Emir Rodríguez Monegal

This name uses Spanish naming customs: the first or paternal family name is Rodríguez and the second or maternal family name is Monegal.
Emir Rodríguez Monegal

Emir Rodríguez Monegal, standing first to the right, with the Generation of 45 on the occasion of the visit of Juan Ramón Jiménez.
Born 28 July 1921
Melo, Uruguay
Died 14 November 1985(1985-11-14) (aged 64)
New Haven, Connecticut, US
Occupation Writer, translator, professor and poet

Emir Rodríguez Monegal (28 July 1921 – 14 November 1985), born in Uruguay, was a scholar, literary critic, and editor of Latin American literature. From 1969 to 1985, Rodríguez Monegal was professor of Latin American contemporary literature at Yale University. He is usually called by his second surname Emir R. Monegal or Monegal, or erroneously Emir Monegal.

Described as "one of the most influential Latin American literary critics of the 20th century" by the Encyclopædia Britannica,[1] Monegal wrote key books about Pablo Neruda and Jorge Luis Borges, and the Britannica Macropædia notice of the later. He was a part in "The Boom" of 1960s Latin American literature as founder and 1966–1968 editor of his influential magazine Mundo Nuevo. Umberto Eco was quoted in saying that Jorge Luis Borges had read almost everything but no one knew that indiscernable totallity better than Emir.[2]

He is remembered as a member of the Generation of 45, a Uruguayan intellectual and literary movement: Carlos Maggi, Manuel Flores Mora, Ángel Rama, Idea Vilariño, Carlos Real de Azúa, Carlos Martínez Moreno, Mario Arregui, Mauricio Muller, José Pedro Díaz, Amanda Berenguer, Tola Invernizzi, Mario Benedetti, Ida Vitale, Líber Falco, Juan Cunha, Juan Carlos Onetti, among others.[3]

Biography

Early career (1921–1965)

In 1921, Emir Rodríguez Monegal was born on 28 July in Melo, Cerro Largo Department, Uruguay.[4] He had the double-barrelled name Rodríguez Monegal (erroneously "Rodríguez-Monegal" in some texts) but was often referred to as R. Monegal or Monegal only, a Spanish naming custom when the first surname is extremely common.

From 1945 to 1957 (age 24 to 36), he edited the literary section of the Montevideo weekly Marcha.[4] He was one of the first to recognize early on the importance of Borges,[1][5] seeing him and his family frequently after 1945, and taking him for model to the point of pastiche.[5] Conversely, he got a cameo in a pseudo-autobiographical Borges short story:[6]

The second episode took place in Montevideo, months later. Don Pedro's fever and his agony gave me the idea for a tale of fantasy based on the defeat at Masoller; Emir Rodriguez Monegal, to whom I had told the plot, wrote me an introduction to Colonel Dionisio Tabares, who had fought in that campaign.
Jorge Luis Borges, from "The Other Death" (published in La Nación, 1949, collected in The Aleph, 1949)

In 1949 (age 28), he won a scholarship from the British Council for a year's study at the University of Cambridge; he went to study under F. R. Leavis and complete a project on Andrés Bello.[5] During 1949 to 1955 (age 28 to 34), he was also editor of Número, a Montevideo literary magazine.[4] In 1952, he became friend with Pablo Neruda, who would later lend him his intimate papers for Monegal's biography of Neruda.[5]

In 1956 (age 35), Monegal obtained the equivalent of a PhD at the Facultad de Humanidades (Faculty of Letters), Montevideo, for his research on "Andrés Bello y el Romanticismo hispanoamericano".[4]

Mundo Nuevo (1966–1968)

Main article: Mundo Nuevo

In 1966 (age 45), Monegal founded the influential literary monthly Mundo Nuevo as a project sponsored by the Ford Foundation. Published in Spanish in Paris, it was distributed worldwide.[7] Monegal directed it with full editorial control until July 1968, after a political smear campaign alleging a CIA funding eventually led to his resignation.[7] Mundo Nuevo contributed to the 1960s publishing phenomenon dubbed "The Boom" in Latin American literature that led to many Latin American writers being published outside of their home countries and gaining critical recognition.[7]

