 5:52
6. "The Book of Souls"  Janick Gers, Harris 10:27
Disc two
No. TitleWriter(s) Length
1. "Death or Glory"  Smith, Dickinson 5:13
2. "Shadows of the Valley"  Gers, Harris 7:32
3. "Tears of a Clown"  Smith, Harris 4:59
4. "The Man of Sorrows"  Dave Murray, Harris 6:28
5. "Empire of the Clouds"  Dickinson 18:01
Total length:
 92:11

Personnel

Production and performance credits are adapted from the album liner notes.[62]

Iron Maiden
Technical personnel

Charts

Weekly charts

Chart (2015) Peak
position
Argentinian Albums (CAPIF)[54] 1
Australian Albums (ARIA)[63] 2
Austrian Albums (Ö3 Austria)[64] 1
Belgian Albums (Ultratop Flanders)[65] 1
Belgian Albums (Ultratop Wallonia)[66] 2
Brazilian Albums (ABPD)[54] 1
Canadian Albums (Billboard)[67] 2
Colombian Albums[54] 1
Croatian Foreign Albums (HDU)[68] 1
Czech Albums (ČNS IFPI)[69] 1
Danish Albums (Hitlisten)[70] 3
Dutch Albums (MegaCharts)[71] 1
Finnish Albums (Suomen virallinen lista)[72] 1
French Albums (SNEP)[73] 2
German Albums (Offizielle Top 100)[74] 1
Greek Albums (IFPI)[75] 1
Hungarian Albums (MAHASZ)[76] 1
Irish Albums (IRMA)[77] 2
Israeli Albums (Media Forest)[54] 1
Italian Albums (FIMI)[78] 1
Japanese Albums (Oricon)[79] 6
Korean Albums (Gaon)[80] 28
Mexican Albums (Top 100 Mexico)[54] 1
New Zealand Albums (RMNZ)[81] 2
Norwegian Albums (VG-lista)[82] 1
Polish Albums (ZPAV)[83] 1
Portuguese Albums (AFP)[84] 1
Serbian Albums[54] 1
Slovenian Albums (SloTop30)[54] 1
South African Albums (EMA)[54] 4
Spanish Albums (PROMUSICAE)[85] 1
Swedish Albums (Sverigetopplistan)[86] 1
Swiss Albums (Schweizer Hitparade)[87] 1
Turkish Albums (Turkish Music Charts)[54] 3
UK Albums (OCC)[88] 1
UK Rock & Metal Albums (OCC)[89] 1
US Billboard 200[90] 4

Year-end charts

Chart (2015) Position
Australian Albums (ARIA)[91] 69
Belgian Albums (Ultratop Flanders)[92] 49
Belgian Albums (Ultratop Wallonia)[93] 84
Croatian Foreign Albums (HDU)[94] 1
Dutch Albums (MegaCharts)[95] 49
French Albums (SNEP)[96] 74
German Albums (Offizielle Top 100)[97] 19
Hungarian Albums (MAHASZ)[98] 13
Italian Albums (FIMI)[99] 46
Mexican Albums (AMPROFON)[100] 64
Swiss Albums (Schweizer Hitparade)[101] 17
UK Albums (OCC)[102] 57

Certifications

Region Certification Certified units/Sales
Austria (IFPI Austria)[103] Gold 7,500*
Brazil (ABPD)[104][105] Platinum 40,000*
Canada (Music Canada)[106] Gold 40,000^
Croatia (HDU)[107] Gold 7,500*
France (SNEP)[108] Gold 50,000*
Germany (BVMI)[109] Gold 100,000^
Poland (ZPAV)[110] Gold 10,000*
Hungary (MAHASZ)[111] Platinum 6,000^
Italy (FIMI)[112] Gold 25,000*
Sweden (GLF)[113] Gold 20,000^
United Kingdom (BPI)[114] Gold 100,000^

*sales figures based on certification alone
^shipments figures based on certification alone

References

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  101. ↑ "Schweizer Jahreshitparade 2015" (in German). hitparade.ch. Retrieved 13 January 2016.
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  103. ↑ "Austrian album certifications – Iron Maiden – The Book of Souls" (in German). IFPI Austria. 2015. Retrieved 29 September 2015. Enter Iron Maiden in the field Interpret. Enter The Book of Souls in the field Titel. Select album in the field Format. Click Suchen
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  105. ↑ "Iron Maiden recebeu da Warner Music ontem, antes do show no HSBC Arena, o disco de platina por The Book of Souls". Twitter (in Portuguese). Midiorama. 18 March 2016. Retrieved 19 March 2016.
  106. ↑ "Canadian album certifications – Iron Maiden – Book of Souls". Music Canada. 2015. Retrieved 29 September 2015.
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  109. ↑ "Gold-/Platin-Datenbank (Iron Maiden; 'Book of Souls')" (in German). Bundesverband Musikindustrie. Retrieved 29 September 2015.
  110. ↑ "Polish album certifications – Iron Maiden – Book of Souls" (in Polish). Polish Society of the Phonographic Industry. 27 January 2016. Retrieved 27 January 2016.
  111. ↑ "Adatbázis – Arany- és platinalemezek – 2015" (in Hungarian). MAHASZ. 2015. Retrieved 3 October 2015.
  112. ↑ "Italian album certifications – Iron Maiden – The Book of Souls" (in Italian). Federazione Industria Musicale Italiana. 2015. Retrieved 29 September 2015. Select Album e Compilation in the field Sezione. Enter Iron Maiden in the field Filtra. The certification will load automatically
  113. ↑ "Guld- och Platinacertifikat − År 2016" (PDF) (in Swedish). IFPI Sweden. 2016. Retrieved 17 June 2016. Type Iron Maiden in the top right search bar. Click on "Sok" and select The Book of Souls and see certification.
  114. ↑ "British album certifications – Iron Maiden – The Book of Souls". British Phonographic Industry. 4 December 2015. Retrieved 29 September 2015. Enter The Book of Souls in the field Keywords. Select Title in the field Search by. Select album in the field By Format. Select Gold in the field By Award. Click Search
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