William Hope Hodgson

William Hope Hodgson
Born (1877-11-15)15 November 1877
Blackmore End, Essex, England
Died April 1918 (1918-05) (aged 40)
Ypres, Belgium
Occupation Author, sailor, soldier
Nationality British
Genre Fantasy, horror, weird fiction
Notable works The House on the Borderland, The Night Land
Spouse Betty Farnworth (m. 1913; d. 1918)

William Hope Hodgson (15 November 1877 – April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction, and science fiction.[1] Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean, including his series of linked tales forming the "Sargasso Sea Stories". His novels, such as The House on the Borderland (1908) and The Night Land (1912), feature more cosmic themes, but several of his novels also focus on horrors associated with the sea. Early in his writing career Hodgson dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved renown as a bodybuilder. He died in World War I at age 40.

Life

Early years and life at sea

Hodgson was born in Blackmore End, Essex, the son of Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of 12 children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children", "The Sea-Horses", and "The Searcher of the End House".

Hodgson's father was moved frequently and served 11 different parishes in 21 years, including one in County Galway, Ireland. This setting was later featured in Hodgson's novel The House on the Borderland.

Hodgson ran away from his boarding school at age 13, in an effort to become a sailor. He was caught and returned to his family, but eventually received his father's permission to be apprenticed as a cabin boy and began a four-year apprenticeship in 1891. Hodgson's father died shortly thereafter, of throat cancer, leaving the family impoverished; while William was away, the family subsisted largely on charity. After his apprenticeship ended in 1895, Hodgson began two years of study in Liverpool and was then able to pass the tests and receive his mate's certificate; he then began several more years as a sailor.

At sea, Hodgson experienced bullying. This led him to begin a program of personal training. According to Sam Moskowitz,[2]

The primary motivation of his body development was not health, but self-defence. His relatively short height and sensitive, almost beautiful face made him an irresistible target for bullying seamen. When they moved in to pulverize him, they would learn too late that they had come to grips with easily one of the most powerful men, pound for pound, in all England.

The theme of bullying of an apprentice by older seamen, and revenge taken, appeared frequently in his sea stories.

While away at sea, in addition to his exercises with weights and with a punching bag, Hodgson also practised his photography, taking photographs of aurora borealis, cyclones, lightning, sharks, and the maggots that infested the food given to sailors. He also built up a stamp collection, practised his marksmanship while hunting, and kept journals of his experiences at sea. In 1898, he was awarded the Royal Humane Society medal for heroism for saving another sailor who had fallen overboard in shark-infested waters.

Physical culture, essays and poetry

In 1899, at age 22, he opened W. H. Hodgson's School of Physical Culture in Blackburn, England, offering tailored exercise regimes for personal training. Among his customers were members of the Blackburn police force. In 1902, Hodgson himself appeared on stage with handcuffs and other restraining devices supplied by the Blackburn police department and applied the restraints to Harry Houdini, who had previously escaped from the Blackburn jail. His behavior towards Houdini generated controversy; the escape artist had some difficulty removing his restraints, complaining that Hodgson had deliberately injured him and jammed the locks of his handcuffs.

Hodgson was not shy of publicity, and in another notable stunt, rode a bicycle down a street so steep that it had stairs, an event written up in the local paper. Despite his reputation, he eventually found that he could not earn a living running his personal training business, which was seasonal in nature, and shut it down. He began instead writing articles such as "Physical Culture versus Recreative Exercises" (published in 1903). One of these articles, "Health from Scientific Exercise", featured photographs of Hodgson himself demonstrating his exercises. The market for such articles seemed to be limited, however; so, inspired by authors such as Edgar Allan Poe, H. G. Wells, Jules Verne and Arthur Conan Doyle,[3] Hodgson turned his attention to fiction, publishing his first short story, "The Goddess of Death", in 1904, followed shortly by "A Tropical Horror" (1905). He also contributed to an article in The Grand Magazine, taking the "No" side in a debate on the topic "Is the Mercantile Navy Worth Joining?" In this piece, Hodgson laid out in detail his negative experiences at sea, including facts and figures about salaries. This led to a second article in The Nautical Magazine, an exposé on the subject of apprenticeships; at the time, families often were forced to pay to have boys accepted as apprentices. Hodgson began to give paid lectures, illustrated with his photography in the form of colorized slides, about his experiences at sea.

