William Paulet Carey

William Paulet Carey (1759–21 May 1839) was an Irish art critic and publicist, known also as an engraver and dealer. He spent half a century promoting British art, most of his writings being distributed gratuitously.

William Paulet Carey, miniature portrait

Early life

Carey was born into an Irish Catholic family in Dublin, the brother of John Carey and Mathew Carey. His father Christopher Carey was a baker and newspaper owner. Of two other brothers, James became a newspaper editor in Philadelphia.[1][2]

Carey studied drawing at the Royal Dublin Society's school.[3] He began life as a painter and then became an engraver. After an accident to his eyes he had to abandon his career in art.[4] He edited in Dublin the Sentimental and Masonic Magazine (1792–95).[5]

Nationalist printer

In 1791, with his brother James, Carey began to publish Rights of Irishman, or National Evening Star, an Irish nationalist paper that ran to 1795. In 1792 he joined the Dublin Society of the United Irishmen. He associated with William Drennan, whose Address to the Volunteers he published in 1792; and with W. Todd Jones, whose portrait he painted for engraving, and whose Reply to an anonymous writer from Belfast he published, in 1793.[1]

Carey did not fit easily into the Dublin Society. He was unusual in the United Irishmen, for example, in that he took the side of the journeymen in the contemporary labour agitation.[6] Politically, he was aligned with James Napper Tandy and John Binns.[7] He wished to promote the influence of the Catholic Society of Dublin, formed in 1791 and a radical group of about 40, and displace the traditional leadership group of Catholics of high social rank.[8] A clash with Theobald Mackenna made his first application to join the United Irishmen problematic.[9]

In November 1792 Carey reprinted from the United Irishmen's Northern Star, published in Belfast, a paragraph on local rejoicing at the outcome of the Battle of Valmy, and Arthur Wolfe warned him of a prosecution for seditious libel.[10] The printing of Drennan's Address in December caused Carey further trouble with the Dublin administration. His creditors called in their debts, he sold the Star to Randal McAllister, and went into hiding.[1][11] An attempt to get help from the United Irishmen led to his arrest and release on bail in March 1793.[12]

Expecting more support from the Society than he received, Carey made public complaints under a pseudonym, and was expelled from the Society in November 1793.[1] This move followed exhaustive attempts by Carey to have the Society stand bail for him (so that he could leave without requiring his friends to pay the surety). Durey argues that Carey accurately analysed the use of the existing funds, to support leaders of higher social rank than he had.[13] In 1794 he was the chief witness in the treason trial of Drennan. On that occasion, he identified himself as a United Irishman. His evidence was broken down by John Philpot Curran, cross-examining; or, according to Durey, Carey did nothing to embroider a bald account. Drennan was acquitted.[14][15]

Aftermath of the Drennan trial

Having published his side of the story in late 1794, Carey spent some time in Philadelphia in 1795, and then came back to Dublin to run a government-subsidised paper, the General Evening Post (later the Volunteer Packet).[1] Its sale dwindled, according to Francis Higgins, to under 20 copies, and intimidation was used against those selling it or buying space for advertisements. Carey took part in the yeomanry volunteer force, and there ran into trouble, thought to be inciting the lower ranks against the officers.[16] During the Irish Rebellion of 1798 he left Ireland in June, for self-preservation, returning later.[17]

In England

Carey left Dublin for England permanently, around the middle of 1799.[1] A dealer in pictures, prints, and other works of art, he was one of the main agents used by John Leicester, 5th Baronet in the formation of his collection. For some years he had an establishment in Marylebone Street, London.[4] He became chief art critic to the Literary Gazette.[18]

Carey saluted the talent of Francis Chantrey the sculptor in the Sheffield Iris, in 1805.[4] At the end of 1816 he praised the graphical work of William Blake, then little known, and wondered aloud what posterity would make of his lack of patrons;[19] the significant unsigned obituary of Blake in the Literary Gazette in 1827 is tentatively assigned to Carey.[20] He praised Washington Allston and his work Uriel Standing in the Sun to the Pennsylvania Academy of the Fine Arts in 1818.[21]

Carey brought James Montgomery the poet into prominence. After a visit to Cork in 1824, he wrote letters in the Cork and Dublin papers to promote the work of John Hogan the sculptor. Hogan was then able to visit Italy, to study art.[4][22]

