The Kiss (Hayez)
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| Artist | Francesco Hayez |
|---|---|
| Year | 1859 |
| Medium | oil on canvas |
| Dimensions | 110 cm × 88 cm (43 in × 35 in) |
| Location | Pinacoteca di Brera, Milan |
Il bacio (Italian pronunciation: [il ˈbaːtʃo]; The Kiss) is an 1859 painting by the Italian artist Francesco Hayez. It is possibly his best known work. This painting conveys the main features of Italian Romanticism and has come to represent the spirit of the Risorgimento. It was commissioned by Alfonso Maria Visconti di Saliceto, who donated to the Pinacoteca di Brera after his death.[1]
Description
The painting represents a couple from the Middle Ages, embracing while they kiss each other. It is among the most passionate and intense representations of a kiss in the history of Western art. The girl leans backwards, while the man bends his left leg so as to support her, simultaneously placing a foot on the step next to him as though poised to go at any moment. The couple, though at the center of the painting, are not recognizable, as Hayez wanted the action of the kissing to be at the center of the composition. In the left part of the canvas shadowy forms lurk in the corner to give an impression of conspiracy and danger.[2]
Interpretation
This painting has been regarded as a symbol of Italian Romanticism, of which it encompasses many features. On a more superficial level, the painting is the representation of a passionate kiss, which puts itself in accordance with the principles of Romanticism. Therefore, it emphasizes deep feelings rather than rational thought, and presents a reinterpretation and reevaluation of the Middle Ages in a patriotic and nostalgic tone.[3]
On a deeper level, the painting aims to portray the spirit of the Risorgimento. The girl's pale blue dress signifies France, which in 1859 (the year of the painting's creation) made an alliance with the Kingdom of Piedmont and Sardinia, enabling the latter to unify the many states of the Italian peninsula into the new kingdom of Italy.
This painting is notable for its vivid colors and textures, in particular the blue dress, which appears to be a beautiful silk which shimmers before the viewer's eyes.
Curiosities
The Kiss has enjoyed extensive popularity from its exhibition onward, especially in Italy, and has been the subject of much commentary. In the 1920s the art director of Perugina, one of Italy's leading chocolate manufacturers, revised the image of the painting and created the typical blue box of the popular "Baci" chocolates with the picture of two lovers. In 1954 the great Italian director Luchino Visconti took inspiration from the painting for one of the leading scenes of his masterpiece movie, Senso.
References
- ↑ "A Jewel in Romanticism: Hayez's "The Kiss"". zuriest.wordpress.com. Retrieved 2015. Check date values in:
|access-date=(help) - ↑ "Hayez, il Romanticismo tra Manzoni e Verdi a cura di Fernando Mazzocca, Isabella Marelli e Sandrina Bandera.". /www.beniculturali.it. Retrieved 2015. Check date values in:
|access-date=(help) - ↑ "The Kiss by Hayez". www.wga.hu. Retrieved 2015. Check date values in:
|access-date=(help)
Literature
- C. Bertelli, G.Briganti, A. Giuliano Storia dell'arte italiana, Electa-Mondadori vol. 4.
- C. Castellaneta, S. Coradeschi. L'opera completa di Hayez, Classici dell'arte Rizzoli, Milano, 1966.
- F. Mazzocca Hayez, Dossier Art Giunti, Florence, 1998.
- M. Monteverdi, Neoclassicismo e aspetti accademici del primo romanticismo italiano, in: Storia della pittura italiana dell'Ottocento. Vol. I. Bramante Editrice, Busto Arsizio, 1984.
- La Nuova Enciclopedia dell’arte Garzanti, Giunti, Florence, 1986.
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