Although he wrote a number of poems, only a handful were published during his lifetime; several, such as "Madre Mia" (1907), appeared as dedications to his novels. Apparently cynical about the prospects of publishing his poetry, in 1906 he published an article in The Author magazine, suggesting that poets could earn money by writing inscriptions for tombstones. Many of his poems were published by his widow in two posthumous collections, but some 48 poems were not published until their appearance in the collection The Lost Poetry of William Hope Hodgson (2005).

Career in fiction, and marriage

Hodgson's first short story was "The Goddess of Death" (1904), in which he utilised a statue of Flora which stood in Corporation Park, Blackburn, as the focus of a tale in which a Hindu statue, seized from an Indian temple, stood in a small English town. The statue comes alive to take its revenge on the people who stole it. The Royal Magazine published the story in April 1904.

In 1906, the American magazine The Monthly Story Magazine published "From the Tideless Sea", the first of Hodgson's Sargasso Sea stories. Hodgson continued to sell stories to American magazines as well as British magazines for the remainder of his career, carefully managing the rights to his work in order to maximize his remuneration.

While still living with his mother in relative poverty, his first published novel, The Boats of the "Glen Carrig", appeared in 1907, to positive reviews. Hodgson also published "The Voice in the Night" the same year, as well as "Through the Vortex of a Cyclone", a realistic story inspired by Hodgson's experiences at sea and illustrated with tinted slides made from his own photographs. Hodgson also explored the subject of ships and cyclones in his story "The Shamraken Homeward-Bounder" (1908). Also in 1908, Hodgson published his second novel, The House on the Borderland, again to positive reviews, as well as an unusual satirical science fiction story, "Date 1965: Modern Warfare", a Swiftian satire in which it is suggested that war should be carried out by men fighting in pens with knives, and the corpses carefully salvaged for food, although in letters to the editor published at the time, Hodgson expressed strong patriotic sentiments.

In 1909, he published "Out of the Storm", a short horror story about "the death-side of the sea", in which the protagonist drowning in a storm rants about the horrors of a storm at sea. According to Moskowitz,

"This story proved an emotional testament beyond all other evidence. Hodgson, whose literary success would be in a large measure based on the impressions he received at sea, actually hated and feared the waters with an intensity that was the passion of his life."[2]

Also in 1909, Hodgson published another novel, The Ghost Pirates. In the foreword, he wrote that it

"... completes what, perhaps, may be termed a trilogy; for, though very different in scope, each of the three books deals with certain conceptions that have an elemental kinship. This book, the author believes that he closes the door, so far as he is concerned, on a particular phase of constructive thought."

The Bookman magazine in its review of the novel in 1909 included with the comment:

"We can only hope that Mr. Hodgson may be induced to reconsider his decision, for we know of nothing like the author's previous work in the whole of present-day literature."

Despite the critical success of his novels, Hodgson remained relatively poor. To try to bolster his income from short story sales, he began working on the first of his recurring characters, Thomas Carnacki, featured in several of his most famous stories and partly inspired by Algernon Blackwood's occult detective John Silence.[3] The first of these, "The Gateway of the Monster", was published in The Idler (1910). In 1910, Hodgson also published "The Captain of the Onion Boat", an unusual story that combines a nautical tale and a romance. He continued to publish many stories and non-fiction pieces, occasionally resorting to the use of recycled plot elements and situations, sometimes to the annoyance of his publishers.

His last novel to see publication, The Night Land, was published in 1912, although it likely had its genesis a number of years earlier. Hodgson also worked on a 10,000-word novelette version of the novel, now known as The Dream of X (1912). He continued to branch out into related genres, publishing "Judge Barclay's Wife", a Western adventure, in the United States, as well as several non-supernatural mystery stories and the science fiction story "The Derelict" (1912), and even war stories (several of the Captain Gault tales feature wartime themes).