Last years

Carey settled in Birmingham about 1834.[4] He spent time in Philadelphia, about 1836 to 1838, when he spoke there on National and Commercial Utility and Profit of the Arts of Design.[23][24] He sold items from his collection, one of the purchasers being John Neagle.[25]

Carey died in Birmingham on 21 May 1839, aged 80.[4]

Works

A meeting of the female canvassers in Covent Garden, satirical print from 1784 by William Paulet Carey

Carey produced some satirical and political engravings for the British general election, 1784, working with William Holland of Drury Lane.[26] In 1787 he turned to Ireland and the matter of religion, Arthur O'Leary and William Campbell, who had joined sides in controversy with Richard Woodward.[5][27] In 1789 he collected his political verse in The Nettle, aimed at the Marquess of Buckingham, and published it under the pseudonym "Scriblerus Murtough O'Pindar"[28][29] He did the copperplates in Geoffrey Gambado's (Henry William Bunbury's) Annals of Horsemanship (Dublin, 1792). He also made several plates for a collection of ethical maxims, the Morals of Horace translated by Elizabeth Grattan in Dublin in 1785.[1][4]

Engraving of 1784 of a scene from The Duenna by William Paulet Carey, with Jane Green and John Quick

In 1806 Carey wrote a pamphlet in defence of the Princess of Wales; in 1820 he published two other pamphlets, The Conspiracies of 1806 and 1813 against the Princess of Wales linked with the atrocious conspiracies of 1820 against the Queen of England, and The Present Plot showed by the Past. In 1834 he contributed to The Analyst, a Birmingham quarterly journal. He wrote also:[4]

Satirical print of an early incident in the feud between Carey and Benjamin Haydon. St James' Street in an Uproar or the Quack Artist and his Assailants: Saturday morning 30 Jan 1819. Haydon is at the left in blue, Carey is represented by the goose behind him. Carey had doubted whether Haydon's charging a shilling for admission to an exhibition of eight chalk drawings was value for money.[33]

An unfinished work was a Life of John Boydell.[4]

Family

Carey's first wife Dorothy died in 1791, shortly after his eldest son. He married again in 1792, to a Miss Lennon.[1] One of his daughters, Elizabeth Sheridan Carey, wrote a volume of poems called Ivy Leaves, privately printed in 1837.[4]

