Voltage Pictures

Voltage Pictures, LLC
Private
Industry Film
Founded 2005
Founder Nicolas Chartier
Headquarters Los Angeles, California, United States
Products Motion pictures
Divisions Voltage Productions
Website www.voltagepictures.com

Voltage Pictures is an American film financing, production and distribution company founded by producer Nicolas Chartier. The company's first financed and produced film was The Hurt Locker, which was nominated for nine Academy Awards and won six.

On January 6, 2011, it was announced that Voltage's president Chartier partnered with longtime Hollywood Gang Productions executive Craig Flores to form Voltage Productions to produce large pictures set at studios, and films in the $15 million-$40 million budget range.[1]

Voltage Pictures has a history of filing lawsuits with severe monetary penalties against individuals that it accuses of illegally sharing its movies online, a practice commonly derided as copyright trolling by groups such as the Electronic Frontier Foundation.[2][3]

Canada

In November 2012, Voltage Pictures sought disclosure of personal information belonging to approximately 2000 customers of the Canadian ISP TekSavvy that it alleged illegally downloaded movies (based on data collected by the Canadian anti-piracy company Canipre between September 1, 2012 to October 31, 2012).[4] Due to TekSavvy's corporate policy of requiring court orders before releasing customer information for any reason, Voltage filed a Statement of Claim in Canada's Federal Court (Voltage Pictures LLC v. John Doe and Jane Doe) seeking a court order for the release of the subscribers' personal information, including telephone numbers and email addresses.

On February 21, 2014 the Federal Court released its decision compelling TekSavvy to identify the consumers identified by Voltage as alleged downloaders while also implementing strong constraints on Voltage. The court ruled that the demand letters sent by Voltage to the specified consumers must first be approved by a Federal Court judge to ensure "there is no inappropriate language" and that "any correspondence... shall clearly state in bold type that no court has yet made a determination that such subscriber has infringed or is liable in any way for payment of damages". The Court further limited Voltage by requiring the company to pay TekSavvy's legal costs and any costs associated with identifying the consumers and only permitting Voltage to access the names and mailing addresses of the subscribers in question.[5]

Australia

Beginning in 2014, Voltage Pictures filed nearly 150 multi-defendant "John Doe" lawsuits against internet users identified only by their IP addresses, alleging illegal downloading of Dallas Buyers Club.[6] Despite statutory damages claims of $150,000, users reported settling claims with the Voltage for $5,000 to $8,000.[7][8]

In Australia, Voltage attempted to aggressively enforce their copyrights by serving discovery orders on Australian internet service providers (ISPs), through a subsidiary named Dallas Buyers Club LLC. iiNet, one of the ISPs served with a discovery application, stated it has "serious concerns" that the film's makers will look to intimidate subscribers. Steve Dalby, iiNet's chief regulatory officer, said: "We are concerned that our customers will be unfairly targeted to settle claims out of court using a practice called 'speculative invoicing'".[9] Information of up to 4,700 subscribers were being sought for allegedly downloading the film before its box office release.[10]

In April 2015, an Australian federal judge, Justice Nye Perram ruled that ISPs must hand over contact information related to the IP addresses associated with sharing the movie.[11][12]

In August 2015 the Australian Federal Court refused the application for film makers of Dallas Buyers Club to force ISPs to hand over the details of their customers. The courts found that the contents of the letter, proposed by the film makers to contact downloaders with, were more demanding than deemed appropriate. The letter was found to ask for such details as salary and other films that were downloaded.[13]

In December 2015, Justice Perram dismissed the Dallas Buyers Club LLC case against iiNet entirely unless an appeal is made by February 16. The judge remarked upon DBC's attempts to claim costs for a worldwide non-exclusive distribution agreement, concluding that "DBC’s contention was wholly unrealistic; indeed, I went so far as to describe it as ‘surreal’."[14]

Films

References

  1. Fleming Jr, Mike (January 6, 2011). "Nicolas Chartier Teams With Hollywood Gang's Craig Flores In Production Shingle". deadline.com. Retrieved January 23, 2015.
  2. http://www.oregonlive.com/business/index.ssf/2014/08/voltage_pictures_is_back_suing.html
  3. Nazer, Daniel. "Australian Court Bans "Surreal" Copyright Demands from Dallas Buyers Club, Case Shows Need For Reform of US Copyright Law". Electronic Frontier Foundation. Retrieved 19 December 2015.
  4. Voltage Pictures LLC Statement of Claim. Retrieved July 2, 2013.
  5. The Canadian Press (21 February 2014). "TekSavvy ordered to ID alleged movie downloaders". CBC News. Retrieved 21 February 2014.
  6. "Dallas Buyers Club LLC". Retrieved 18 November 2015.
  7. "Movie Studio Targets Consumers For Illegal Downloads". NBC Chicago.
  8. Jessica Oh, KUSA (December 26, 2014). "Hundreds of Coloradans sued by 'Dallas Buyers Club' maker". 9News.
  9. http://blog.iinet.net.au/not-our-kind-of-club
  10. Lane, Sabra (April 7, 2015). "Dallas Buyers Club decision could be 'scary and intimidating' for some consumers says Communications Alliance CEO". Retrieved April 8, 2015.
  11. "Dallas Buyers Club slays iiNet in landmark piracy case". The Sydney Morning Herald.
  12. "Dallas Buyers Club judgment: Internet providers must hand over customer details, court rules". ABC News.
  13. "Dallas Buyers Club: Federal Court backs ISPs in row over illegal downloads". ABC News.
  14. Harry Tucker (2015-12-17). "Court throws out Dallas Buyers Club piracy case". Retrieved 2015-12-17.
This article is issued from Wikipedia - version of the 11/28/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.