In 1912, Hodgson married Betty Farnworth, known also as Bessie, a girl from Cheadle Hulme and a staff member who wrote the "agony" column for the women's magazine Home Notes. Both were 35. She gave up her job after they married on 26 February 1913, in the London borough of Kensington. They moved to the south of France and took up residence there, owing in part to the low cost of living. Hodgson began a work entitled "Captain Dang (An account of certain peculiar and somewhat memorable adventures)" and continued to publish stories in multiple genres, although financial security continued to elude him. When war broke out in Europe, the Hodgsons returned to England.

Later life, World War I experience and death

Hodgson joined the University of London's Officers' Training Corps. Refusing to have anything to do with the sea despite his experience and Third Mate's certificate, he received a commission as a Lieutenant in the Royal Artillery. In 1916, he was thrown from a horse and suffered a broken jaw and a serious head injury; he received a mandatory discharge, and returned to writing.

Refusing to remain on the sidelines, Hodgson recovered sufficiently to re-enlist. His published articles and stories from the time reflect his experience in war. He was killed by an artillery shell at Ypres in April 1918; sources suggest either the 17th or 19th. He was eulogized in The Times on 2 May 1918. The American magazine Adventure, to which Hodgson had contributed fiction, also ran an obituary which reprinted a clipping from his widow, describing how Hodgson led a group of NCOs to safety under heavy fire.[4]

Most famous works

Hodgson is most widely known for two works. The House on the Borderland (1908) is a novel of which H. P. Lovecraft wrote "but for a few touches of commonplace sentimentality [it] would be a classic of the first water".[5] The Night Land (1912) is a much longer novel, written in an archaic style and expressing a sombre vision of a sunless far-future world. These works both contain elements of science fiction, although they also partake of horror and the occult. According to critical consensus, in these works, despite his often laboured and clumsy language, Hodgson achieves a deep power of expression which focuses on a sense not only of terror but as well of the ubiquity of potential terror, of the thinness of the invisible boundary between the world of normality and an underlying, unaccountable reality for which humans are not suited.

The Ghost Pirates (1909) has less of a reputation than The House on the Borderland, but is an effective seafaring horror story of a ship attacked and ultimately dragged down to its doom by supernatural creatures. The book purports to be the spoken testimony of the sole survivor, and the style lacks the pseudo-archaism which makes The Boats of the "Glen Carrig" (1907) and The Night Land tedious reading for many.

Hodgson is also known for his short stories featuring recurring characters: the "detective of the occult" Thomas Carnacki, and the smuggler Captain Gault. The Carnacki story "The Whistling Room" has been reprinted in numerous anthologies, including collections introduced by Alfred Hitchcock. Hodgson's single most famous short story is probably "The Voice in the Night" (1907), which has been adapted for film twice. Another story regarded highly by critics is "The Shamraken Homeward-Bounder".

Hodgson's work is said to have had an influence on H.P. Lovecraft, even though Lovecraft did not read his works until 1934. In a 2009 essay, China Miéville traces the origin of "the tentacle" as an object of horror to Hodgson's The Boats of the "Glen Carrig", but the motif had already been used by M. R. James in "Count Magnus", which Lovecraft first read shortly before employing the motif.

Literary influence

After his death, Hodgson's work was largely forgotten. In the 1930s, however, Hodgson's supernatural fiction was anthologised in both Colin de la Mare's They Walk Again (1931) and Dennis Wheatley's A Century of Horror Stories (1935); this began a revival of interest in Hodgson's work.[6]

Hodgson's work was inspirational to many science fiction and fantasy writers. In Britain, both Olaf Stapledon and Dennis Wheatley were influenced by Hodgson's work.[6] Across the Atlantic, Clark Ashton Smith[7] and Henry S. Whitehead[8] were also influenced by Hodgson's writings. Modern authors who cite Hodgson as an influence include Iain Sinclair,[9] Gene Wolfe, Greg Bear, China Miéville, Simon Clark, Elizabeth Massie, Tim Lebbon, and Brian Keene.

Hodgson's literary estate

Hodgson's widow, Bessie, worked to keep his books in print and to publish works he was not able to get published during his lifetime, including two books of poetry. After Bessie Hodgson died in 1943, Hodgson's sister Lissie took over his literary estate.

While the first six Carnacki stories were collected during Hodgson's lifetime, "The Haunted Jarvee" appeared posthumously in 1929, and two more Carnacki stories, "The Find" and "The Hog," were published in 1947 by August Derleth. Some critics suspected that Derleth might actually be the author of these two stories, but that theory has been discounted.