References

Notes

  1. 1 2 3 4 5 6 7 8 Mary Pollard; Bibliographical Society (Great Britain) (2000). A Dictionary of Members of the Dublin Book Trade 1550–1800. Oxford University Press. pp. 88–9. ISBN 978-0-948170-11-9. Retrieved 7 September 2013.
  2. ↑ Durey, p. 92.
  3. ↑ Grindle, Nicholas. "Carey, William Paulet". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/4659. (Subscription or UK public library membership required.)
  4. 1 2 3 4 5 6 7 8 9 10  Stephen, Leslie, ed. (1887). "Carey, William Paulet". Dictionary of National Biography. 9. London: Smith, Elder & Co.
  5. 1 2 The Irish Quarterly Review. W. B. Kelly. 1853. p. 46 note. Retrieved 7 September 2013.
  6. ↑ David A. Wilson (1998). United Irishmen, United States: Immigrant Radicals in the Early Republic. Cornell University Press. p. 214. ISBN 978-0-8014-3175-3. Retrieved 7 September 2013.
  7. ↑ Durey, p. 94.
  8. ↑ Durey, p. 100.
  9. ↑ Durey, p. 103.
  10. ↑ Durey, p. 104.
  11. ↑ Durey, p. 105.
  12. ↑ Durey, p. 106–7.
  13. ↑ Durey, p. 107–8.
  14. ↑ John Philpot Curran (1847). The speeches of the Right Honourable John Philpot Curran. H. G. Bohn. p. 222. Retrieved 7 September 2013.
  15. ↑ Durey, p. 108 note 86.
  16. ↑ Durey, p. 109.
  17. ↑ Durey, p. 110.
  18. ↑ Susan Matoff (January 2011). Conflicted Life: William Jerdan, 1782–1869, London Editor, Author and Critic. Sussex Academic Press. p. 79. ISBN 978-1-84519-417-8. Retrieved 7 September 2013.
  19. ↑ Michael Davis (1977). William Blake: A New Kind of Man. University of California Press. pp. 142–3. ISBN 978-0-520-03456-3. Retrieved 7 September 2013.
  20. ↑ G. E. Bentley Jr. (2003). The Stranger from Paradise: A Biography of William Blake. Yale University Press. p. 446. ISBN 0 300 10030 2.
  21. ↑ Christopher N. Phillips (5 April 2012). Epic in American Culture: Settlement to Reconstruction. JHU Press. p. 110. ISBN 978-1-4214-0527-8. Retrieved 7 September 2013.
  22. ↑ John Turpin, John Hogan in Dublin, Dublin Historical Record Vol. 34, No. 1 (Dec. 1980), pp. 2–14, at p. 2. Published by: Old Dublin Society. Stable URL: http://www.jstor.org/stable/30104219
  23. ↑ research.frick.org, Carey, William Paulet.
  24. ↑ A Checklist of American Imprints for 1838: Items 48673-53805. SCARECROW PressINC. 1 April 1988. p. 46. ISBN 978-0-8108-2123-1. Retrieved 7 September 2013.
  25. ↑ Ann Percy and Innis Howe Shoemaker, Collecting Collections: Drawings at the Philadelphia Museum of Art, Master Drawings Vol. 42, No. 1, Drawings in American Museums (Spring, 2004), pp. 3–18, at p. 6. Published by: Master Drawings Association Stable URL: http://www.jstor.org/stable/1554628
  26. ↑ David S. Alexander (1998). Richard Newton and English Caricature in the 1790s. Manchester University Press. p. 16. ISBN 978-0-7190-5480-8. Retrieved 7 September 2013.
  27. ↑ Michael Bernard Buckley (1868). The Life and Writings of the Rev. Arthur O'Leary. J. Duffy. p. 276. Retrieved 7 September 2013.
  28. ↑ Thomas Crofton Croker (1839). Popular songs of Ireland. Colburn. pp. 79–80. Retrieved 7 September 2013.
  29. ↑ George Watson; Ian Roy Willison (1971). The New Cambridge Bibliography of English Literature: 1660–1800 / edited by George Watson. Cambridge University Press. pp. 1968–. ISBN 978-0-521-07934-1. Retrieved 7 September 2013.
  30. ↑ Dennis M. Read (2011). R.H. Cromek, Engraver, Editor, and Entrepreneur. Ashgate Publishing, Ltd. pp. 53–54 note 28. ISBN 978-0-7546-6399-7. Retrieved 7 September 2013.
  31. ↑ William Paulet Carey (1808). Critical description of the procession of Chaucer's pilgrims to Canterbury painted by T. Stothard. p. 1. Retrieved 7 September 2013.
  32. ↑ Chaucer Illustrated: Five Hundred Years of The Canterbury Tales in Pictures. The British Library. 2003. ISBN 0 7123 4816 6.
  33. ↑ Paul O'Keeffe (11 January 2011). A Genius for Failure: The Life of Benjamin Robert Haydon. Random House. p. 189. ISBN 978-1-4464-2658-6. Retrieved 15 September 2013.
  34. ↑ Washington Allston (1993). The Correspondence of Washington Allston. University Press of Kentucky. p. 155 note 16. ISBN 978-0-8131-1708-9. Retrieved 7 September 2013.
  35. ↑ Hyder Edward Rollins (16 February 2012). The Letters of John Keats: Volume 2, 1819–1821: 1814–1821. Cambridge University Press. p. 220 note 3. ISBN 978-1-107-69204-6. Retrieved 7 September 2013.
  36. ↑ William Paulet Carey (1825). The national obstacle to the national public style considered. Observations on the probable decline or extinction of British historical painting, from the effects of the Church exclusion of paintings. Retrieved 7 September 2013.
  37. ↑ Leonard Robinson (2007). William Etty: The Life and Art. McFarland. pp. 186–. ISBN 978-0-7864-2531-0. Retrieved 7 September 2013.
  38. ↑ Edward Mammatt (1835). The Analyst: A Quarterly Journal of Science, Literature, Natural History, and the Fine Arts. Simpkin and Marshall. p. 186. Retrieved 7 September 2013.
  39. ↑ Chaucer Illustrated: Five Hundred Years of The Canterbury Tales in Pictures. The British Library. 2003. p. 380. ISBN 0 7123 4816 6.
Attribution

 This article incorporates text from a publication now in the public domain: Stephen, Leslie, ed. (1887). "Carey, William Paulet". Dictionary of National Biography. 9. London: Smith, Elder & Co. 

This article is issued from Wikipedia - version of the 7/17/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.