John Mraz

John Mraz (California, 1943) is a pioneer in representing history with and of modern media (photography, film, video, digitalization).

Studies and academic work

Mraz has written books and articles that do history of and through photography. He has directed documentary films, videotapes and digital productions about historical subjects, and has analyzed the portrayal of history in feature films. He has also been curator of major historical photographic exhibits. Mraz received a Ph.D. in History from the University of California, Santa Cruz (1986).

He moved to Mexico in 1981, and is a research professor in the Institute of Social Sciences and Humanities at the University of Puebla (Mexico). He has been a visiting professor and research fellow in Princeton, Oxford, Dartmouth College, Barcelona, Rio de Janeiro, Tokyo, Auckland, the Harry Ransom Center of U. Texas, the National Autonomous University of Mexico, and other institutions.

Historian Paul Vanderwood asserted, “John Mraz is considered one of the history profession’s most astute students of visual culture”.[1]

Mraz’s books have focused largely on analyzing photographs taken in Mexico, and historian Jurgen Buchenau wrote that he is “widely considered the preeminent expert on the history of Mexican photography".[2]

Historian John Lear attested to his pioneering status: “John Mraz began studying the modern visual culture of Latin America back when few historians took the field seriously”.[3] His first monograph, Nacho López, was said by reviewer Seth Fein to “answer virtually all of the obvious (but difficult) questions that usually go not only frustratingly unanswered but unasked in photographic histories".[4] Ignacio Sánchez Prado argued that Mraz’s book, Looking for Mexico: Modern Visual Culture and National Identity, “Is without doubt the best introduction available on Mexican visual studies, and the necessary point of departure for any readers seeking to familiarize themselves with the body of work on that subject as it exists”.[5] That book was described by Rubén Gallo, Director of Latin American Studies at Princeton University, as “the definitive history of Mexican photography...brilliantly researched, passionately argued, and beautifully written;” on the back cover of another book by Mraz, Gallo affirmed “John Mraz is undoubtedly the world expert on Mexican photography”.[6]

Documentary

Mraz’s work in documentary productions has received awards and recognition. Made on Rails was given the Hubert B. Herring Award for "Best Videotape, Film or Non-Print Media," by the Pacific Coast Council on Latin American Studies (1988). It was shown at a session of the American Historical Association congress in 1987 that was dedicated to Mraz’s method of videohistory. Both Made on Rails and Innovating Nicaragua were awarded the Latin American Studies Association "Award of Merit in Film" for "excellence in the visual presentation of educational and artistic materials on Latin America." One reviewer said of the productions on Nicaragua and the Mexican railroad workers, “Historians can learn a lot from these films, and they can be viewed with admiration for a colleague who with little budget but with much ingenuity is ‘writing’ history through a medium which is generally appreciated but less well understood”.[7]

Curadorship

Mraz has curated a number of photographic exhibits, but two of them stand out.

Bibliography

Books

Academic journals

Productionss (films and audiovisuals)

Director of 11 films and 20 audiovisual productions on Latin American history. Two films have received international awards. The films are distributed in the United States, Europe, and Latin America in Spanish, English, French and Catalonian.

Productions (selective listing):

Awards

Presented (selective listing): X Festival Internacional del Nuevo Cine Latinoamericano, La Habana, 1988. Annual Congress of the American Historical Association, 1987.

Director, Innovating Nicaragua/Nicaragua innovando, Managua and Puebla: Ministerio del Interior and UAP, 1986/87. Distribution: U.S. and Canada—The Cinema Guild (New York). Latin America—Zafra/Latino Video (Mexico City). Europe—La Médiathèque des Trois Mondes (Paris).

Award: Latin American Studies Association "Award of Merit in Film" for “excellence in the visual presentation of educational and artistic materials on Latin America,” Latin American Studies Association Invitational Film Festival, 1986. Present ed (selective listing): VIII Festival Internacional del Nuevo Cine Latinoamericano, La Habana, 1986. "Screening Days for Films from Latin America, the Caribbean, Africa, Asia, and the Pacific", Stockholm, 1987.

Exhibits

Curator, essayist, and consultant for more than15 photographic exhibits on Latin America, shown in Europe, Latin America, and the United States.

Exhibits (selective listing):

Curator, Testimonios de una guerra. Fotografìas de la Revolución Mexicana, 2010.

Curator, Ojos ajenos. Fotografías de extranjeros en México, Huesca, Spain, 2004.

Curator, La mirada inquieta: El nuevo fotoperiodismo mexicano: 1976–1996, Centro de la Imagen, Mexico City, 1996.

Participant in more than 100 international congresses, and invited lecturer at universities and institutes in the United States, Europe (Germany, Great Britain, Holland, Spain), Latin America (Argentina, Brazil, Chile, Colombia, Cuba, Guatemala, Mexico, Uruguay), Japan, Singapore, Canada, and New Zealand.

References

  1. ↑ Vanderwood, Paul (2004). "Review of Nacho López: Mexican Photographer". Hispanic American Historical Review.
  2. ↑ Buchenau, Jurgen (2013). "The Mexican Revolution at its Centennial". Latin American Research Review. 48 (2).
  3. ↑ Lear, John (2010). "Review of Looking for Mexico". The Americas.
  4. ↑ Fein, Seth. "Review of Nacho López". Journal of Latin American Studies. 2005.
  5. ↑ Sánchez Prado, Ignacio (2011). "Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa". Mexican Studies/Estudios Mexicanos. 27 (2).
  6. ↑ Gallo, Rubén (2011). "Mexican Photography: From the Daguerreotype to Digital Images". Hispanic Review, Back cover, Photographing the Mexican Revolution.
  7. ↑ Vanderwood, Paul (1989). "Made on Rails and Innovating Nicaragua". Film & History.


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