One Captain Gault story, "The Plans of the Reefing Bi-Plane", was not published until 1996, when it was included in the short story collection Terrors of the Sea.

Some of Hodgson's poems were first published in 2005, when they appeared in The Lost Poetry of William Hope Hodgson.

A number of other Hodgson works are reprinted for the first time since their original publication in the five-volume Collected Fiction of William Hope Hodgson series published by Night Shade Books.

Copyright protection has now expired on most of Hodgson's work, with the exception of some of the works published posthumously, including many of his poems.

Novels

Order of writing versus order of publication

Sam Gafford, in his essay "Writing Backwards: The Novels of William Hope Hodgson" has suggested that Hodgson's four major novels may have been published in roughly the reverse order of their writing.[10] If this is true, then The Night Land was Hodgson's first novel, in which he poured out his imagination at its most unbridled, and not his last. Gafford writes:

"This concern over the order of composition of the novels may seem of little importance until we consider the implications toward Hodgson's work overall. .. in effect, Hodgson moved away from TNL’s quasi-science fiction scenario (which contained an astounding number of original conceptions) and toward BoGC’s more basic adventure slant."

If we accept Gafford's thesis, then Hodgson actually wrote The Boats of the "Glen Carrig" last, and it benefits from the modernization of style to the point where it is Hodgson's most accessible novel:

"When he finishes the group with BoGC, Hodgson has managed to rid himself of these affectations of style and produces a book written in a flat but serviceable tone. With each book, Hodgson learns better control of language and more writing savvy and eventually begins to develop his own voice."

But despite the excessively archaic prose style, which does make them less approachable, it is actually Hodgson's earlier works that are considered masterpieces today. And as Gafford says:

"...we can only wonder what wonderfully imaginative excesses like The Night Land may have been lost because of an unappreciative public."

Short stories

Miscellaneous stories

Note: the following list of stories is based on the five-volume Collected Fiction of William Hope Hodgson published by Night Shade Books to be completed in late 2006.

Sargasso Sea stories

Carnacki stories

Captain Jat stories

Captain Gault stories

D.C.O. Cargunka stories

Selected short story collections

Poems

Poetry collections

Recent publications of Hodgson's work

See also

Notes and references

  1. ↑ Bleiler, E.F (editor) (1985). "William Hope Hodgson". Supernatural Fiction Writers. New York: Scribner's. pp. 421–428. ISBN 0-684-17808-7.
  2. 1 2 Moskowitz, Sam (1975). "William Hope Hodgson". Out of the Storm. West Kingston, RI: Donald M. Grant.
  3. 1 2 Wisker, Gina (2005). Horror fiction: An Introduction. Continuum International Publishing Group. pp. 75–76. ISBN 0-8264-1561-X.
  4. ↑ Jones, Robert Kenneth (1989). The Lure of "Adventure". Starmont House. pp. 8–9. ISBN 1-55742-142-0.
  5. ↑ http://gaslight.mtroyal.ca/superhor.htm
  6. 1 2 Harris-Fain, Darren (1997). British Fantasy and Science-Fiction Writers Before World War I. London: Gale Research. p. 121. ISBN 0-8103-9941-5.
  7. ↑ Schweitzer, Darrell (2005). "Introduction". The Ghost Pirates by William Hope Hodgson. Rockville, MD: Wildside Press. p. 9. ISBN 978-1-55742-409-9.
  8. ↑ Dziemianowicz, Stefan R. (author); David Pringle, (editor) (1998). "Whitehead, Henry S(t. Clair)". St. James Guide to Horror, Ghost & Gothic Writers. London: St. James Press. ISBN 1-55862-206-3.
  9. ↑ Hogdson, William Hope; Newman, Kim (editor) (1996). "The BFI Companion to Horror". London: Cassell. p. 157. ISBN 0-304-33216-X.
  10. ↑ Gafford, Sam (31 May 1997). "Writing Backwards: The Novels of William Hope Hodgson". Retrieved 2015-01-26.

Further reading

Wikisource has original works written by or about:
William Hope Hodgson
Wikiquote has quotations related to: William Hope Hodgson
This article is issued from Wikipedia - version of the 11/5/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.