Yale University (1969–1985)

In 1969 (age 48), Monegal was appointed professor of Latin American contemporary literature at Yale University.[4][8] From 1970 to 1973 (age 49 to 52), he was chairman of the Latin American Studies program and associate chairman of the Department of Romance Languages. From 1973 to 1976 (age 49 to 55), he was chairman of the Spanish and Portuguese Department.[4]

From 1969 to 1977 (age 48 to 56), he was a member of the editorial board of Revista Iberoamericana (University of Pittsburgh) and from 1972 to 1977 (age 51 to 56) he was consulting editor of Review, a tri-quarterly published by the Center for Inter-American Relations in New York.

Also, from 1975 to 1982 (age 54 to 61), he was a visiting lecturer in seven universities in Brazil, and a visiting professor at the University of Southern California and the University of Pittsburgh.[4]

In 1985 (aged 64), Monegal died on Thursday 14 November at Yale's infirmary in New Haven, Connecticut, US He was survived by his wife, Selma Calasans Rodríguez, and three children: Joaquín Rodríguez Nebot, of Mexico City; Alejandro Rodríguez, of Montevideo, Uruguay; and Georgina Rodríguez Nebot, of Stockholm.[8]

Legacy

Bibliography

The bulk of Monegal's works exists only in Spanish.[13] For untranslated texts, an English equivalent of the title is provided in parentheses.

Books

Articles

Selected among more than 330 articles and notices:[13]

Edited

See also

References

Primary sources consulted
Tertiary sources consulted
Endnotes
  1. 1 2 EB, tertiary sources.
  2. Behar, Lisa Block de, “La violencia del comienzo”, Prólogo, In: Monegal, Emir Rodríguez, Obra Selecta, Caracas, Biblioteca Ayacucho, p. XIII.
  3. Generación del 45: severa en la crítica y brillante en la creación.
  4. 1 2 3 4 5 6 7 Monegal 1984, primary sources.
  5. 1 2 3 4 González Echevarría 1974, primary sources.
  6. Borges, Jorge Luis (1949). "La otra muerte". in El Aleph. El segundo episodio se produjo en Montevideo, meses después. La fiebre y la agonía del entrerriano me sugirieron un relato fantástico sobre la derrota de Masoller; Emir Rodríguez Monegal, a quien referí el argumento, me dio unas líneas para el coronel Dionisio Tabares, que había hecho esa campaña.
  7. 1 2 3 Mac Adam 1984, primary sources.
  8. 1 2 NYT 1985, tertiary sources.
  9. Monegal 1968, primary sources. "Allí Borges y Bioy crean literalmente un escritor compuesto, que podría bautizarse Biorges y en el que predomina un sentido violento del humor, una sátira literaria y social más descarnada de la que asoma en las respectivas obras no apócrifas, un placer por jugar con el lenguaje por explorar sus posibilidades paródicas, por romper y recrear sus estructuras orales, que convierten a los casi inexistentes Bustos Domecq, o Suárez Lynch, o Biorges, en uno de los más importantes prosistas argentinos de su época. Un prosista sin el cual no es posible explicar a Leopoldo Marechal en sus momentos más felices, o a Cortázar, sobre todo, en Rayuela, cuando se larga a hablar en un rioplatense inventado. Biorges estuvo aquí, habría que inscribir en muchas páginas de la más ingeniosa e inventiva literatura rioplatense de estos últimos treinta años."
  10. Monegam, Emir Rodríguez (1990). "Borges and Derrida: Apothecaries," trans. Paul Budofsky and Edna Aizenberg. In Borges and His Successors, ed. Edna Aizenberg: University of Missouri Press, 128–138. Originally published as ""Borges y Derrida: boticarios"," in Maldoror (Montevideo) 21 (1985): 123–32
  11. Rodríguez 1990, 128
  12. Rodríguez 1990, 130
  13. 1 2 ADP 2007, tertiary sources.
  14. https://scholar.google.com/scholar?hl=en&lr=&q=%22interview%3A+Emir+Rodr%C3%ADguez+Monegal%22

External links

Official sites
Online works
About Monegal



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