Imagery
This article is about imagery in literary texts. For imagery in cognitive psychology, see mental image. For various senses of the word imaging, see Imaging (disambiguation).
Imagery, in a literary text, is an author's use of vivid and descriptive language to add depth to their work. It appeals to human senses to deepen the reader's understanding of the work. Powerful forms of imagery engage all of the senses pro lenses.
Forms
There are seven types of imagery, each corresponding to a sense, feeling, or action:
- Visual imagery pertains to graphics, visual scenes, pictures, or the sense of sight.
- Auditory imagery Auditory imagery is a form of mental imagery that is used to organize and analyze sounds when there is no external auditory stimulus present. This form of imagery is broken up into a couple of auditory modalities such as verbal imagery or musical imagery.
- o sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia).
- Olfactory imagery pertains to odors, scents, or the sense of smell.
- Gustatory imagery pertains to flavors or the sense of taste.
- Tactile imagery pertains to physical textures or the sense of touch.
Less used
- Kinesthetic imagery pertains to movements or the sense of bodily motion.
- Organic imagery or subjective imagery, pertains to personal experiences of a character's body, including emotion and the senses of hunger, thirst, fatigue, and pain.[1]
References
- ↑ "Poetics of Robert Frost: Examples". Friends of Robert Frost. Retrieved 12 March 2013.
External links
- "Imagery and Imagination". Internet Encyclopedia of Philosophy.
- Thomas, Nigel J.T (Winter 2011), Zalta, Edward N., ed., "Mental Imagery", The Stanford Encyclopedia of Philosophy, Stanford University, retrieved February 16, 2012
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