The Vanishing American

The Vanishing American
Theatrical poster
Directed by	George B. Seitz
Produced by	Adolph Zukor Jesse Lasky
Written by	Lucien Hubbard (adaptation) Ethel Doherty (scenario)
Based on	The Vanishing American by Zane Grey
Starring	Richard Dix Lois Wilson
Music by	Manny Baer Hugo Riesenfeld
Cinematography	C. Edgar Schoenbaum Harry Perry
Distributed by	Paramount Pictures
Release dates	October 15, 1925 (1925-10-15)
Running time	10 reels
Country	United States
Language	Silent (English intertitles)

The Vanishing American (1925) is a silent film western produced by Famous Players-Lasky in the United States, and distributed through Paramount Pictures. The film was directed by George B. Seitz and starred Richard Dix and Lois Wilson, recently paired in several screen dramas by Paramount. The film is based on the 1925 novel, The Vanishing American, by Zane Grey.

The story first appeared in November 1922 as a serial in Ladies' Home Journal. Harper & Brothers planned the book's publication to coincide with the film's release but Christian missionaries feared public criticism. Harper editors thus altered the story before publication,.ultimately causing a delay between the release of the two different pieces^[1]

History of Adaptation

Grey’s serialized novel, published in Ladies’ Home Journal in 1922-1923, was one of the first pieces of literature produced which offered a harsh portrayal of American government agencies towards Native Americans^[2] Grey depicted the white settlers as missionaries who preyed upon the subordinate race, forcefully converting them into Christianity and altering their way of life. This depiction sparked a lot of backlash in the form of angry letters from readers once the novels were published^[2] According to Zane Grey’s biographer, Thomas Pauly, “The magazine was deluged with angry letters from religious groups, and the Bureau of Indian Affairs vehemently denounced his depiction of their efforts.” ^[2]

In response to critics of the novel, Lasky persuaded Grey to dilute the negative portrayal of the American government in the film. Grey agreed, and instead of American’s monolithically demonstrating contempt towards Native Americans, the script instead placed most of the blame on the corrupt choices of an individual character, Booker.^[2]

According to an interview with Lasky in September 1925, the idea for adapting Grey’s novel into a feature-film originated in 1922 when he and Lucien Hubbard, the editorial supervisor for Zane Grey Productions, received an invitation from Grey to visit Navaho Mountain and Rainbow Bridge in northern Arizona. The reservation’s stark and boundless desert scenery captivated Lasky, and after spending nearly two months there, he suggested they used the vast ranges as the background for a motion picture.^[2]

Plot

The film opens long ago in Monument Valley, after tribes of Native Americans have defeated other ancient cliff dwellers; afterwards, Europeans arrived to conquer the Indians.^[3] Later, in the early 20th Century, a tribe of Navajo are living on a reservation overseen by an individual who hates Indians, named Booker. He and his men steal the best Native American horses for their own profit. Nophaie, a tribal leader, complains to Booker's superiors, but he is unable to gain fair treatment from the whites. When World War I breaks out, Army captain Earl Ramsdale comes west in search of the horses that Booker was supposed to have bought from the Indians for a fair price. Marian Warner, the teacher at the Native American School, has befriended Nophaie, teaching him to read; she convinces him that the Great War is a fight for a more just world, and that, when that world comes, the Indian will be better treated. Nophaie not only brings horses for the Army, he and many other Indians enlist, and distinguish themselves in battle. But when they come back after the war is over, they find life for Indians even worse than when they left. The Indians go on the warpath, and Nophaie rides to warn the whites. Nophaie and Booker die in the fighting, and Nophaie's sole comfort is to dying in the arms of Marion, whom he loved.^[3] The film is a mixture of contradictory stereotypes that aims to show its viewers the subjugation of the Indian people during the time of world war 1. Nophaie and his people ultimately come to realize that their traditional ways of life may be coming to an end. They also note that there is an equal place for them within white America. ^[4]

Cast

Production

The Vanishing American was produced by Famous Player-Lasky and distributed through Paramount Pictures, and is considered one of the most ambitious productions of the Twenties. The film began production in June 1925 and finished that September.^[2] The majority of the film was shot in the Navaho Nation reservation, including locations in Monument Valley, Rainbow Bridge and Tsegi Canyon. 500 cast and crew members were brought in from Hollywood, in addition to over 1,000 Native American extras, according to newspaper publicity at the time. Filming in a remote location created difficulties for the crew. Filming often had to be halted due to sandstorms and summer rainstorms and the trucks used for filming frequently blew tires because of the road conditions. ^[5] The film is timed at 110 minutes long.^[2]

Reviews

Audiences and critics responded positively to the film, and it earned critical acclaim as one of the first films of its type to address the mistreatment of indigenous peoples by white settlers. ^{[6] [7]} A review by The Motion Picture News in 1925 stated, “It is an epic of the Indian, his beginnings, his rise to power and glory, his fall and the tragic qualities of his existence today.” ^[8] The Motion Picture News continued, saying, “The Vanishing American is destined to general popularity and ranks with the best of its type. It depicts beautiful scenes which picture the coming of the Redman as we know him.” Film historian Kevin Brownlow has praised the film noting that "the problem of the Indian and his betrayal by the government was more clearly etched in this picture than in any other silent film."^[9]

Mordaunt Hall of The New York Times had some reservations about the performances, but he admired the film's "matchless photography" and the "great artistry" of the cliff dwelling and World War I battle sequences.^[10] He also praised Hugo Riesenfeld's score, which the composer himself conducted for the film's premiere at the Criterion Theatre.

Status

This film survives at several restoration archives such as the Library of Congress and is available on home video and DVD.^[11]

See also

• The House That Shadows Built (1931) promotional film released by Paramount with excerpt of this film

References

External links

• The Vanishing American at the Internet Movie Database
• The Vanishing American at the TCM Movie Database
• The Vanishing American at AllMovie